Author: Publisher:
ISBN:
Category :
Languages : fr
Pages : 32
Book Description
Documents concernant le film "le Diable blanc", d'après une nouvelle de Tolstoï, 1930
Author: Document concernant le film "le Cadavre vivant", d'après la pièce de Léon Tolstoï, 1930
Author: Documents concernant le film "les Cosaques", d'après un roman de Tolstoï, 1930
Author: Documents concernant le film "la Puissance des ténèbres", d'après le roman de Léon Tolstoï
Author: Documents concernant le film "le Père Serge", d'après le roman de Léon Tolstoï, 1949
Author: Documents concernant le film "Poulikouchka", d'après une nouvelle de Tolstoï, 1923
Author: Document concernant le film "Résurrection", d'après le roman de Léon Tolstoï, 1927
Author: A Civil Society
Author: James Smith AllenPublisher:
ISBN: 9781496227782
Category :
Languages : en
Pages : 420
Book Description
A Civil Society explores the struggle to initiate women as full participants in the masonic brotherhood that shared in the rise of France's civil society and its "civic morality" on behalf of women's rights. As a vital component of the third sector during France's modernization, freemasonry empowered women in complex social networks, contributing to a more liberal republic, a more open society, and a more engaged public culture. James Smith Allen shows that although women initially met with stiff resistance, their induction into the brotherhood was a significant step in the development of French civil society and its "civic morality," including the promotion of women's rights in the late nineteenth century. Pulling together the many gendered facets of masonry, Allen draws from periodicals, memoirs, and archival material to account for the rise of women within the masonic brotherhood in the context of rapid historical change. Thanks to women's social networks and their attendant social capital, masonry came to play a leading role in French civil society and the rethinking of gender relations in the public sphere.
The Art of Translation
Author: Jirí LevýPublisher: John Benjamins Publishing
ISBN: 9027224455
Category : Language Arts & Disciplines
Languages : en
Pages : 351
Book Description
Jirí Levý's seminal work, The Art of Translation, considered a timeless classic in Translation Studies, is now available in English. Having drawn on adjacent disciplines, the methodology of Czech functional sociosemiotic structuralism and the state-of-the art in the West, Levý synthesized his findings and experience in the field presenting them in a reader-friendly book, which combines the approaches of a theoretician, systemic analyst, historian, critic, teacher, practitioner and populariser. Although focused on literary translation from theoretical, descriptive and historical perspectives, it presents a conceptualization of a general theory, addressing a number of issues discussed today. The 'practical' mission of the book as a theory extending to practice is based on the same historical-dialectic affinity of methods, norms, functions and values, accounting for the translator's agency and other contextual agents involved in the communication process. The book will be useful to translators, researchers, students and teachers in Translation and Literary Studies.
Fiction and Repetition
Author: J. Hillis MillerPublisher: Harvard University Press
ISBN: 0674266102
Category : Literary Criticism
Languages : en
Pages : 264
Book Description
In Fiction and Repetition, one of our leading critics and literary theorists offers detailed interpretations of seven novels: Emily Brontë's Wuthering Heights, Thackeray's Henry Esmond, Hardy's Tess of the d'Urbervilles and The Well-Beloved, Conrad's Lord Jim, and Woolf's Mrs. Dalloway and Between the Acts. Miller explores the multifarious ways in which repetition generates meaning in these novels—repetition of images, metaphors, motifs; repetition on a larger scale of episodes, characters, plots; and repetition from one novel to another by the same or different authors. While repetition creates meanings, it also, Miller argues, prevents the identification of a single determinable meaning for any of the novels; rather, the patterns made by the various repetitive sequences offer alternative possibilities of meaning which are incompatible. He thus sees “undecidability” as an inherent feature of the novels discussed. His conclusions make a provocative contribution to current debates about narrative theory and about the principles of literary criticism generally. His book is not a work of theory as such, however, and he avoids the technical terminology dear to many theorists; his book is an attempt to interpret as best he can his chosen texts. Because of his rare critical gifts and his sensitivity to literary values and nuances, his readings send one back to the novels with a new appreciation of their riches and their complexities of form.