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Author: Francesco Caruana Publisher: GRIN Verlag ISBN: 3346236218 Category : Foreign Language Study Languages : en Pages : 64
Book Description
Master's Thesis from the year 2015 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,5, University of Tubingen (Institut für Literaturwissenschaft), course: Staatsexamen, language: English, abstract: Throughout this paper the question is going to be answered, whether W.E.B. Du Bois’ concept of double consciousness can be discerned in contemporary expressions of Hip Hop culture. Furthermore, it is going to be explored how this concept can be visually represented by analyzing Kendrick Lamar’s music video to the song Alright from the Album To Pimp a Butterfly. First, a definition of Du Bois’ concept of double consciousness is going to be given in order to delineate the characteristics and possible interpretations of it. The concept is going to be defined as an internal conflict that expresses the hardship of reconciling two distinct perspectives and identities into one body. Moreover, formal aspects of The Souls of Black Folk are going to provide evidence for the argument, that Du Bois writing style facilitates the communication of the concept of double consciousness throughout his work. The effects of double consciousness and the importance of cultural expressions in the process of finding one’s own cultural identity are also going to be analyzed in more detail in the second chapter of this paper. In order to analyze Kendrick Lamar’s music video, a brief introduction to the medium is going to be given. Through Keazor’s and Wübbena’s work the origins of this medium will be determined and presented. Moreover, the most important technical elements of the music video in general are going to be mentioned as well. Railton and Watson propose in their work Music Video and the Politics of Representation a systematic categorization of music videos, by identifying four different type of music videos: 1. Pseudo-Documentary music video, 2. Art music video, 3. Narrative music video and 4. Staged Performance music video (Railton and Watson). The music video Alright is going to be analyzed by determining how the director Colin Tilley establishes the single scenes in the music video. Firstly, possible thematically coherent segments have to be identified. Through a frame by frame analysis the cinematic techniques and the aesthetics of each segment of the music video are going to be analyzed. Secondly, the song lyrics and their visual representation in the music video are also going to be examined. Thirdly, the concept of double consciousness is going to be identified in Kendrick Lamar’s music video by illustrating how double consciousness is visually represented.
Author: Francesco Caruana Publisher: GRIN Verlag ISBN: 3346236218 Category : Foreign Language Study Languages : en Pages : 64
Book Description
Master's Thesis from the year 2015 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,5, University of Tubingen (Institut für Literaturwissenschaft), course: Staatsexamen, language: English, abstract: Throughout this paper the question is going to be answered, whether W.E.B. Du Bois’ concept of double consciousness can be discerned in contemporary expressions of Hip Hop culture. Furthermore, it is going to be explored how this concept can be visually represented by analyzing Kendrick Lamar’s music video to the song Alright from the Album To Pimp a Butterfly. First, a definition of Du Bois’ concept of double consciousness is going to be given in order to delineate the characteristics and possible interpretations of it. The concept is going to be defined as an internal conflict that expresses the hardship of reconciling two distinct perspectives and identities into one body. Moreover, formal aspects of The Souls of Black Folk are going to provide evidence for the argument, that Du Bois writing style facilitates the communication of the concept of double consciousness throughout his work. The effects of double consciousness and the importance of cultural expressions in the process of finding one’s own cultural identity are also going to be analyzed in more detail in the second chapter of this paper. In order to analyze Kendrick Lamar’s music video, a brief introduction to the medium is going to be given. Through Keazor’s and Wübbena’s work the origins of this medium will be determined and presented. Moreover, the most important technical elements of the music video in general are going to be mentioned as well. Railton and Watson propose in their work Music Video and the Politics of Representation a systematic categorization of music videos, by identifying four different type of music videos: 1. Pseudo-Documentary music video, 2. Art music video, 3. Narrative music video and 4. Staged Performance music video (Railton and Watson). The music video Alright is going to be analyzed by determining how the director Colin Tilley establishes the single scenes in the music video. Firstly, possible thematically coherent segments have to be identified. Through a frame by frame analysis the cinematic techniques and the aesthetics of each segment of the music video are going to be analyzed. Secondly, the song lyrics and their visual representation in the music video are also going to be examined. Thirdly, the concept of double consciousness is going to be identified in Kendrick Lamar’s music video by illustrating how double consciousness is visually represented.
