Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 2
Book Description
Document concernant le film "Le Ruisseau", d'après la pièce de Pierre Wolff, 1928
Document concernant le film "le Ruisseau", d'après la pièce de Pierre Wolff, 1938
Recueil factice de progr. et d'article de presse sur "Le Ruisseau" films tirés de la pièce de même nom de Pierre Wolff (s. d. et 1929)
Documents concernant le film "la Belle de nuit", d'après une pièce de Pierre Wolff, 1934
Document concernant le film "le Secret de Polichinelle", d'après la pièce de Pierre Wolff, 1923
Recueil factice de progr. et d'article de presse sur
Documents concernant le film "le Fils de M. Ledoux", d'après le roman de Pierre Wolff, 1919
Documents concernant le film "Sacré Léonce", d'après la pièce de Pierre Wolff, 1936
Documents concernant le film "les Marionnettes", d'après la pièce de Pierre Wolff, 1922
Painted Love
Author: Hollis Clayson
Publisher: Getty Publications
ISBN: 0892367296
Category : Art
Languages : en
Pages : 224
Book Description
In this engrossing book, Hollis Clayson provides the first description and analysis of French artistic interest in women prostitutes, examining how the subject was treated in the art of the 1870s and 1880s by such avant-garde painters as Cézanne, Degas, Manet, and Renoir, as well as by the academic and low-brow painters who were their contemporaries. Clayson not only illuminates the imagery of prostitution-with its contradictory connotations of disgust and fascination-but also tackles the issues and problems relevant to women and men in a patriarchal society. She discusses the conspicuous sexual commerce during this era and the resulting public panic about the deterioration of social life and civilized mores. She describes the system that evolved out of regulating prostitutes and the subsequent rise of clandestine prostitutes who escaped police regulation and who were condemned both for blurring social boundaries and for spreading sexual licentiousness among their moral and social superiors. Clayson argues that the subject of covert prostitution was especially attractive to vanguard painters because it exemplified the commercialization and the ambiguity of modern life.
Publisher: Getty Publications
ISBN: 0892367296
Category : Art
Languages : en
Pages : 224
Book Description
In this engrossing book, Hollis Clayson provides the first description and analysis of French artistic interest in women prostitutes, examining how the subject was treated in the art of the 1870s and 1880s by such avant-garde painters as Cézanne, Degas, Manet, and Renoir, as well as by the academic and low-brow painters who were their contemporaries. Clayson not only illuminates the imagery of prostitution-with its contradictory connotations of disgust and fascination-but also tackles the issues and problems relevant to women and men in a patriarchal society. She discusses the conspicuous sexual commerce during this era and the resulting public panic about the deterioration of social life and civilized mores. She describes the system that evolved out of regulating prostitutes and the subsequent rise of clandestine prostitutes who escaped police regulation and who were condemned both for blurring social boundaries and for spreading sexual licentiousness among their moral and social superiors. Clayson argues that the subject of covert prostitution was especially attractive to vanguard painters because it exemplified the commercialization and the ambiguity of modern life.