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Author: Johanna Drucker Publisher: University of Chicago Press ISBN: 0226165027 Category : Art Languages : en Pages : 306
Book Description
Drucker skillfully traces the development of this critical position, suggesting a methodology closer to the actual practices of the early avant-garde artists based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara. Drucker explores the context for experimental typography in terms of printing, handwriting, and other practices concerned with the visual representation of language. Her book concludes with a brief look at the ways in which experimental techniques of the early avant-garde were transformed in both literary work and in applications to commercial design throughout the 1920s and early 1930s.
Author: Johanna Drucker Publisher: University of Chicago Press ISBN: 0226165027 Category : Art Languages : en Pages : 306
Book Description
Drucker skillfully traces the development of this critical position, suggesting a methodology closer to the actual practices of the early avant-garde artists based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara. Drucker explores the context for experimental typography in terms of printing, handwriting, and other practices concerned with the visual representation of language. Her book concludes with a brief look at the ways in which experimental techniques of the early avant-garde were transformed in both literary work and in applications to commercial design throughout the 1920s and early 1930s.
Author: Hal Foster Publisher: Mit Press ISBN: 9780262560818 Category : Art Languages : en Pages : 313
Book Description
Surrealism has long been seen as its founder, André Breton,wanted it to be seen: as amovement of love and liberation. In Compulsive Beauty, Foster reads surrealism from its other,darker side: as an art given over to the uncanny, to the compulsion to repeat and the drive towarddeath.To this end Foster first restages the difficult encounter of surrealism with Freudianpsychoanalysis, then redefines the crucial categories of surrealism - the marvelous, convulsivebeauty, objective chance - in terms of the Freudian uncanny,or the return of familar things madestrange by repression. Next, with the art of Giorgio de Chirico, Max Ernst, and Alberto Giacomettiin mind, Foster develops a theory of the surrealist image as a working over of a primal fantasy.This leads him finally to propose as a summa of surrealism a body of work often shunted to itsmargins: the dolls of Hans Bellmer, so many traumatic tableaux that point to difficult connectionsnot only between sadism and masochism butal so between surrealism and fascism.At this pointCompulsive Beauty turns to the social dimension of the surrealist uncanny. First Foster reads thesurrealist repertoire of automatons and mannequins as a reflection on the uncanny processes ofmechanization and commodification. Then he considers the surrealist use of outmoded images as anattempt to work through the historical repression effected by these same processes. In a briefconclusion he discusses the fate of surrealism today ina world become surrealistic.Compulsive Beautynot only offers a deconstructive reading of surrealism, long neglected by Anglo-American arthistory, it also participates in a postmodern reconsideration of modernism, the dominant accounts ofwhich have obscured its involvements in desire and trauma, capitalist shock and technologicaldevelopment.Hal Foster is Associate Professor of Art History and Comparative Literature at CornellUniversity. He is an editor of the journal OCTOBER.
Author: Roy MacLeod Publisher: Springer Science & Business Media ISBN: 1402054904 Category : Science Languages : en Pages : 292
Book Description
This book represents a first considered attempt to study the factors that conditioned industrial chemistry for war in 1914-18. Taking a comparative perspective, it reflects on the experience of France, Germany, Austria, Russia, Britain, Italy and Russia, and points to significant similarities and differences. It looks at changing patterns in the organisation of industry, and at the emerging symbiosis between science, industry and the military.
Author: Carlton Lake Publisher: New Directions Publishing ISBN: 9780811211307 Category : Antiques & Collectibles Languages : en Pages : 236
Book Description
The author recounts his experiences in building collections of rare books and manuscripts of French literature, and reveals little-known facts about French artists, composers, and writers.
Author: Jacqueline Ki-Zerbo Publisher: Univ of California Press ISBN: 9780520066960 Category : History Languages : en Pages : 372
Book Description
"This volume covers the period from the end of the Neolithic era to the beginning of the seventh century of our era. This lengthy period includes the civilization of Ancient Egypt, the history of Nubia, Ethiopia, North Africa and the Sahara, as well as of the other regions of the continent and its islands."--Publisher's description
Author: Andrä Breton Publisher: U of Nebraska Press ISBN: 9780803260726 Category : Fiction Languages : en Pages : 156
Book Description
Mad Love has been acknowledged an undisputed classic of the surrealist movement since its first publication in France in 1937. Its adulation of love as both mystery and revelation places it in the most abiding of literary traditions, but its stormy history and technical difficulty have prevented it from being translated into English until now. "There has never been any forbidden fruit. Only temptation is divine," writes André Breton, leader of the surrealists in Paris in the 1920s and '30s. Mad Love is dedicated to defying "the widespread opinion that love wears out, like the diamond, in its own dust." Celebrating breton's own love and lover, the book unveils the marvelous in everyday encounters and the hidden depths of ordinary things.
Author: Barrie Jones Publisher: Routledge ISBN: 1135950253 Category : Music Languages : en Pages : 780
Book Description
The Hutchinson Concise Dictionary of Music, in 7,500 entries, retains the breadth of coverage, clarity, and accessibility of the highly acclaimed Hutchinson Encyclopedia of Music, from which it is derived. Tracing its lineage to the Everyman Dictionary of Music, now out of print, it boasts a distinguished heritage of the finest musical scholarship. This book provides comprehensive coverage of theoretical and technical music terminology, embracing the many genres and forms of classical music, clearly illustrated with examples. It also provides core information on composers and comprehensive lists of works from the earliest exponents of polyphony to present-day composers.
Author: Gertrude Stein Publisher: Strelbytskyy Multimedia Publishing ISBN: Category : Fiction Languages : en Pages : 18
Book Description
Gertrude Stein's "Composition as Explanation" delves into the intricate relationship between language and artistic expression. Published in 1926, the essay explores Stein's unique approach to writing and challenges conventional perceptions of composition. With a distinctive prose style, she reflects on the nature of creativity, emphasizing the significance of repetition and abstraction. Stein's work serves as both an exploration of her own artistic process and a broader commentary on the essence of language in shaping our understanding of art.
Author: Johanna Drucker
Author: Johanna Drucker
Author: Hal Foster
Author: Roy MacLeod
Author: Brian Nelson
Author: Carlton Lake
Author: Jacqueline Ki-Zerbo
Author: Jean-Emmanuel Deluxe
Author: Andrä Breton
Author: Barrie Jones
Author: Gertrude Stein