Author: Christopher M. Driscoll Publisher: Routledge ISBN: 1351010832 Category : Religion Languages : en Pages : 373
Book Description
Kendrick Lamar has established himself at the forefront of contemporary hip-hop culture. Artistically adventurous and socially conscious, he has been unapologetic in using his art form, rap music, to address issues affecting black lives while also exploring subjects fundamental to the human experience, such as religious belief. This book is the first to provide an interdisciplinary academic analysis of the impact of Lamar’s corpus. In doing so, it highlights how Lamar’s music reflects current tensions that are keenly felt when dealing with the subjects of race, religion and politics. Starting with Section 80 and ending with DAMN., this book deals with each of Lamar’s four major projects in turn. A panel of academics, journalists and hip-hop practitioners show how religion, in particular black spiritualties, take a front-and-center role in his work. They also observe that his astute and biting thoughts on race and culture may come from an African American perspective, but many find something familiar in Lamar’s lyrical testimony across great chasms of social and geographical difference. This sophisticated exploration of one of popular culture’s emerging icons reveals a complex and multi faceted engagement with religion, faith, race, art and culture. As such, it will be vital reading for anyone working in religious, African American and hip-hop studies, as well as scholars of music, media and popular culture.
Author: Ben Joy Muin Publisher: ISBN: 9783346529138 Category : Languages : en Pages : 24
Book Description
Seminar paper from the year 2019 in the subject American Studies - Literature, grade: 1,7, University of Wuppertal (Anglistik / Amerikanistik), course: African American Literature, language: English, abstract: This term paper tries to show that Kendrick Lamar, on his album "To Pimp A Butterfly", not only incorporates the concept of institutional racism but elaborates on it, offering a different approach to the issue. By using the example of the ghetto, he uses an unconventional idea of what can be defined as an institution and how African Americans are discriminated against by the institutions. Moreover, he tries to show what effects these institutions have on the individual. Furthermore, with the concept of "self-love", Lamar offers an alternative approach to solve this problem. In 2018 hip hop became the most popular music genre in the US and there is no denying the influence it has on today's popular culture. Hip hop has its origins in African American musical tradition and was used as protest music by young African Americans in the 1970s and 80s and can therefore be described as being part of African American culture. Even in other parts of popular culture we now see many African Americans having achieved worldwide fame. One could think that the US has overcome its historic legacy of slavery and racism. However, in stark contrast to that are the claims that African Americans today live in an era of mass incarceration and police brutality, claims that are backed up by statistics and movements like "Black Lives Matter". How can this predicament be explained that America, on the one hand, seems to have overcome racism, but on the other hand, African Americans are still being challenged by massive inequalities? Some people see an explanation to this predicament in the concept of institutional racism, a term that has its origins in the Civil Rights Movement of the 1960s. The term is also a topic of Kendrick Lamar's third studio album "To Pimp A Butterfly", with one
Author: Sequoia Maner Publisher: Bloomsbury Publishing USA ISBN: 1501377493 Category : Music Languages : en Pages : 144
Book Description
Breaking the global record for streams in a single day, nearly 10 million people around the world tuned in to hear Kendrick Lamar's sophomore album in the hours after its release. To Pimp a Butterfly was widely hailed as an instant classic, garnering laudatory album reviews, many awards, and even a canonized place in Harvard's W. E. B. Du Bois archive. Why did this strangely compelling record stimulate the emotions and imaginations of listeners? This book takes a deep dive into the sounds, images, and lyrics of To Pimp a Butterfly to suggest that Kendrick appeals to the psyche of a nation in crisis and embraces the development of a radical political conscience. Kendrick breathes fresh life into the Black musical protest tradition and cultivates a platform for loving resistance. Combining funk, jazz, and spoken word, To Pimp a Butterfly's expansive sonic and lyrical geography brings a high level of innovation to rap music. More importantly, Kendrick's introspective and philosophical songs compel us to believe in a future where, perhaps, we gon' be alright.
Author: Laura L. Finley Publisher: IAP ISBN: Category : Education Languages : en Pages : 205
Book Description
Drawing from many disciplinary areas, this edited volume illustrates the many ways that popular culture can be used to teach peace and justice. Chapters address such topics as teaching about racism, domestic violence, structural violence, conflict analysis, decolonization, critiques of capitalism, and peacebuilding, showing how different forms of popular culture can be utilized to enhance student learning. Contributors provide both theoretical backgrounds and concrete lessons using TV, film, music, graphic novels, and more.
Author: Marcus J. Moore Publisher: Simon and Schuster ISBN: 1982107596 Category : Biography & Autobiography Languages : en Pages : 288
Book Description
This “smart, confident, and necessary” (Shea Serrano, New York Times bestselling author) first cultural biography of rap superstar and “master of storytelling” (The New Yorker) Kendrick Lamar explores his meteoric rise to fame and his profound impact on a racially fraught America—perfect for fans of Zack O’Malley Greenburg’s Empire State of Mind. Kendrick Lamar is at the top of his game. The thirteen-time Grammy Award-winning rapper is just in his early thirties, but he’s already won the Pulitzer Prize for Music, produced and curated the soundtrack of the megahit film Black Panther, and has been named one of Time’s 100 Influential People. But what’s even more striking about the Compton-born lyricist and performer is how he’s established himself as a formidable adversary of oppression and force for change. Through his confessional poetics, his politically charged anthems, and his radical performances, Lamar has become a beacon of light for countless people. Written by veteran journalist and music critic Marcus J. Moore, this is much more than the first biography of Kendrick Lamar. “It’s an analytical deep dive into the life of that good kid whose m.A.A.d city raised him, and how it sparked a fire within Kendrick Lamar to change history” (Kathy Iandoli, author of Baby Girl) for the better.
