Documents concernant le film "As you desire me", d'après la pièce de Luigi Pirandello, 1934 PDF Download

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Languages : fr
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Author: Luigi Pirandello
Publisher:
ISBN:
Category : Amnesiacs
Languages : en
Pages : 232

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Ten years after WW [I] a German writer, his mistress, and sexually ambiguous daughter set the scene for the tone of decadence. --www.doollee.com The movie based on the play is described thusly at Amazon.com: "Budapest bar entertainer Zara is a discontented alcoholic who is pursued by many men but lives with novelist Carl Salter. A strange man (Tony) shows up on Salter's estate claiming that Zara is actually Maria, the wife of his close friend Bruno. Maria, Tony claims, had her memory destroyed during a World War I invasion ten years ago. Zara doesn't remember but leaves with Tony to Salter's dismay. Bruno, now an officer in the Italian army, tries to coax Maria's memory back on his large estate. No one is really sure if Zara is Maria, and when Salter shows up with a mental case that he claims is the real Maria, everyone on Bruno's estate is desperately searching for the truth."

Author: Nina daVinci Nichols
Publisher: U of Nebraska Press
ISBN: 9780803233362
Category : Drama
Languages : en
Pages : 284

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Italian playwright Luigi Pirandello (1867-1936) is one of the preeminent figures of the modern European theater. His masterpiece, Six Characters in Search of an Author, set loose a riot during its first performance in Rome in 1921. This play about six unfortunate characters abandoned by their author in the middle of a tawdry drama, is an unsettling, supremely self-conscious work that is ultimately about theatrical artifice and artistic creation itself. Pirandello and Film examines Pirandello's many efforts-none of them finally successful-to transform Six Characters into a movie. The authors examine Pirandello's views on film and its relation to theater, his varying approaches to creating a film adaptation of Six Characters, and the efforts of directors and film moguls in Germany and Hollywood to fashion a cinematic version of the play. The book also presents an array of important documents, including some that have never before appeared in English: a Prologue (or prose sketch) for a 1926 film; a Scenario (a more detailed prose sketch) prepared by Pirandello and Adolph Lantz in the late 1920s for a German film version of Six Characters; an English-language film sketch written in 1935 by Pirandello and Saul Colin; and a letter from Max Reinhardt and the German emigri Hollywood film director Joseph von Sternberg to Saul Colin regarding the proposed film treatment of the play. These documents, together with the authors' critical text, provide a detailed portrait of Pirandello's developing view of film as an appropriate medium for his revolutionary dramatic innovations. Nina daVinci Nichols, a professor of English at Rutgers University, is the author of Ariadne's Lives, Man, Myth & Monument,and two novels: Moira's Room and Child of the Night. Jana O'Keefe Bazzoni, an associate professor of speech at Baruch College, has published articles in The Luigi Pirandello Companion, Performing Arts Journal, and Modern Drama. Maurice Charney, a professor of English at Rutgers University, is the author of All of Shakespeare, Comedy High and Low, and Sexual Fiction.

Author: Luigi Pirandello
Publisher: Plume Books
ISBN:
Category : Drama
Languages : en
Pages : 450

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Presents six plays by the Nobel Prize winning dramatist.

Author: Luigi Pirandello
Publisher: University of Chicago Press
ISBN: 0226669823
Category : Fiction
Languages : en
Pages : 248

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Author: Michael J. Subialka
Publisher: University of Toronto Press
ISBN: 1487528655
Category : History
Languages : en
Pages : 401

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Modernist Idealism develops a framework for understanding modernist production as the artistic realization of philosophical concepts elaborated in German idealism.

Author: Luigi Pirandello
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Languages : en
Pages : 228

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Author: Karl Toepfer
Publisher: Vosuri Media
ISBN: 1733249737
Category : Performing Arts
Languages : en
Pages : 1320

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This book offers perhaps the most comprehensive history of pantomime ever written. No other book so thoroughly examines the varieties of pantomimic performance from the early Roman Empire, when the term “pantomime” came into use, until the present. After thoroughly examining the complexities and startlingly imaginative performance strategies of Roman pantomime, the author identifies the peculiar political circumstances that revived and shaped pantomime in France and Austria in the eighteenth century, leading to the Pierrot obsession in the nineteenth century. Modernist aesthetics awakened a huge, highly diverse fascination with pantomime. The book explores an extraordinary variety of modernist and postmodern approaches to pantomime in Germany, Austria, France, numerous countries of Eastern Europe, Russia, Scandinavia, Spain, Belgium, The Netherlands, Chile, England, and The United States. Making use of many performance and historical documents never before included in pantomime histories, the book also discusses pantomime’s messy relation to dance, its peculiar uses of music, its “modernization” through silent film aesthetics, and the extent to which writers, performers, or directors are “authors” of pantomimes. Just as importantly, the book explains why, more than any other performance medium, pantomime allows the spectator to see the body as the agent of narrative action.

Author: Ivo Blom
Publisher:
ISBN: 9789462980532
Category :
Languages : en
Pages : 390

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In this book, Ivo Blom offers unique insights into the visual vocabulary of Italian filmmaker Luchino Visconti (1906-76), whose cinematic masterpieces include canonical works like Obsession, The Earth Trembles, and The Leopard. Meticulously examining Visconti's use of European art in his set and costume design, Reframing Luchino Visconti also investigates his cinematography in terms of staging, framing, and mirroring, among other aspects, offering valuable contextualization for the optical splendor in Visconti's films and revealing their close ties to the other visual arts.

Author: Annie Van Den Oever
Publisher:
ISBN: 9789089645715
Category : Social Science
Languages : en
Pages : 413

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This fourth title in the series 'The key debates' sets out where the term "technē" comes from, how it released a revolution in thought and how the concept in the midst of the current digital revolution, once again, is influencing the study of film. In addition, the authors investigate how technologies have affected the major debates about film, how they affected film theory and some of its key concepts. This is one of the first books to assess the comprehensive history of the philosophies of technology and their impact on film and media theory in greater detail.