Author: Philipp Blom
Publisher: Basic Books (AZ)
ISBN: 0465020291
Category : History
Languages : en
Pages : 490
Book Description
Examines how changes from the Industrial Revolution prior to World War I brought about radical transformation in society, changes in education, and massive migration in population that led to one of the bloodiest events in history.
The Vertigo Years
Author: Philipp Blom
Publisher: Basic Books (AZ)
ISBN: 0465020291
Category : History
Languages : en
Pages : 490
Book Description
Examines how changes from the Industrial Revolution prior to World War I brought about radical transformation in society, changes in education, and massive migration in population that led to one of the bloodiest events in history.
Publisher: Basic Books (AZ)
ISBN: 0465020291
Category : History
Languages : en
Pages : 490
Book Description
Examines how changes from the Industrial Revolution prior to World War I brought about radical transformation in society, changes in education, and massive migration in population that led to one of the bloodiest events in history.
Pre-Code Hollywood
Author: Thomas Doherty
Publisher: Columbia University Press
ISBN: 9780231500128
Category : Performing Arts
Languages : en
Pages : 450
Book Description
Pre-Code Hollywood explores the fascinating period in American motion picture history from 1930 to 1934 when the commandments of the Production Code Administration were violated with impunity in a series of wildly unconventional films—a time when censorship was lax and Hollywood made the most of it. Though more unbridled, salacious, subversive, and just plain bizarre than what came afterwards, the films of the period do indeed have the look of Hollywood cinema—but the moral terrain is so off-kilter that they seem imported from a parallel universe. In a sense, Doherty avers, the films of pre-Code Hollywood are from another universe. They lay bare what Hollywood under the Production Code attempted to cover up and push offscreen: sexual liaisons unsanctified by the laws of God or man, marriage ridiculed and redefined, ethnic lines crossed and racial barriers ignored, economic injustice exposed and political corruption assumed, vice unpunished and virtue unrewarded—in sum, pretty much the raw stuff of American culture, unvarnished and unveiled. No other book has yet sought to interpret the films and film-related meanings of the pre-Code era—what defined the period, why it ended, and what its relationship was to the country as a whole during the darkest years of the Great Depression... and afterward.
Publisher: Columbia University Press
ISBN: 9780231500128
Category : Performing Arts
Languages : en
Pages : 450
Book Description
Pre-Code Hollywood explores the fascinating period in American motion picture history from 1930 to 1934 when the commandments of the Production Code Administration were violated with impunity in a series of wildly unconventional films—a time when censorship was lax and Hollywood made the most of it. Though more unbridled, salacious, subversive, and just plain bizarre than what came afterwards, the films of the period do indeed have the look of Hollywood cinema—but the moral terrain is so off-kilter that they seem imported from a parallel universe. In a sense, Doherty avers, the films of pre-Code Hollywood are from another universe. They lay bare what Hollywood under the Production Code attempted to cover up and push offscreen: sexual liaisons unsanctified by the laws of God or man, marriage ridiculed and redefined, ethnic lines crossed and racial barriers ignored, economic injustice exposed and political corruption assumed, vice unpunished and virtue unrewarded—in sum, pretty much the raw stuff of American culture, unvarnished and unveiled. No other book has yet sought to interpret the films and film-related meanings of the pre-Code era—what defined the period, why it ended, and what its relationship was to the country as a whole during the darkest years of the Great Depression... and afterward.
