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Author: Ruth Cruickshank Publisher: OUP Oxford ISBN: 019157192X Category : Literary Criticism Languages : en Pages : 304
Book Description
The turn of the millennium in France coincided with a number of tangible crises and apocalyptic discourses, and with the growth of the mass media and global market, further generating and manipulating crisis. In this original, wide-ranging but closely analytical study, Cruickshank contextualizes and reads the work of four influential writers of prose fiction —- Angot, Echenoz, Houellebecq, and Redonnet —- teasing out each one's response to this convergence. She suggests that the recurrent fictional and cultural trope of the turning point has both aesthetic and critical potential. Bringing together analyses spanning literature, thought, and culture, she identifies and critiques the ways in which, on the eve of the twenty-first century, different theoretical and fictional approaches confront the manipulation of crisis discourses. Drawing on a 'long twentieth century' of crisis thinking, Cruickshank counters the perception that a postmodern model of perpetual crisis is culturally dominant, and establ
Author: Ruth Cruickshank Publisher: OUP Oxford ISBN: 019157192X Category : Literary Criticism Languages : en Pages : 304
Book Description
The turn of the millennium in France coincided with a number of tangible crises and apocalyptic discourses, and with the growth of the mass media and global market, further generating and manipulating crisis. In this original, wide-ranging but closely analytical study, Cruickshank contextualizes and reads the work of four influential writers of prose fiction —- Angot, Echenoz, Houellebecq, and Redonnet —- teasing out each one's response to this convergence. She suggests that the recurrent fictional and cultural trope of the turning point has both aesthetic and critical potential. Bringing together analyses spanning literature, thought, and culture, she identifies and critiques the ways in which, on the eve of the twenty-first century, different theoretical and fictional approaches confront the manipulation of crisis discourses. Drawing on a 'long twentieth century' of crisis thinking, Cruickshank counters the perception that a postmodern model of perpetual crisis is culturally dominant, and establ
Author: William Kidd Publisher: Routledge ISBN: 1134659407 Category : Foreign Language Study Languages : en Pages : 376
Book Description
The study of French culture has long ceased to be purely centred on literature. Undergraduate French courses now embrace all forms of cultural production and consumption, and students need to have a broad knowledge of everything from day-time TV and the latest detective novels to debates about national identity and immigration policies. This stimulating text is an introduction to the full range of contemporary French culture. Written by a group of leading academics both within and outside France, each chapter focuses on a topic from the French cultural scene today. Starting with an overview of resources for further information (both in print and online), the text discusses the varied forms of French cultural expression and looks critically at what 'Frenchness' itself means. The book also explores examples of cultural production ranging from sport, media and literature to theatre, cinema, festivals and music. An essential resource for students and scholars alike, this text provides detailed material and analysis, as well as a launch-pad for further study.
Author: William VanderWolk Publisher: Rodopi ISBN: 9789042001794 Category : Literature and history Languages : en Pages : 148
Book Description
Patrick Modiano (1945-) has published seventeen novels over the past twenty-seven years and is considered one of France's foremost writers. His first three works, dealing principally with the German occupation of France during World War II, are generally considered to have led to a reconsideration of the Gaullist myth which endured for twenty-five years after the war. Along with Marcel Ophuls's film, The Sorrow and the Pity, Modiano's novels opened French eyes to the more ambiguous role played during the occupation by the average French citizen. His subsequent novels have continued to probe the relationship between history, memory and fiction. This study will be of interest to readers of French fiction and history as it looks at their relation-ship to memory and shows that the three are inextricably linked in a way that enriches our understanding of our past, whether it be collective or personal. Modiano, while seemingly obsessed with his own past, in fact indicates an opening toward the future by attempting to put the past to rest in his fiction.
Author: Jean Echenoz Publisher: ISBN: 9781565848719 Category : Fiction Languages : en Pages : 179
Book Description
Max Delmarc is a famous concert pianist who finds that even death cannot cure his problems, as a brief stay in a rather luxurious purgatory leads to a trip to hell, where he tries to piece together his old life and at last track down his long lost love.
