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Author: Constantine Tung Publisher: SUNY Press ISBN: 9780887063893 Category : Performing Arts Languages : en Pages : 376
Book Description
This is the first book ever published in the West on drama in the People's Republic of China. The plays, playwrights, theories, and performances range from the play that inflamed the Cultural Revolution to a post-Mao satiric drama that upset party leaders; from Jiang Qing's drama theory for her model plays to the discovery of Bertolt Brecht; from the problems and dilemmas that confront theater reform in the post-Mao era to the performance of Ibsen's Peer Gynt and Viennese operettas; and from a historical play glorifying Mao's supremacy to a playwright calling for individualism and women's rights. This book not only depicts aspects of drama in the People's Republic of China, it also provides analyses of the political and social conditions that shaped and are represented in this drama.
Author: Constantine Tung Publisher: SUNY Press ISBN: 9780887063909 Category : Performing Arts Languages : en Pages : 372
Book Description
This is the first book ever published in the West on drama in the Peoples Republic of China. The plays, playwrights, theories, and performances range from the play that inflamed the Cultural Revolution to a post-Mao satiric drama that upset party leaders; from Jiang Qings drama theory for her model plays to the discovery of Bertolt Brecht; from the problems and dilemmas that confront theater reform in the post-Mao era to the performance of Ibsens Peer Gynt and Viennese operettas; and from a historical play glorifying Maos supremacy to a playwright calling for individualism and womens rights. This book not only depicts aspects of drama in the Peoples Republic of China, it also provides analyses of the political and social conditions that shaped and are represented in this drama.
Author: Constantine Tung Publisher: SUNY Press ISBN: 9780887063893 Category : Performing Arts Languages : en Pages : 376
Book Description
This is the first book ever published in the West on drama in the People's Republic of China. The plays, playwrights, theories, and performances range from the play that inflamed the Cultural Revolution to a post-Mao satiric drama that upset party leaders; from Jiang Qing's drama theory for her model plays to the discovery of Bertolt Brecht; from the problems and dilemmas that confront theater reform in the post-Mao era to the performance of Ibsen's Peer Gynt and Viennese operettas; and from a historical play glorifying Mao's supremacy to a playwright calling for individualism and women's rights. This book not only depicts aspects of drama in the People's Republic of China, it also provides analyses of the political and social conditions that shaped and are represented in this drama.
Author: Maggie Greene Publisher: China Understandings Today ISBN: 0472054309 Category : History Languages : en Pages : 261
Book Description
Even amidst the Maoist era's politicized cultural production, culture workers continued to adapt traditional theatre to create bold new statements
Author: Lois Wheeler Snow Publisher: ISBN: Category : Drama Languages : en Pages : 376
Book Description
Theatre has always played a major part in Chinese life. Combining ancient forms with revolutionary messages, the Chinese Communists from their guerilla beginnings have use d theatre as educational and innovative entertainment for all the people.
Author: Xiaomei Chen Publisher: Columbia University Press ISBN: 0231535546 Category : Performing Arts Languages : en Pages : 655
Book Description
This condensed anthology reproduces close to a dozen plays from Xiaomei Chen's well-received original collection, The Columbia Anthology of Modern Chinese Drama, along with her critical introduction to the historical, cultural, and aesthetic evolution of twentieth-century Chinese spoken drama. Comprising representative works from the Republican era to postsocialist China, the book encapsulates the revolutionary rethinking of Chinese theater and performance that began in the late Qing dynasty and vividly portrays the uncertainty and anxiety brought on by modernism, socialism, political conflict, and war. Chosen works from 1919 to 1990 also highlight the formation of national and gender identities during a period of tremendous social, cultural, and political change in China and the genesis of contemporary attitudes toward the West. PRC theater tracks the rise of communism, juxtaposing ideals of Chinese socialism against the sacrifices made for a new society. Post-Mao drama addresses the nation's socialist legacy, its attempt to reexamine its cultural roots, and postsocialist reflections on critical issues such as nation, class, gender, and collective memories. An essential, portable guide for easy reference and classroom use, this abridgment provides a concise yet well-rounded survey of China's theatricality and representation of political life. The original work not only established a canon of modern Chinese drama in the West but also made it available for the first time in English in a single volume.
Author: Gotelind Müller Publisher: LIT Verlag Münster ISBN: 3825807878 Category : Historical television programs Languages : en Pages : 218
Book Description
Historical TV dramas are a highly popular genre in the People's Republic of China and an important, contested factor in shaping historical consciousness of the populace. The monumental TV drama Zou xiang gonghe made a stir when aired by China Central Television in the spring of 2003. Because of its unconventional representation of the historically critical time-span 1890-1917, the TV drama sparked a heated discussion in the print media as well as in the internet, and was ultimately taken off the program. This book aims at presenting a synopsis of the TV drama, analysing its background and impact on society.
Author: Brian James DeMare Publisher: Cambridge University Press ISBN: 131629966X Category : History Languages : en Pages : 271
Book Description
Charting their training, travels, and performances, this innovative study explores the role of the artists that roamed the Chinese countryside in support of Mao's communist revolution. DeMare traces the development of Mao's 'cultural army' from its genesis in Red Army propaganda teams to its full development as a largely civilian force composed of amateur and professional drama troupes in the early years of the People's Republic of China (PRC). Drawing from memoirs, artistic handbooks, and rare archival sources, Mao's Cultural Army uncovers the arduous and complex process of creating revolutionary dramas that would appeal to China's all-important rural audiences. The Communists strived for a disciplined cultural army to promote party policies, but audiences often shunned modern and didactic shows, and instead clamoured for traditional works. DeMare illustrates how drama troupes, caught between the party and their audiences, did their best to resist the ever growing reach of the PRC state.
Author: Kai-yu Hsu Publisher: Bloomington : Indiana University Press ISBN: Category : Literary Collections Languages : en Pages : 1000
Book Description
Until now little of China's massive literary output of the last thirty years has been available to American readers. This landmark volume presents a generous sampling in translation of the literature written in the PRC from 1949 to the present. Included here are more than 200 selections: poems, stories, essays, a hsiang-sheng (comic dialogue), and excerpts from novels, plays, movie scripts, and an opera. Literature of the People's Republic of China offers a fascinating glimpse into Chinese life and demonstrates the struggle of creative writers to be true both to their art and to their country's revolution.--From the publisher.
Author: Xiaomei Chen Publisher: University of Hawaii Press ISBN: 0824861361 Category : Performing Arts Languages : en Pages : 483
Book Description
Acting the Right Part is a cultural history of huaju (modern Chinese drama) from 1966 to 1996. Xiaomei Chen situates her study both in the context of Chinese literary and cultural history and in the context of comparative drama and theater, cultural studies, and critical issues relevant to national theater worldwide. Following a discussion of the marginality of modern Chinese drama in relation to other genres, periods, and cultures, early chapters focus on the dynamic relationship between theater and revolution. Chosen during the Cultural Revolution as the exclusive artistic vehicle to promote proletariat art, "model theater" raises important questions about the complex relationships between women, memory, nation/state, revolution, and visual culture. Throughout this study, Chen argues that dramatic norms inform both theatrical performance and everyday political behavior in contemporary China.
Author: Constantine Tung
Author: Constantine Tung
Author: Constantine Tung
Author: Maggie Greene
Author: Lois Wheeler Snow
Author: Xiaomei Chen
Author: Gotelind Müller
Author: Brian James DeMare
Author: Kai-yu Hsu
Author: Xiaomei Chen
Author: Donald P. Whitaker