Documenta IX PDF Download

Author: Roland Nachtigäller
Publisher:
ISBN: 9783893223817
Category : Art, Modern
Languages : en
Pages : 282

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Author:
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 316

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Author: Roland Nachtigäller
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 276

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Book Description
The catalogue of the 1992 Documenta, the international art exhibition held in Germany every five years. These three volumes consist of a complete catalogue, biographies, bibliographies, essays, colour spreads, and a black and white spread containing each artist's choice of images and information.

Author:
Publisher: Hatje Cantz
ISBN:
Category : Art, German
Languages : en
Pages : 136

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Author: Antoon van den Braembussche
Publisher: Springer Science & Business Media
ISBN: 1402056389
Category : Art
Languages : en
Pages : 319

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Book Description
In the twentieth century, avant-garde movements have pushed the concept of art far beyond its traditional boundaries. In this dynamical process of constant renewal the prestige of thinking about art as a legitimizing practice has come to the fore. So it is hardly surprising that the past decades have been characterized by a revival or even breakthrough of philosophy of art as a discipline. However, the majority of books on aesthetics fail to combine a systematical philosophical discourse with a real exploration of art practice. Thinking Art attempts to deal with this traditional shortcoming. It is indeed not only an easily accessible and systematic account of the classical, modern and postmodern theories of art, but also concludes each chapter with an artist’s studio in which the practical relevance of the discussed theory is amply demonstrated by concrete examples. Moreover, each chapter ends with a section on further reading, in which all relevant literature is discussed in detail. Thinking Art provides its readers with a theoretical framework that can be used to think about art from a variety of perspectives. More particularly it shows how a fruitful cross-fertilization between theory and practice can be created. This book can be used as a handbook within departments of philosophy, history of art, media and cultural studies, cultural history and, of course, within art academies. Though the book explores theories of art from Plato to Derrida it does not presuppose any acquaintance with philosophy from its readers. It can thus be read also by artists, art critics, museum directors and anyone interested in the meaning of art.

Author: Richard Cork
Publisher: Yale University Press
ISBN: 9780300095104
Category : Art
Languages : en
Pages : 660

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Book Description
Item consists of collected criticism and essays on art in Britain written in the 1990's for 'The Times'.

Author: Museum van Hedendaagse Kunst (Ghent, Belgium)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 284

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Book Description
Betr. u.a. Werke von José Marie Burki, Thomas Hirschhorn, Meret Oppenheim und Dieter Roth.

Author: Documenta (9, 1992, Kassel)
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Lisa Gaupp
Publisher: Springer Nature
ISBN: 3658374292
Category : Social Science
Languages : en
Pages : 358

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Book Description
The focus on concepts of power and domination in societal structures has characterized sociology since its beginnings. Max Weber’s definition of power as “imposing one’s will on others” is still relevant to explaining processes in the arts, whether their production, imagination, communication, distribution, critique or consumption. Domination in the arts is exercised by internal and external rulers through institutionalized social structures and through beliefs about their legitimacy, achieved by defining and shaping art tastes. The complexity of how the arts relate to power arises from the complexity of the policies of artistic production, distribution and consumption—policies which serve to facilitate or hinder an aesthetic object from reaching its intended public. Curators, critics and collectors employ a variety of forms of cultural and artistic communication to mirror and shape the dominant social, economic and political conditions. Arts and Power: Policies in and by the Arts brings together diverse voices who position the societal functions of art in fields of domination and power, of structure and agency—whether they are used to impose hegemonic, totalitarian or unjust goals or to pursue social purposes fostering equal rights and grassroots democracy. The contributions in this volume are exploratory steps towards what we believe can be a more systematic, empirically and theoretically founded sociological debate on the arts and power. And they are an invitation to take further steps.

Author: Eva Meyer-Hermann
Publisher: Yale University Press
ISBN: 0300230281
Category : Art
Languages : en
Pages : 493

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Book Description
This first volume in a catalogue raisonné of Tuymans's paintings surveys nearly 200 works from the vital early years of his career Credited with a key role in the revival of painting in the 1990s, Belgian artist Luc Tuymans (b. 1958) continues to produce subtle, and at times unsettling, works that engage with history, technology, and everyday life. This first volume in a catalogue raisonné of Tuymans's paintings surveys nearly 200 works that were vital to his artistic development. The years 1972 to 1994 witnessed the maturation of his signature method of painting from preexisting imagery--such as magazine images, Polaroids, and television footage--as well as his first solo exhibition. Also dating from this period are many of his seminal canvases, along with ten poignant portraits of the ailing human body and the enigmatic series Superstition that comprised his first works exhibited in the United States. The catalogue features brilliant new photography of each of the paintings and an illustrated chronology with archival images and installation shots of the works in this volume. This publication is a testament to Tuymans's persistent assertion of the relevance and importance of painting--a conviction that he maintains even in today's digital world, when his work continues to be a touchstone for artists and scholars.