Author: Ian Wellsted Publisher: Frontline Books ISBN: 1848328990 Category : History Languages : en Pages : 245
Book Description
On the night of 5/6 June 1944, D-Day, a Lockheed Hudson dropped a small group of parachutists into the mountainous Morvan area of central France. Their mission was to operate as an advance reconnaissance party 400 miles behind the German lines and to make contact with the French Resistance.One of the team, later to become its commander, was Ian Wellsted, known by his nom-de-guerrre of Gremlin. During the next three months No.1 Troop of the 1st Special Air Service Regiment relayed vital information about enemy troop locations and movements, sabotaged bridges and supply lines, skirmished with German columns and harried the occupying forces as they retreated eastwards in the face of the Allied invasion.Camped deep in the woods of the Montsaughe region, the small force worked alongside the local groups of Maquis, forging strong links of mutual respect and friendship.Ian Wellsteds exciting first-hand account of his operations behind enemy lines is a tale of gallantry and daring, of comradeship and cooperation, full of humour and perceptive insight revealing one of the most significant chapters in the history of the SAS.
Author: Michael Sheringham Publisher: ISBN: Category : Language Arts & Disciplines Languages : en Pages : 372
Book Description
This is the first full-scale study of French autobiography. Whereas earlier critics have engaged primarily in theoretical discussion of the genre, or in analyses of individual works or authors, Michael Sheringham identifies sixteen key autobiographical texts and situates them in the context ofan evolving set of challenges and problems.Informed by a sophisticated awareness of recent theoretical debates, Sheringham conceives autobiography as a distinctively open form of writing, perpetually engaged with different forms of `otherness'. Manifestations of the Other in the autobiographical process - from the reader, who incarnatesother people, to ideology, against which individual truth must be pitted, to the potential otherness of memory itself - are traced through a scrutiny of the `devices and desires' at work in a range of texts from Rousseau's Confessions, to Stendhal's Vie de Henry Brulard and Sartre's Les Mots. Otherwriters examined include Chateaubriand, Gide, Green, Leiris, Leduc, Gorz, Barthes, Perec, and Sarraute.French Autobiography: Devices and Desires represents both the first attempt to assemble a canon in one volume and a strikingly original contribution to the theory of autobiography.
Author: Inge E. Boer Publisher: BRILL ISBN: 9401203717 Category : Law Languages : en Pages : 341
Book Description
Tracing and theorizing the concept of the boundaries through literary works, visual objects and cultural phenomena, this book argues against the reification of boundaries as fixed and empty non-spaces that simply divide the world. Expanding on her previous work on gender and Orientalism, Inge Boer takes us into uncertain territories of fashion and art, tourism and travel, skilfully engaging the ambivalence of boundaries, as both protecting and confining, as bringing distinction while existing by virtue of their ability to be transgressed. In her close readings of that boundaries as desert, as frame, as home (or lack of it), Boer shows that boundaries are spaces within, through, and in the name of which negotiations take place. They are not lines but spaces ; neither fixed nor empty but flexible and inhabited. With the publication of this book, Boer’s intellectual legacy stretches beyond her untimely passing. The writings that she left behind can be said to have inaugurated the future of her work, presented in the latter part by several of Boer’s intellectual companions. In their original essays, the contributors elaborate on Boer’s theme of boundaries as spaces where opposition yields to negotiation. Committed to the artefact as cultural stimulant, as the embodiment of thought, their analyses span a multitude of artefacts and media, ranging from literature to photography, to art installation and presentation, to film and song. Fanning out from Boer ‘s central focus – Orientalism – to other places of contestation, boundaries are shown to mediate the relationship between self and other ; they are, ultimately, spaces of encounter.
Author: Ruth Cruickshank
Author: Ruth Cruickshank
Author: Jean F. Tulard
Author: William Kidd
Author: William VanderWolk
Author: Jean Echenoz
Author: Lisa Pollard
Author: Ian Wellsted
Author: Michael Sheringham
Author: Michael Richard Daniell Foot
Author: Inge E. Boer