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Author: Alexandre DumasPublisher:
ISBN:
Category :
Languages : fr
Pages :
Book Description
Dossiers littéraires Dumas fils [Recueil factice de 111 pièces]
![Dossiers littéraires Dumas fils [Recueil factice de 111 pièces] PDF](https://books.google.com/books/content/images/frontcover/3D1vzgEACAAJ?fife=w80-h100)
Author: Alexandre DumasDossiers littéraires Dumas fils [Recueil factice de 95 pièces]
![Dossiers littéraires Dumas fils [Recueil factice de 95 pièces] PDF](https://books.google.com/books/content/images/frontcover/XndvzgEACAAJ?fife=w80-h100)
Author: Alexandre DumasDossiers littéraires Dumas-Dumas fils [Recueil factice de 120 pièces]
![Dossiers littéraires Dumas-Dumas fils [Recueil factice de 120 pièces] PDF](https://books.google.com/books/content/images/frontcover/KUxyzgEACAAJ?fife=w80-h100)
Author: Alexandre DumasDossiers littéraires Du Camp, Dumas [Recueil factice de 106 pièces]
![Dossiers littéraires Du Camp, Dumas [Recueil factice de 106 pièces] PDF](https://books.google.com/books/content/images/frontcover/RwVxzgEACAAJ?fife=w80-h100)
Author: Alexandre DumasRecueil factice d'art. de presse sur la vie d'Alexandre Dumas fils
Author: Recueil factice comprenant des art. de presse et de revues contenant diverses lettres d'A. Dumas fils
Author: Recueil factice d'art. crit. sur A. Dumas fils
Author: Recueil. Pièces diverses d' Alexandre Dumas fils jouées de 1961 à 1977
Author: Œuvres complètes
Author: Alexandre Dumas (fils)Le Tumulte Noir
Author: Jody BlakePublisher: Penn State Press
ISBN: 9780271017532
Category : Art
Languages : en
Pages : 232
Book Description
Jody Blake demonstrates in this book that although the impact of African-American music and dance in France was constant from 1900 to 1930, it was not unchanging. This was due in part to the stylistic development and diversity of African-American music and dance, from the prewar cakewalk and ragtime to the postwar Charleston and jazz. Successive groups of modernists, beginning with the Matisse and Picasso circle in the 1900s and concluding with the Surrealists and Purists in the 1920s, constructed different versions of la musique and la danse negre. Manifested in creative and critical works, these responses to African-American music and dance reflected the modernists' varying artistic agendas and historical climates.