Author: Leslie Bridges-Kemp
Publisher: AuthorHouse
ISBN: 140337435X
Category :
Languages : en
Pages : 130
Book Description
Historically, the church choir has been labeled as a ministry filled with conflict and tension. The blame for this behavior has been placed squarely on the shoulders of the choir members. However, in reality, the church choir has been a victim of dysfunctional leadership. The people we are privileged to serve will never rise above the level of our leadership. Equipping the church choir for effective ministry is directly connected to leadership that accurately understand the relationship between music and ministry. "Equipping The Church Choir for Ministry" is a resource for church music leaders, choir members, pastors, and seminarians. The book clarify the problems of music ministry leadership; addresses the need for a theologians framework from which to operate; brings to light the power and influence of music on the human instrument; discuss, in detail, biblical foundations of church music ministry and how it apply to us; it addresses the most important issues of music and worship; the importance of planning and implemented an effective rehearsal session; and highlights the leadership challenges the minister of music will face. You will find this book to be a excellent resource for the development of a choir orientation class.
Anno Domini Cherokee
Author: Leslie Bridges-Kemp
Publisher: AuthorHouse
ISBN: 140337435X
Category :
Languages : en
Pages : 130
Book Description
Historically, the church choir has been labeled as a ministry filled with conflict and tension. The blame for this behavior has been placed squarely on the shoulders of the choir members. However, in reality, the church choir has been a victim of dysfunctional leadership. The people we are privileged to serve will never rise above the level of our leadership. Equipping the church choir for effective ministry is directly connected to leadership that accurately understand the relationship between music and ministry. "Equipping The Church Choir for Ministry" is a resource for church music leaders, choir members, pastors, and seminarians. The book clarify the problems of music ministry leadership; addresses the need for a theologians framework from which to operate; brings to light the power and influence of music on the human instrument; discuss, in detail, biblical foundations of church music ministry and how it apply to us; it addresses the most important issues of music and worship; the importance of planning and implemented an effective rehearsal session; and highlights the leadership challenges the minister of music will face. You will find this book to be a excellent resource for the development of a choir orientation class.
Publisher: AuthorHouse
ISBN: 140337435X
Category :
Languages : en
Pages : 130
Book Description
Historically, the church choir has been labeled as a ministry filled with conflict and tension. The blame for this behavior has been placed squarely on the shoulders of the choir members. However, in reality, the church choir has been a victim of dysfunctional leadership. The people we are privileged to serve will never rise above the level of our leadership. Equipping the church choir for effective ministry is directly connected to leadership that accurately understand the relationship between music and ministry. "Equipping The Church Choir for Ministry" is a resource for church music leaders, choir members, pastors, and seminarians. The book clarify the problems of music ministry leadership; addresses the need for a theologians framework from which to operate; brings to light the power and influence of music on the human instrument; discuss, in detail, biblical foundations of church music ministry and how it apply to us; it addresses the most important issues of music and worship; the importance of planning and implemented an effective rehearsal session; and highlights the leadership challenges the minister of music will face. You will find this book to be a excellent resource for the development of a choir orientation class.
The New Music Review and Church Music Review
Catalog of Copyright Entries
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1454
Book Description
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1454
Book Description
MUSIC AND DEEP MEMORY
Author: Bryan Carr and Richard Dumbrill
Publisher: Lulu.com
ISBN: 0244405581
Category : Education
Languages : en
Pages : 298
Book Description
This book is an homage to Ernest G. McClain and includes the following articles: Jean Le Mee: THE CHALLENGE OF ABUL WAFA; Leon Crickmore: CASTLERIGG: STONE OR TONE CIRCLE? Jay Kappraff: ANCIENT HARMONIC LAW; Sarah Reichart & Vivian Ramalingam: THREE HEPTAGONAL SACRED SPACES; Pétur Halldórsson: PATTERN OF SETTLEMENTS PACED FROM 1-9; Anne Bulckens: THE METONIC CYCLE OF THE PARTHENON; Jay Kappraff and Ernest McClain: THE PROPORTIONAL SYSTEM OF THE PARTHENON; Richard Heath: THE GEODETIC AND MUSICOLOGICAL SIGNIFICANCE OF THE SHORTER LENGTH OF THE PARTHENON; Richard Heath: ERNEST MCCLAIN'S MUSICOLOGICAL INTERPRETATION OF ANCIENT TEXTS; John Bremer: THE OPENING OF PLATO'S POLITY; Bryan Carr: ONTOLOGY INSIDE-OUT; Babette Babich: THE HALLELUJAH EFFECT; Pete Dello: MCCLAIN'S MATRICES; Richard Dumbrill: SEVEN? YES -- BUT ...; Howard Barry Schatz: THROUGH THE EYES OF PLATO; Gerry Turchetto: MEMORIES OF ERNEST G. MCCLAIN.
