Author: Publisher:
ISBN:
Category :
Languages : fr
Pages : 8
Book Description
Documents concernant le film "l'Auberge", d'après une nouvelle de Guy de Maupassant, 1922
Progr. pour le film tiré de "l'Auberge" de Guy de Maupassant. (1922)
Author: Documents concernant le film "l'Auberge du Père Jonas", d'après un roman de Georg Muhlenè-Schulte, 1932
Author: Documents concernant le film "l'Auberge de l'Abîme", d'après un roman d'André Chanson, 1943
Author: The Memory of Tiresias
Author: M. B. I︠A︡mpolʹskiĭPublisher: Univ of California Press
ISBN: 0520085302
Category : Literary Criticism
Languages : en
Pages : 339
Book Description
"Iampolski deals with concepts and ideas that are highly complex and frequently very abstract, yet his discussion—and the progression of his analyses—is always precise and easy to follow. . . . Each of his points is grounded in a careful examination of a specific text, and most of the texts are well-known to American audiences."—Vladimir Padunov, University of Pittsburgh
A History of the French New Wave Cinema
Author: Richard NeupertPublisher: Univ of Wisconsin Press
ISBN: 0299217035
Category : Performing Arts
Languages : en
Pages : 442
Book Description
The French New Wave cinema is arguably the most fascinating of all film movements, famous for its exuberance, daring, and avant-garde techniques. A History of the French New Wave Cinema offers a fresh look at the social, economic, and aesthetic mechanisms that shaped French film in the 1950s, as well as detailed studies of the most important New Wave movies of the late 1950s and early 1960s. Richard Neupert first tracks the precursors to New Wave cinema, showing how they provided blueprints for those who would follow. He then demonstrates that it was a core group of critics-turned-directors from the magazine Cahiers du Cinéma—especially François Truffaut, Claude Chabrol, and Jean-Luc Godard—who really revealed that filmmaking was changing forever. Later, their cohorts Eric Rohmer, Jacques Rivette, Jacques Doniol-Valcroze, and Pierre Kast continued in their own unique ways to expand the range and depth of the New Wave. In an exciting new chapter, Neupert explores the subgroup of French film practice known as the Left Bank Group, which included directors such as Alain Resnais and Agnès Varda. With the addition of this new material and an updated conclusion, Neupert presents a comprehensive review of the stunning variety of movies to come out of this important era in filmmaking.
George Sand and Idealism
Author: Naomi SchorPublisher: Columbia University Press
ISBN: 9780231065221
Category : Feminism and literature
Languages : en
Pages : 308
Book Description
A reanalysis of Sand's major writing, ranging from her early short stories to her later fiction, which identifies her writing as an example of an aesthetic mode often associated with femininity. The study compares Sand's place in the history of the realist novel to that of her male counterparts.
Present Past
Author: Richard TerdimanPublisher: Cornell University Press
ISBN: 150171760X
Category : Literary Criticism
Languages : en
Pages : 405
Book Description
This book is about memory—about how the past persists into the present, and about how this persistence has been understood over the past two centuries. Since the French Revolution, memory has been the source of an intense disquiet. Fundamental cultural theories have sought to understand it, and have striven to represent its stresses.
Dictionary of Films
Author: Georges SadoulPublisher: Berkeley : University of California Press
ISBN: 9780520021525
Category : Performing Arts
Languages : en
Pages : 432
Book Description
Lists significant international films, with brief plot summaries, critical analyses, and listings of producers, directors, and actors
The Don Juan Theme
Author: Armand Edwards SingerPublisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 440
Book Description