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Documents concernant le film "le Monde sans armes", 1928

Documents concernant le film Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 4

Book Description


Documents concernant le film "le Monde sans armes", 1928

Documents concernant le film Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 4

Book Description


Documents concernant le film "la Guerre sans armes. Espionnage", 1928

Documents concernant le film Author:
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Languages : fr
Pages :

Book Description


Document concernant le film "le Monde en armes", 1939

Document concernant le film Author:
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Category :
Languages : fr
Pages : 2

Book Description


Document concernant le film "Sans mère", 1928

Document concernant le film Author:
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Category :
Languages : fr
Pages : 2

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Documents concernant le film "Sapeurs ... sans reproches", 1928

Documents concernant le film Author:
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ISBN:
Category :
Languages : fr
Pages : 4

Book Description


Documents concernant le film "la Menace", 1928

Documents concernant le film Author:
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Languages : fr
Pages : 6

Book Description


Prisoner of Love

Prisoner of Love PDF Author: Jean Genet
Publisher: New York Review of Books
ISBN: 1681378418
Category : Biography & Autobiography
Languages : en
Pages : 460

Book Description
Starting in 1970, Jean Genet—petty thief, prostitute, modernist master—spent two years in the Palestinian refugee camps in Jordan. Always an outcast himself, Genet was drawn to this displaced people, an attraction that was to prove as complicated for him as it was enduring. Prisoner of Love, written some ten years later, when many of the men Genet had known had been killed, and he himself was dying, is a beautifully observed description of that time and those men as well as a reaffirmation of the author's commitment not only to the Palestinian revolution but to rebellion itself. For Genet's most overtly political book is also his most personal—the last step in the unrepentantly sacrilegious pilgrimage first recorded in The Thief's Journal, and a searching meditation, packed with visions, ruses, and contradictions, on such life-and-death issues as the politics of the image and the seductive and treacherous character of identity. Genet's final masterpiece is a lyrical and philosophical voyage to the bloody intersection of oppression, terror, and desire at the heart of the contemporary world.

ANDRE MASSON.

ANDRE MASSON. PDF Author: Lawrence Saphire
Publisher:
ISBN:
Category :
Languages : en
Pages : 300

Book Description


The African Film Industry

The African Film Industry PDF Author: UNESCO
Publisher: UNESCO Publishing
ISBN: 9231004700
Category : Political Science
Languages : en
Pages : 275

Book Description
The production and distribution of film and audiovisual works is one of the most dynamic growth sectors in the world. Thanks to digital technologies, production has been growing rapidly in Africa in recent years. For the first time, a complete mapping of the film and audiovisual industry in 54 States of the African continent is available, including quantitative and qualitative data and an analysis of their strengths and weaknesses at the continental and regional levels.The report proposes strategic recommendations for the development of the film and audiovisual sectors in Africa and invites policymakers, professional organizations, firms, filmmakers and artists to implement them in a concerted manner.

The Sounds of Early Cinema

The Sounds of Early Cinema PDF Author: Richard Abel
Publisher: Indiana University Press
ISBN: 9780253108708
Category : Performing Arts
Languages : en
Pages : 350

Book Description
The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.