The Culture of the Copy
Author: Hillel Schwartz
Publisher: MIT Press
ISBN: 1935408453
Category : History
Languages : en
Pages : 473
Book Description
A novel attempt to make sense of our preoccupation with copies of all kinds—from counterfeits to instant replay, from parrots to photocopies. The Culture of the Copy is a novel attempt to make sense of the Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in its synthetic and critical achievements, Hillel Schwartz charts the repercussions of our entanglement with copies of all kinds, whose presence alternately sustains and overwhelms us. This updated edition takes notice of recent shifts in thought with regard to such issues as biological cloning, conjoined twins, copyright, digital reproduction, and multiple personality disorder. At once abbreviated and refined, it will be of interest to anyone concerned with problems of authenticity, identity, and originality. Through intriguing, and at times humorous, historical analysis and case studies in contemporary culture, Schwartz investigates a stunning array of simulacra: counterfeits, decoys, mannequins, and portraits; ditto marks, genetic cloning, war games, and camouflage; instant replays, digital imaging, parrots, and photocopies; wax museums, apes, and art forgeries—not to mention the very notion of the Real McCoy. Working through a range of theories on biological, mechanical, and electronic reproduction, Schwartz questions the modern esteem for authenticity and uniqueness. The Culture of the Copy shows how the ethical dilemmas central to so many fields of endeavor have become inseparable from our pursuit of copies—of the natural world, of our own creations, indeed of our very selves. The book is an innovative blend of microsociology, cultural history, and philosophical reflection, of interest to anyone concerned with problems of authenticity, identity, and originality. Praise for the first edition “[T]he author... brings his considerable synthetic powers to bear on our uneasy preoccupation with doubles, likenesses, facsimiles, replicas and re-enactments. I doubt that these cultural phenomena have ever been more comprehensively or more creatively chronicled.... [A] book that gets you to see the world anew, again.” —The New York Times “A sprightly and disconcerting piece of cultural history” —Terence Hawkes, London Review of Books “In The Culture of the Copy, [Schwartz] has written the perfect book: original and repetitive at once.” —Todd Gitlin, Los Angeles Times Book Review
Publisher: MIT Press
ISBN: 1935408453
Category : History
Languages : en
Pages : 473
Book Description
A novel attempt to make sense of our preoccupation with copies of all kinds—from counterfeits to instant replay, from parrots to photocopies. The Culture of the Copy is a novel attempt to make sense of the Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in its synthetic and critical achievements, Hillel Schwartz charts the repercussions of our entanglement with copies of all kinds, whose presence alternately sustains and overwhelms us. This updated edition takes notice of recent shifts in thought with regard to such issues as biological cloning, conjoined twins, copyright, digital reproduction, and multiple personality disorder. At once abbreviated and refined, it will be of interest to anyone concerned with problems of authenticity, identity, and originality. Through intriguing, and at times humorous, historical analysis and case studies in contemporary culture, Schwartz investigates a stunning array of simulacra: counterfeits, decoys, mannequins, and portraits; ditto marks, genetic cloning, war games, and camouflage; instant replays, digital imaging, parrots, and photocopies; wax museums, apes, and art forgeries—not to mention the very notion of the Real McCoy. Working through a range of theories on biological, mechanical, and electronic reproduction, Schwartz questions the modern esteem for authenticity and uniqueness. The Culture of the Copy shows how the ethical dilemmas central to so many fields of endeavor have become inseparable from our pursuit of copies—of the natural world, of our own creations, indeed of our very selves. The book is an innovative blend of microsociology, cultural history, and philosophical reflection, of interest to anyone concerned with problems of authenticity, identity, and originality. Praise for the first edition “[T]he author... brings his considerable synthetic powers to bear on our uneasy preoccupation with doubles, likenesses, facsimiles, replicas and re-enactments. I doubt that these cultural phenomena have ever been more comprehensively or more creatively chronicled.... [A] book that gets you to see the world anew, again.” —The New York Times “A sprightly and disconcerting piece of cultural history” —Terence Hawkes, London Review of Books “In The Culture of the Copy, [Schwartz] has written the perfect book: original and repetitive at once.” —Todd Gitlin, Los Angeles Times Book Review
The Ugly Little Boy
Author: Isaac Asimov
Publisher: Spectra
ISBN: 9780553561227
Category : Fiction
Languages : en
Pages : 387
Book Description
Plucked out of the past and transported forty thousand years into the future, a Neanderthal child discovers that human nature has remained unchanged, in an expanded version of an original Asimov story
Publisher: Spectra
ISBN: 9780553561227
Category : Fiction
Languages : en
Pages : 387
Book Description
Plucked out of the past and transported forty thousand years into the future, a Neanderthal child discovers that human nature has remained unchanged, in an expanded version of an original Asimov story
Attack of the Leading Ladies
Author: John Belton
Publisher:
ISBN: 9780231084635
Category : Performing Arts
Languages : en
Pages : 274
Book Description
Looking at such films as "Frankenstein, Svengali, King Kong" and "The Mark of the Vampire," Berenstein argues that classical horror cinema is marked by malleable gender roles, not by entrenched conventional personas.
