Author: Publisher:
ISBN:
Category :
Languages : fr
Pages : 2
Book Description
Document concernant le film "le Bonheur", d'après la pièce d'Henry Bernstein
Author: Documents concernant le film "Joujou", d'après la pièce d'Henry Bernstein, 1918
Author: Recueil factice d'art. de presse et progr. sur le film tiré du "Bonheur" d'Henry Bernstein (1935)
Author: Document concernant le film "le Bonheur-du-jour", d'après la pièce d'Edmond Guiraud, 1928
Author: Document concernant le film "le Bonheur après la nuit", 1933
Author: Recueil factice d'art. de presse et progr. sur "le Bonheur", d'Henry Bernstein
Author: Documents concernant le film "la Flambée", d'après la pièce d'Henry Kistemaeckers
Author: Le Deuxième Sexe
Author: Simone de BeauvoirPublisher: Vintage
ISBN: 0679724516
Category : Social Science
Languages : en
Pages : 791
Book Description
The classic manifesto of the liberated woman, this book explores every facet of a woman's life.
Fine Cuts: The Art of European Film Editing
Author: Roger CrittendenPublisher: Taylor & Francis
ISBN: 113605409X
Category : Performing Arts
Languages : en
Pages : 419
Book Description
Roger Crittenden reveals the experiences of many of the greatest living European film editors through his warm and perceptive interviews which offer a unique insight into the art of editing - direct from masters of the craft. In their interviews the editors relate their experience to the directors they have worked with, including: Agnes Guillemot- (Godard, Truffaut, Catherine Breillat) Roberto Perpignani- (Welles, Bertolucci, Tavianni Brothers) Sylvia Ingemarsson- (Ingmar Bergman) Michal Leszczylowski- (Andrei Tarkovsky, Lukas Moodysson) Tony Lawson (Nic Roeg, Stanley Kubrick, Neil Jordan) and many more. Foreword by Walter Murch - three-time Oscar-winning Editor of 'Apocalypse Now', 'The English Patient', 'American Graffiti', 'The Conversation' and 'The Godfather Part II and III'.
Musicology and Dance
Author: Davinia CaddyPublisher: Cambridge University Press
ISBN: 9781108469951
Category : Music
Languages : en
Pages : 325
Book Description
Long treated as peripheral to music history, dance has become prominent within musicological research, as a prime and popular subject for an increasing number of books, articles, conference papers and special symposiums. Despite this growing interest, there remains no thorough-going critical examination of the ways in which musicologists might engage with dance, thinking not only about specific repertoires or genres, but about fundamental commonalities between the two, including embodiment, agency, subjectivity and consciousness. This volume begins to fill this gap. Ten chapters illustrate a range of conceptual, historical and interpretive approaches that advance the interdisciplinary study of music and dance. This methodological eclecticism is a defining feature of the volume, integrating insights from critical theory, film and cultural studies, the visual arts, phenomenology, cultural anthropology and literary criticism into the study of music and dance.