Documents concernant le film "la Rose de la jungle", 1930 PDF Download

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Documents concernant le film "la Rose de la jungle", 1930

Documents concernant le film Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 4

Book Description


Documents concernant le film "la Rose de la jungle", 1930

Documents concernant le film Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 4

Book Description


Documents concernant le film "la Jungle d'une grandeville", 1930

Documents concernant le film Author:
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Languages : fr
Pages : 6

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Documents concernant le film "la Vie en rose", 1930

Documents concernant le film Author:
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Languages : fr
Pages : 4

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Documents concernant le film "le Mystère de la Villa rose", 1930

Documents concernant le film Author:
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Languages : fr
Pages : 28

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Documents concernant le film "Rose d'Espagne", 1930

Documents concernant le film Author:
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Languages : fr
Pages : 4

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Documents concernant le film "Trois roses rouges", 1930

Documents concernant le film Author:
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Languages : fr
Pages : 10

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Documents concernant le film "la Rose du ruisseau", 1926

Documents concernant le film Author:
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Languages : fr
Pages : 4

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La Rose de la jungle. Le film complet : ciné-roman

La Rose de la jungle. Le film complet : ciné-roman PDF Author:
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Languages : fr
Pages :

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Documents concernant le film "la Rose du sud", 1922

Documents concernant le film Author:
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Languages : fr
Pages : 6

Book Description


Pre-Code Hollywood

Pre-Code Hollywood PDF Author: Thomas Doherty
Publisher: Columbia University Press
ISBN: 9780231500128
Category : Performing Arts
Languages : en
Pages : 450

Book Description
Pre-Code Hollywood explores the fascinating period in American motion picture history from 1930 to 1934 when the commandments of the Production Code Administration were violated with impunity in a series of wildly unconventional films—a time when censorship was lax and Hollywood made the most of it. Though more unbridled, salacious, subversive, and just plain bizarre than what came afterwards, the films of the period do indeed have the look of Hollywood cinema—but the moral terrain is so off-kilter that they seem imported from a parallel universe. In a sense, Doherty avers, the films of pre-Code Hollywood are from another universe. They lay bare what Hollywood under the Production Code attempted to cover up and push offscreen: sexual liaisons unsanctified by the laws of God or man, marriage ridiculed and redefined, ethnic lines crossed and racial barriers ignored, economic injustice exposed and political corruption assumed, vice unpunished and virtue unrewarded—in sum, pretty much the raw stuff of American culture, unvarnished and unveiled. No other book has yet sought to interpret the films and film-related meanings of the pre-Code era—what defined the period, why it ended, and what its relationship was to the country as a whole during the darkest years of the Great Depression... and afterward.