Publisher:
ISBN: 9780231084635
Category : Performing Arts
Languages : en
Pages : 274
Book Description
Looking at such films as "Frankenstein, Svengali, King Kong" and "The Mark of the Vampire," Berenstein argues that classical horror cinema is marked by malleable gender roles, not by entrenched conventional personas.
The Cinema of Max Ophuls
Author: Susan M. White
Publisher: Columbia University Press
ISBN: 0231101139
Category : Performing Arts
Languages : en
Pages : 422
Book Description
Using film theory and current criticism, White traces the figure of woman in the work of Max Ophuls.
Publisher: Columbia University Press
ISBN: 0231101139
Category : Performing Arts
Languages : en
Pages : 422
Book Description
Using film theory and current criticism, White traces the figure of woman in the work of Max Ophuls.
The Sounds of Commerce
Author: Jeff Smith
Publisher: Columbia University Press
ISBN: 9780231108638
Category : Business & Economics
Languages : en
Pages : 308
Book Description
A detailed historical analysis of popular music in American film, from the era of sheet music sales, to that of orchestrated pop records by Henry Mancini and Ennio Morricone in the 1960s, to the MTV-ready pop songs that occupy soundtrack CDs of today..
Publisher: Columbia University Press
ISBN: 9780231108638
Category : Business & Economics
Languages : en
Pages : 308
Book Description
A detailed historical analysis of popular music in American film, from the era of sheet music sales, to that of orchestrated pop records by Henry Mancini and Ennio Morricone in the 1960s, to the MTV-ready pop songs that occupy soundtrack CDs of today..
Black Women As Cultural Readers
Author: Jacqueline Bobo
Publisher: Columbia University Press
ISBN: 9780231083959
Category : Education
Languages : en
Pages : 252
Book Description
A pathbreaking study of African-American women's responses to literature and film. . . . Bobo focuses on a small group of middle-class African-American women as they process literature (by Terry McMillan, Alice Walker) that addresses their own experiences. . . . This work should command the attention of all scholars of American popular culture. -- Choice How do black women react as an audience to representations of themselves, and how do their patterns of consumption differ from other groups? Interviews with ordinary black women from many backgrounds uses novels and films to reveal how black female audiences absorb works. -- Midwest Book Review
Publisher: Columbia University Press
ISBN: 9780231083959
Category : Education
Languages : en
Pages : 252
Book Description
A pathbreaking study of African-American women's responses to literature and film. . . . Bobo focuses on a small group of middle-class African-American women as they process literature (by Terry McMillan, Alice Walker) that addresses their own experiences. . . . This work should command the attention of all scholars of American popular culture. -- Choice How do black women react as an audience to representations of themselves, and how do their patterns of consumption differ from other groups? Interviews with ordinary black women from many backgrounds uses novels and films to reveal how black female audiences absorb works. -- Midwest Book Review
Showstoppers
Author: Martin Rubin
Publisher: Columbia University Press
ISBN: 0231080549
Category : Musical films
Languages : en
Pages : 336
Book Description
The name Busby Berkeley, creator of the dances for films such as 42nd Street, Babes in Arms, and Million Dollar Mermaid, is synonymous with the spectacular musical production number. Films, television commercials, and MTV videos continue to use "Berkeleyesque" techniques long after Berkeley himself and the genre that nourished him have faded from the scene. The first major analysis of Berkeley's career on stage and screen, Showstoppers emphasizes his relationship to a colorful, somewhat disreputable tradition of American popular entertainment: that of P. T. Barnum, minstrel shows, vaudeville, Buffalo Bill Cody's Wild West Show, burlesque, and the Ziegfeld Follies. Rubin shows how Berkeley absorbed this declining theatrical tradition during his years as a Broadway dance director and then transferred it to the new genre of the early movie musical. With lively prose and engaging photographs, Showstoppers explores new ways of looking at Busby Berkeley, at the musical genre, and at individual films. Appropriate for both specialists and general readers, Showstoppers is an exuberant study of a figure whose career, Rubin notes, "provides an extraordinarily rich point of convergence for a wide range of cultural and artistic contexts".
