Dramatic Identities and Cultural Tradition PDF Download

Author: G. K. Hunter
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 388

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Author: G. K. Hunter
Publisher: New York : Barnes & Noble Books
ISBN:
Category : Drama
Languages : en
Pages : 390

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Author: Lewis Walker
Publisher: Routledge
ISBN: 1317943376
Category : Literary Criticism
Languages : en
Pages : 920

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Book Description
This bibliography will give comprehensive coverage to published commentary in English on Shakespeare and the Classical Tradition during the period from 1961-1985. Doctoral dissertations will also be included. Each entry will provide a clear and detailed summary of an item's contents. For pomes and plays based directly on classical sources like Antony and Cleopatra and The Rape of Lucrece, virtually all significant scholarly work during the period covered will be annotated. For other works such as Hamlet, any scholarship that deals with classical connotations will be annotated. Any other bibliographies used in the compiling of this volume will be described with emphasis on their value to a student of Shakespeare and the Classics.

Author: James Cunningham
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838637111
Category : Drama
Languages : en
Pages : 252

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Individual chapters deal with cultural materialism, new historicism, poststructuralism, and feminist criticism. The theoretical basis of each critical mode is examined and some representative critiques analyzed. Most importantly, in each chapter the various interpretations are tested against Shakespeare's texts, and the strengths and weaknesses of the different readings are assessed.

Author: Jack Cooper Gray
Publisher: University of Toronto Press
ISBN: 1487597835
Category : Literary Criticism
Languages : en
Pages : 430

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Book Description
George Hibbard has always endorsed T.S. Eliot's idea that 'we must know all of Shakespeare's work in order to know any of it,' and this idea, implicit in the first essay in this volume, informs the whole collection, written in honour of one of Canada's leading Shakespearian editors and scholars. The two essays which begin the collection present broad overviews of Elizabethan drama and discuss Shakespeare's first great editor, Theobald. Together with the final essay – on publication and performance in early Stuart drama – these form the frame of the mirror held up to Shakespeare in the other eighteen essays, whether they of general themes running through some or all of Shakespeare's plays or the plays his contemporaries, or whether they treat of specific plays. There is an especially rich concentration on Macbeth and Coriolanus.

Author: Martin Wiggins
Publisher: Oxford Shakespeare Topics
ISBN: 9780198711605
Category : Literary Criticism
Languages : en
Pages : 166

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'Extremely informative... There are some nice touches here, and Wiggins is good on the effects of the cultural shifts that he describes, making telling comparisons such as: 'To the Elizabethans, Marlowe's plays must have had all the aural impact of a symphony orchestra taking over from a barrel-organ'.' -Modern Language Review'Oxford University Press offer a mix of engagingly written introductions to a variety of Topics intended largely for undergraduates. Each author has clearly been reading and listening to the most recent scholarship, but they wear their learning lightly.' -Ruth Morse, Times Literary Supplement'Provides a superb, concise, and approachable overview of Shakespeare's contextual place among the plays and playwrights of early modern London.' -Sixteenth Century JournalOxford Shakespeare Topics (General Editors Peter Holland and Stanley Wells) provide students, teachers, and interested readers with short books on important aspects of Shakespeare criticism and scholarship, including some general anthologies relating to Shakespeare. This book examines the plays of Shakespeare in their context as part of English Renaissance drama as a whole. Separate chapters deal with the origins of that drama; tragedy; comedy; the artistic conventions of play-writing in the period; and tragicomedy. Throughout, Shakespeare's plays are shown to be intimately associated with those of his contemporaries, notably Christopher Marlowe, Thomas Kyd, George Chapman, Ben Jonson, John Marston, and John Fletcher.

Author: Lorraine Helms
Publisher: University of Pennsylvania Press
ISBN: 1512816817
Category : Literary Criticism
Languages : en
Pages : 212

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Selected by Choice magazine as an Outstanding Academic Book "English Seneca read by candlelight," wrote the Elizabethan author Thomas Nashe, "will afford you whole Hamlets." In the early decades of the twentieth century, literary and theater historians took Nashe at his word, finding Senecan tragedy at the source of Renaissance drama. More recently, critics have been inclined to dismiss traces of classical antiquity as a superficial veneer on a drama derived from medieval traditions. Lorraine Helms revisits this terrain to explore the rich and various ways in which classical learning shaped the theatrical culture of the Renaissance. She uncovers the practical advice on acting and stagecraft to be found in the writings of ancient rhetoricians; reconstructs the extraordinary circumstances under which an English woman first rendered Euripides into her native language; and ponders the precedents in antiquity for Elizabethan portrayals of prostitution and female martyrdom.

Author: Margreta De Grazia
Publisher: Cambridge University Press
ISBN: 0521886325
Category : Drama
Languages : en
Pages : 381

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Book Description
Twenty-one essays provide lively and authoritative approaches to the literary, historical, cultural and performative aspects of Shakespeare works.

Author: J.R. Mulryne
Publisher: Springer
ISBN: 1349217360
Category : Performing Arts
Languages : en
Pages : 275

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Book Description
Theatre of the English and Italian Renaissance studies interrelationships between English and Italian Theatre of the Renaissance period, including texts, performance and performance spaces, and cultural parallels and contrasts. Connections are traced between Italian writers including Aretino, Castiglione and Zorenzo Valla and such English playwrights as Shakespeare, Lyly and Ben Jonson. The impact of Italian popular tradition on Shakespeare's comedies is analysed, together with Jonson's theatrical recreation of Venice, and Italian sources for the court masques of Jonson, Daniel and Campion.

Author: Wendy Griswold
Publisher: University of Chicago Press
ISBN: 9780226309231
Category : History
Languages : en
Pages : 328

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Book Description
Renaissance Revivals examines patterns in the London revivals of two English Renaissance theatre genres over the past four centuries. Griswold's focus on revenge tragedies and city comedies illuminates the ongoing interaction between society and its cultural products. No cultural object is ever created anew, she argues, but is instead constructed from existing cultural genres and conventions, the visions and professional needs of the artist, and the interests of an audience. Thus, every "new play" is in part a renaissance and every "revival" is in part an entirely new cultural object.