Publisher: Lulu.com
ISBN: 0244405581
Category : Education
Languages : en
Pages : 298
Book Description
This book is an homage to Ernest G. McClain and includes the following articles: Jean Le Mee: THE CHALLENGE OF ABUL WAFA; Leon Crickmore: CASTLERIGG: STONE OR TONE CIRCLE? Jay Kappraff: ANCIENT HARMONIC LAW; Sarah Reichart & Vivian Ramalingam: THREE HEPTAGONAL SACRED SPACES; Pétur Halldórsson: PATTERN OF SETTLEMENTS PACED FROM 1-9; Anne Bulckens: THE METONIC CYCLE OF THE PARTHENON; Jay Kappraff and Ernest McClain: THE PROPORTIONAL SYSTEM OF THE PARTHENON; Richard Heath: THE GEODETIC AND MUSICOLOGICAL SIGNIFICANCE OF THE SHORTER LENGTH OF THE PARTHENON; Richard Heath: ERNEST MCCLAIN'S MUSICOLOGICAL INTERPRETATION OF ANCIENT TEXTS; John Bremer: THE OPENING OF PLATO'S POLITY; Bryan Carr: ONTOLOGY INSIDE-OUT; Babette Babich: THE HALLELUJAH EFFECT; Pete Dello: MCCLAIN'S MATRICES; Richard Dumbrill: SEVEN? YES -- BUT ...; Howard Barry Schatz: THROUGH THE EYES OF PLATO; Gerry Turchetto: MEMORIES OF ERNEST G. MCCLAIN.
Catalog of Copyright Entries
The Pleasure of Modernist Music
Author: Arved Mark Ashby
Publisher: Boydell & Brewer
ISBN: 1580461433
Category : Music
Languages : en
Pages : 417
Book Description
The debate over modernist music has continued for almost a century: from Berg's Wozzeck and Webern's Symphony Op.21 to John Cage's renegotiation of musical control, the unusual musical practices of the Velvet Underground, and Stanley Kubrick's use of Ligeti's Lux Aeterna in the epic film 2001. The composers discussed in these pages -- including Bartók, Stockhausen, Bernard Herrmann, Steve Reich, and many others -- are modernists in that they are defined by their individualism, whether covert or overt, and share a basic urge toward redesigning musical discourse. The aim of this volume is to negotiate a varied and open middle ground between polemical extremes of reception. The contributors sketch out the possible significance of a repertory that in past discussions has been deemed either meaningless or beyond describable meaning. With an emphasis on recent aesthetics and contexts -- including film music, sexuality, metaphor, and ideas of a listening grammar -- they trace the meanings that such works and composers have held for listeners of different kinds. None of them takes up the usual mandate of "educated listening" to modernist works: the notion that a person can appreciate "difficult" music if given enough time and schooling. Instead the book defines novel but meaningful avenues of significance for modernist music, avenues beyond those deemed appropriate or acceptable by the academy. While some contributors offer new listening strategies, most interpret the listening premise more loosely: as a metaphor for any manner of personal and immediate connection with music. In addition to a previously untranslated article by Pierre Boulez, the volume contains articles (all but one previously unpublished) by twelve distinctive and prominent composers, music critics, and music theorists from America, Europe, Australia, and South Africa: Arved Ashby, Amy Bauer, William Bolcom, Jonathan Bernard, Judy Lochhead, Fred Maus, Andrew Mead, Greg Sandow, Martin Scherzinger, Jeremy Tambling, Richard Toop, and Lloyd Whitesell. Arved Ashby is Associate Professor of Music at the Ohio State University.
Publisher: Boydell & Brewer
ISBN: 1580461433
Category : Music
Languages : en
Pages : 417
Book Description
The debate over modernist music has continued for almost a century: from Berg's Wozzeck and Webern's Symphony Op.21 to John Cage's renegotiation of musical control, the unusual musical practices of the Velvet Underground, and Stanley Kubrick's use of Ligeti's Lux Aeterna in the epic film 2001. The composers discussed in these pages -- including Bartók, Stockhausen, Bernard Herrmann, Steve Reich, and many others -- are modernists in that they are defined by their individualism, whether covert or overt, and share a basic urge toward redesigning musical discourse. The aim of this volume is to negotiate a varied and open middle ground between polemical extremes of reception. The contributors sketch out the possible significance of a repertory that in past discussions has been deemed either meaningless or beyond describable meaning. With an emphasis on recent aesthetics and contexts -- including film music, sexuality, metaphor, and ideas of a listening grammar -- they trace the meanings that such works and composers have held for listeners of different kinds. None of them takes up the usual mandate of "educated listening" to modernist works: the notion that a person can appreciate "difficult" music if given enough time and schooling. Instead the book defines novel but meaningful avenues of significance for modernist music, avenues beyond those deemed appropriate or acceptable by the academy. While some contributors offer new listening strategies, most interpret the listening premise more loosely: as a metaphor for any manner of personal and immediate connection with music. In addition to a previously untranslated article by Pierre Boulez, the volume contains articles (all but one previously unpublished) by twelve distinctive and prominent composers, music critics, and music theorists from America, Europe, Australia, and South Africa: Arved Ashby, Amy Bauer, William Bolcom, Jonathan Bernard, Judy Lochhead, Fred Maus, Andrew Mead, Greg Sandow, Martin Scherzinger, Jeremy Tambling, Richard Toop, and Lloyd Whitesell. Arved Ashby is Associate Professor of Music at the Ohio State University.
Catalogue of Title-entries of Books and Other Articles Entered in the Office of the Librarian of Congress, at Washington, Under the Copyright Law ... Wherein the Copyright Has Been Completed by the Deposit of Two Copies in the Office
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 1342
Book Description
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 1342
Book Description
The Journals of Thomas James Cobden-Sanderson, 1879-1922
Author: Thomas James Cobden-Sanderson
Publisher:
ISBN:
Category : Hammersmith (London, England)
Languages : en
Pages : 430
Book Description
Publisher:
ISBN:
Category : Hammersmith (London, England)
Languages : en
Pages : 430
Book Description
Sacred Choral Music in Print
Author:
Publisher:
ISBN:
Category : Sacred choral music in print
Languages : en
Pages : 472
Book Description
Publisher:
ISBN:
Category : Sacred choral music in print
Languages : en
Pages : 472
Book Description