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Author: Giulia Battaglia Publisher: Routledge ISBN: 1351375636 Category : Social Science Languages : en Pages : 248
Book Description
This book maps a hundred years of documentary film practices in India. It demonstrates that in order to study the development of a film practice, it is necessary to go beyond the classic analysis of films and filmmakers and focus on the discourses created around and about the practice in question. The book navigates different historical moments of the growth of documentary filmmaking in India from the colonial period to the present day. In the process, it touches upon questions concerning practices and discourses about colonial films, postcolonial institutions, independent films, filmmakers and filmmaking, the influence of feminism and the articulation of concepts of performance and performativity in various films practices. It also reflects on the centrality of technological change in different historical moments and that of film festivals and film screenings across time and space. Grounded in anthropological fieldwork and archival research and adopting Foucault’s concept of ‘effective history’, this work searches for points of origin that creates ruptures and deviations taking distance from conventional ways of writing film histories. Rather than presenting a univocal set of arguments and conclusions about changes or new developments of film techniques, the originality of the book is in offering an open structure (or an open archive) to enable the reader to engage with mechanisms of creation, engagement and participation in film and art practices at large. In adopting this form, the book conceptualises ‘Anthropology’ as also an art practice, interested, through its theoretico-methodological approach, in creating an open archive of engagement rather than a representation of a distant ‘other’. Similarly, documentary filmmaking in India is seen as primarily a process of creation based on engagement and participation rather than a practice interested in representing an objective reality. Proposing an innovative way of perceiving the growth of the documentary film genre in the subcontinent, this book will be of interest to film historians and specialists in Indian cinema(s) as well as academics in the field of anthropology of art, media and visual practices and Asian media studies.
Author: Giulia Battaglia Publisher: Routledge ISBN: 1351375636 Category : Social Science Languages : en Pages : 248
Book Description
This book maps a hundred years of documentary film practices in India. It demonstrates that in order to study the development of a film practice, it is necessary to go beyond the classic analysis of films and filmmakers and focus on the discourses created around and about the practice in question. The book navigates different historical moments of the growth of documentary filmmaking in India from the colonial period to the present day. In the process, it touches upon questions concerning practices and discourses about colonial films, postcolonial institutions, independent films, filmmakers and filmmaking, the influence of feminism and the articulation of concepts of performance and performativity in various films practices. It also reflects on the centrality of technological change in different historical moments and that of film festivals and film screenings across time and space. Grounded in anthropological fieldwork and archival research and adopting Foucault’s concept of ‘effective history’, this work searches for points of origin that creates ruptures and deviations taking distance from conventional ways of writing film histories. Rather than presenting a univocal set of arguments and conclusions about changes or new developments of film techniques, the originality of the book is in offering an open structure (or an open archive) to enable the reader to engage with mechanisms of creation, engagement and participation in film and art practices at large. In adopting this form, the book conceptualises ‘Anthropology’ as also an art practice, interested, through its theoretico-methodological approach, in creating an open archive of engagement rather than a representation of a distant ‘other’. Similarly, documentary filmmaking in India is seen as primarily a process of creation based on engagement and participation rather than a practice interested in representing an objective reality. Proposing an innovative way of perceiving the growth of the documentary film genre in the subcontinent, this book will be of interest to film historians and specialists in Indian cinema(s) as well as academics in the field of anthropology of art, media and visual practices and Asian media studies.
Author: Shweta Kishore Publisher: Edinburgh University Press ISBN: 1474433081 Category : Performing Arts Languages : en Pages : 256
Book Description
Based on detailed onsite observation of documentary production, circulation practices and the analysis of film texts, this book identifies independence as a'tactical practice', contesting the normative definitions and functions assigned to culture, cultural production and producers in a neoliberal economic system.
Author: Aparna Sharma Publisher: Palgrave Macmillan ISBN: 9781137395436 Category : Performing Arts Languages : en Pages : 0
Book Description
This book introduces the diverse practices of three non-canonical practitioners: David MacDougall, Desire Machine Collective and Kumar Shahani. It offers analysis of their documentary methods and aesthetics, exploring how their oeuvres constitute a critical and self-reflexive approach to documentary-making in India.
Author: Rajesh James Publisher: Bloomsbury Publishing USA ISBN: 1501352687 Category : Social Science Languages : en Pages : 288
Book Description
India Retold: Dialogues with Independent Documentary Filmmakers in India is an attempt to situate and historicize the engagement of independent documentary filmmakers with the postcolonial India and its discourses with a focus on their independent documentary practices. Structured as an interview collection, the book examines how these documentary filmmakers, though not a homogeneous category, practice their independence through their ideology, their filmmaking praxis, their engagement with the everyday and their formal experiments. As a sparsely studied filmmakers, the book through meticulously tracing a wide ranging historical transitions (often marked by communal conflicts and the forces of globalization) not only details the ways in which independent filmmakers in India address the questions of postcolonial nation and its modernist projects but also explores their idiosyncratic views of these filmmakers which are characterized by a definitive departure from the logic of commercial films or state-sponsored documentary films. More important in many ways, these documentary filmmakers expose incongruences in national institutions and programs, embrace the voice of the underrepresented, and thus, imagine an alternative vision of the nation. During the last three years of the execution of the project, thirty Indian documentary filmmakers are interviewed in this book. Given the dearth of quality interviews and little theoretical engagement with documentary as a genre, this book would not only fill in the gap in scholarship but also would serve as an authentic guide for interested readers and for documentary filmmakers alike.
Author: Aparna Sharma Publisher: Springer ISBN: 1137395443 Category : Performing Arts Languages : en Pages : 276
Book Description
This book introduces the diverse practices of three non-canonical practitioners: David MacDougall, Desire Machine Collective and Kumar Shahani. It offers analysis of their documentary methods and aesthetics, exploring how their oeuvres constitute a critical and self-reflexive approach to documentary-making in India.
Author: Peter Sutoris Publisher: ISBN: 9781849045711 Category : Community development Languages : en Pages : 0
Book Description
Visions of Development examines the Indian state's postcolonial development ideology between Independence in 1947 and the Emergency of 1975-77. Sutoris pioneers a novel methodology for the study of development thought and its cinematic representations, analysing films made by the Films Division of India between 1948 and 1975. By comparing these documentaries to late-colonial films on 'progress', his book highlights continuities with and departures from colonial notions of development in modern India. It is the first scholarly volume to be published on the history of Indian documentary film. Of the approximately 250 documentaries analysed by Peter Sutoris, many of which have never been discussed in the existing literature, most are concerned with economic planning and industrialisation, large dams, family planning, schemes aimed at the integration of tribal peoples (Adivasis) into society, and civic education. Almost all films analysed in this volume are available for free online viewing through the website of the Films Division. Links are provided on the companion website www.visionsofdevelopment.com.
Author: Peter Sutoris Publisher: ISBN: 9780190663001 Category : Economic development in motion pictures Languages : en Pages :
Book Description
This work examines the Indian state's postcolonial development ideology between Independence in 1947 and the Emergency of 1975-77. It pioneers a novel methodology for the study of development thought and its cinematic representations, analyzing films made by the Films Division of India between 1948 and 1975. By comparing these documentaries to late-colonial films on 'progress', the author highlights continuities with and departures from colonial notions of development in modern India.
Author: Giulia Battaglia
Author: Giulia Battaglia
Author: Shweta Kishore
Author: Aparna Sharma
Author: Rajesh James
Author: Jag Mohan
Author: K. P. Jayasankar
Author: Aparna Sharma
Author: 
Author: Peter Sutoris
Author: Peter Sutoris