Publisher: Columbia University Press
ISBN: 0231080549
Category : Musical films
Languages : en
Pages : 336
Book Description
The name Busby Berkeley, creator of the dances for films such as 42nd Street, Babes in Arms, and Million Dollar Mermaid, is synonymous with the spectacular musical production number. Films, television commercials, and MTV videos continue to use "Berkeleyesque" techniques long after Berkeley himself and the genre that nourished him have faded from the scene. The first major analysis of Berkeley's career on stage and screen, Showstoppers emphasizes his relationship to a colorful, somewhat disreputable tradition of American popular entertainment: that of P. T. Barnum, minstrel shows, vaudeville, Buffalo Bill Cody's Wild West Show, burlesque, and the Ziegfeld Follies. Rubin shows how Berkeley absorbed this declining theatrical tradition during his years as a Broadway dance director and then transferred it to the new genre of the early movie musical. With lively prose and engaging photographs, Showstoppers explores new ways of looking at Busby Berkeley, at the musical genre, and at individual films. Appropriate for both specialists and general readers, Showstoppers is an exuberant study of a figure whose career, Rubin notes, "provides an extraordinarily rich point of convergence for a wide range of cultural and artistic contexts".
A Quaker Goes to Spain
Author: H. L. Dufour Woolfley
Publisher: Lehigh University Press
ISBN: 1611461367
Category : History
Languages : en
Pages : 215
Book Description
In the summer of 1813, as war with Britain intensified, President James Madison secretly dispatched an envoy to the Regency government of Spain with the urgent goal of thwarting a feared British bid to use Spanish Florida as a base from which to attack the United States, and with the further hope of acquiring that territory for America. The man Madison sent to pursue those challenging tasks was Anthony Morris, a friend of Dolley’s from their youth in Philadelphia and a devout Quaker lawyer who had never before journeyed abroad. Morris, a widower, had willingly accepted the president’s call, despite the separation it would impose from his four teenage children. The Morris mission did not proceed as intended, as developments in Spain conspired to alter its scope and prolong its duration. Long after the war had ended, Morris was compelled to persevere at his post as the only American link to an unfriendly Spanish monarchy. As he dutifully carried on, ill-founded accusations by two other frustrated American diplomats slurred his reputation. Meanwhile, he thirsted to rejoin his maturing children, whose lives were taking paths that would have been unlikely had he never left them. Throughout this ordeal, a steadfastly philosophical Anthony Morris strove to counter his distress by thoughtful exploration of a national culture and a religious faith so very different from his own. The full story of this distinctive but little-remembered diplomatic endeavor has not previously been recounted. The telling of it here reveals much about the vexation and confusion endemic to American diplomacy in the age of sail, when events often moved faster than the mails. Interwoven with that historical account is the poignant revelation of the spiritual and cultural growth that Anthony Morris reaped from his odyssey, as displayed in a stream of intimate, charming letters to the daughters he had left at home. Published in the ADST-DACOR Diplomats and Diplomacy Series
Publisher: Lehigh University Press
ISBN: 1611461367
Category : History
Languages : en
Pages : 215
Book Description
In the summer of 1813, as war with Britain intensified, President James Madison secretly dispatched an envoy to the Regency government of Spain with the urgent goal of thwarting a feared British bid to use Spanish Florida as a base from which to attack the United States, and with the further hope of acquiring that territory for America. The man Madison sent to pursue those challenging tasks was Anthony Morris, a friend of Dolley’s from their youth in Philadelphia and a devout Quaker lawyer who had never before journeyed abroad. Morris, a widower, had willingly accepted the president’s call, despite the separation it would impose from his four teenage children. The Morris mission did not proceed as intended, as developments in Spain conspired to alter its scope and prolong its duration. Long after the war had ended, Morris was compelled to persevere at his post as the only American link to an unfriendly Spanish monarchy. As he dutifully carried on, ill-founded accusations by two other frustrated American diplomats slurred his reputation. Meanwhile, he thirsted to rejoin his maturing children, whose lives were taking paths that would have been unlikely had he never left them. Throughout this ordeal, a steadfastly philosophical Anthony Morris strove to counter his distress by thoughtful exploration of a national culture and a religious faith so very different from his own. The full story of this distinctive but little-remembered diplomatic endeavor has not previously been recounted. The telling of it here reveals much about the vexation and confusion endemic to American diplomacy in the age of sail, when events often moved faster than the mails. Interwoven with that historical account is the poignant revelation of the spiritual and cultural growth that Anthony Morris reaped from his odyssey, as displayed in a stream of intimate, charming letters to the daughters he had left at home. Published in the ADST-DACOR Diplomats and Diplomacy Series