Author: Rob Eschmann Publisher: Univ of California Press ISBN: 0520379748 Category : Family & Relationships Languages : en Pages : 312
Book Description
This timely, comprehensive study examines how racism manifests online and highlights the antiracist tactics rising to oppose it From cell phone footage of police killing unarmed Black people to leaked racist messages and even comments from friends and family on social media, online communication exposes how racism operates in a world that pretends to be colorblind. In When the Hood Comes Off, Rob Eschmann blends rigorous research and engaging personal narrative to examine the effects of online racism on communities of color and society, and the unexpected ways that digital technologies enable innovative everyday tools of antiracist resistance. Drawing on a wealth of data, including interviews with students of Color around the country and analyses of millions of social media posts over the past decade, Eschmann investigates the influence of online communication on face-to-face interactions. When the Hood Comes Off highlights the power of the internet as an organizing tool, and shows that online racism can be a profound wake-up call. How will we respond?
Author: John Link Publisher: Cambridge University Press ISBN: 0521769760 Category : History Languages : en Pages : 509
Book Description
"Elliott Carter was born four months after Orville Wright demonstrated the Wright Brothers' Flyer to the U.S. Army, and he died two months after the Voyager 1 spacecraft left the heliosphere at the threshold of interstellar space. Carter's remarkable longevity, and the unusual trajectory of his life and work through more than a century of disruptive change, has affected the reception history of his music in ways that we are only beginning to acknowledge. Over the course of a nearly eighty-year-long career, Carter leveraged his advantages and turned obstacles into opportunities with admirable persistence. He chose projects that not only interested him but also fit into the plans for artistic and professional development that he cultivated assiduously over decades. And he paid close attention to how his artistic objectives could be presented most effectively to the performers, listeners, and patrons on whom his career depended. Together with his wife Helen Frost-Jones Carter, he skillfully steered a course through the turbulent waters of the twentieth and early twenty-first centuries with steadily increasing success. The story of Carter's artistic life, as he told it and as it was promoted by several generations of advocates, is one of independence, uncompromising vision, and technical progress. It was astutely tailored to the beliefs and values of its intended audience and, as autobiography, it reports selectively and glosses over or omits events and attitudes deemed unhelpful in building Carter's reputation and authority, and promoting his music"--
Author: Anthony B. Pinn Publisher: NYU Press ISBN: 0814766994 Category : Music Languages : en Pages : 224
Book Description
Rap music is often seen as a Black secular response to pressing issues of our time. Yet, like spirituals, the blues, and gospel music, rap has deep connections to African American religious traditions. Noise and Spirit explores the diverse religious dimensions of rap stemming from Islam (including the Nation of Islam and Five Percent Nation), Rastafarianism, and Humanism, as well as Christianity. The volume examines rap’s dialogue with religious traditions, from the ways in which Islamic rap music is used as a method of religious and political instruction to the uses of both the blues and Black women’s rap for considering the distinction between God and the Devil. The first section explores rap’s association with more easily recognizable religious traditions and communities such as Christianity and Islam. The next presents discussions of rap and important spiritual considerations, including on the topic of death. The final unit wrestles with ways to theologize about the relationship between the sacred and the profane in rap.
Author: Joseph G. Schloss Publisher: Wesleyan University Press ISBN: 0819574821 Category : Music Languages : en Pages : 273
Book Description
Winner of IASPM's 2005 International Book Award Based on ten years of research among hip-hop producers, Making Beats was the first work of scholarship to explore the goals, methods, and values of a surprisingly insular community. Focusing on a variety of subjects—from hip-hop artists' pedagogical methods to the Afrodiasporic roots of the sampling process to the social significance of "digging" for rare records—Joseph G. Schloss examines the way hip-hop artists have managed to create a form of expression that reflects their creative aspirations, moral beliefs, political values, and cultural realities. This second edition of the book includes a new foreword by Jeff Chang and a new afterword by the author.
Author: Francesco Caruana
Author: Francesco Caruana
Author: Christopher M. Driscoll
Author: Ben Joy Muin
Author: Sequoia Maner
Author: Laura L. Finley
Author: Marcus J. Moore
Author: Rob Eschmann
Author: John Link
Author: Anthony B. Pinn
Author: Joseph G. Schloss