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Documents concernant le film "Coqueluche de Paris", 1938

Documents concernant le film Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 6

Book Description


Documents concernant le film "Coqueluche de Paris", 1938

Documents concernant le film Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 6

Book Description


Documents concernant le film "Café de Paris", 1938

Documents concernant le film Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 6

Book Description


Document concernant le film "Lumière de Paris", 1938

Document concernant le film Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 2

Book Description


Document concernant le film "la Coqueluche de ces dames", 1935

Document concernant le film Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 2

Book Description


Documents concernant le film "Rue sans issue", 1938

Documents concernant le film Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 4

Book Description


Documents concernant le film "Vous ne l'emporterez pas avec vous", 1938

Documents concernant le film Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 4

Book Description


Documents concernant le film "la Cité des lumières", 1938

Documents concernant le film Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 4

Book Description


National Library of Medicine Catalog

National Library of Medicine Catalog PDF Author: National Library of Medicine (U.S.)
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 892

Book Description


Masculine Singular

Masculine Singular PDF Author: Geneviève Sellier
Publisher: Duke University Press
ISBN: 0822388979
Category : Performing Arts
Languages : en
Pages : 280

Book Description
Masculine Singular is an original interpretation of French New Wave cinema by one of France’s leading feminist film scholars. While most criticism of the New Wave has concentrated on the filmmakers and their films, Geneviève Sellier focuses on the social and cultural turbulence of the cinema’s formative years, from 1957 to 1962. The New Wave filmmakers were members of a young generation emerging on the French cultural scene, eager to acquire sexual and economic freedom. Almost all of them were men, and they “wrote” in the masculine first-person singular, often using male protagonists as stand-ins for themselves. In their films, they explored relations between men and women, and they expressed ambivalence about the new liberated woman. Sellier argues that gender relations and the construction of sexual identities were the primary subject of New Wave cinema. Sellier draws on sociological surveys, box office data, and popular magazines of the period, as well as analyses of specific New Wave films. She examines the development of the New Wave movement, its sociocultural and economic context, and the popular and critical reception of such well-known films as Jules et Jim and Hiroshima mon amour. In light of the filmmakers’ focus on gender relations, Sellier reflects on the careers of New Wave’s iconic female stars, including Jeanne Moreau and Brigitte Bardot. Sellier’s thorough exploration of early New Wave cinema culminates in her contention that its principal legacy—the triumph of a certain kind of cinephilic discourse and of an “auteur theory” recognizing the director as artist—came at a steep price: creativity was reduced to a formalist game, and affirmation of New Wave cinema’s modernity was accompanied by an association of creativity with masculinity.

Charms and Charming in Europe

Charms and Charming in Europe PDF Author: J. Roper
Publisher: Springer
ISBN: 0230524311
Category : Religion
Languages : en
Pages : 240

Book Description
Historical records of charms, the verbal element of vernacular magic, date back at least as far as the late middle ages, and charming has continued to be practiced until recently in most parts of Europe. And yet, the topic has received only scattered scholarly attention to date. By bringing together many of the leading authorities on charms and charming from Europe and North America, this book aims to rectify this neglect, and by presenting discussions covering a variety of periods and of locations - from Finland to France, and from Hungary to England - it forms an essential reader on the topic.