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Author: Bernardo Attias Publisher: Bloomsbury Publishing USA ISBN: 1623564379 Category : Music Languages : en Pages : 342
Book Description
The DJ stands at a juncture of technology, performance and culture in the increasingly uncertain climate of the popular music industry, functioning both as pioneer of musical taste and gatekeeper of the music industry. Together with promoters, producers, video jockeys (VJs) and other professionals in dance music scenes, DJs have pushed forward music techniques and technological developments in last few decades, from mashups and remixes to digital systems for emulating vinyl performance modes. This book is the outcome of international collaboration among academics in the study of electronic dance music. Mixing established and upcoming researchers from the US, Canada, the UK, Germany, Austria, Sweden, Australia and Brazil, the collection offers critical insights into DJ activities in a range of global dance music contexts. In particular, chapters address digitization and performativity, as well as issues surrounding the gender dynamics and political economies of DJ cultures and practices.
Author: Bernardo Attias Publisher: Bloomsbury Publishing USA ISBN: 1623564379 Category : Music Languages : en Pages : 342
Book Description
The DJ stands at a juncture of technology, performance and culture in the increasingly uncertain climate of the popular music industry, functioning both as pioneer of musical taste and gatekeeper of the music industry. Together with promoters, producers, video jockeys (VJs) and other professionals in dance music scenes, DJs have pushed forward music techniques and technological developments in last few decades, from mashups and remixes to digital systems for emulating vinyl performance modes. This book is the outcome of international collaboration among academics in the study of electronic dance music. Mixing established and upcoming researchers from the US, Canada, the UK, Germany, Austria, Sweden, Australia and Brazil, the collection offers critical insights into DJ activities in a range of global dance music contexts. In particular, chapters address digitization and performativity, as well as issues surrounding the gender dynamics and political economies of DJ cultures and practices.
Author: Ulf Poschardt Publisher: Quartet Books (UK) ISBN: Category : Music Languages : en Pages : 486
Book Description
From the first ever radio transmission in 1906, to the underworld New York club parties of the sixties to the future concept of the DJ as cultural producer, the transition of the DJ from record-spinner to musician is the central theme of the book.
Author: Bernardo Attias Publisher: Bloomsbury Publishing USA ISBN: 162356994X Category : Music Languages : en Pages : 349
Book Description
The DJ stands at a juncture of technology, performance and culture in the increasingly uncertain climate of the popular music industry, functioning both as pioneer of musical taste and gatekeeper of the music industry. Together with promoters, producers, video jockeys (VJs) and other professionals in dance music scenes, DJs have pushed forward music techniques and technological developments in last few decades, from mashups and remixes to digital systems for emulating vinyl performance modes. This book is the outcome of international collaboration among academics in the study of electronic dance music. Mixing established and upcoming researchers from the US, Canada, the UK, Germany, Austria, Sweden, Australia and Brazil, the collection offers critical insights into DJ activities in a range of global dance music contexts. In particular, chapters address digitization and performativity, as well as issues surrounding the gender dynamics and political economies of DJ cultures and practices.
Author: André Sirois Publisher: Popular Culture and Everyday Life ISBN: 9781433123368 Category : Turntablism Languages : en Pages : 0
Book Description
Using interviews with world-renowned and innovative hip-hop DJs, as well as technology manufacturers that cater to the market/culture, this book reveals stories behind some of the iconic DJ technologies that have helped shape the history and culture of DJing. More importantly, it explores how DJs have impacted the evolution of technology. By looking at the networks of innovation behind DJ technologies, this book problematizes the notion of the individual genius and the concept of invention. Developing a theory of «technocultural synergism, » this book attempts to detail the relationship between culture and industry through the manipulation, exchange, and rights associated with intellectual property. While the subject of hip-hop and intellectual property has already been well explored, this is the first time that hip-hop DJs have been conceptualized as intellectual property because of their role in the R&D and branding of DJ products. The book also addresses the impact of digital technology on the democratization of DJ culture, as well as how new digital DJ technology has affected the recorded music market.
Book Description
Si le DJ ne fut pendant longtemps qu'un simple pourvoyeur de sons. son histoire est parallèle à celle de la musique pop dont il contribua largement à la naissance. Cantonné jusque dans les années 50 à n'être avant tout qu'un animateur [radio] de la culture de masse musicale naissante, le rôle du DJ, ainsi que les techniques lui permettant de tracer son sillon [retransmissions radios, vinyles, platines, table de mixage]. évoluèrent au point d'en être devenu de nos jours la musique pop elle-même. Ulf Poschardt, dans cet ouvrage documentaire, développe la longue histoire du " passeur de disques " et de ses musiques, depuis le premier spécimen du genre [Reginald R. Fedessen retransmettant le Largo de Händel en 1906] jusqu'aux plus récents genres musicaux nés de la " culture DJ " [trip-hop, drum'n'bass]. On y croise ainsi Alan Freed. l'inventeur du rock'n roll. Kool DJ Herc, qui donna naissance au hip-hop. Francis Grosso. DJ de disco qui donna son véritable sens au terme " mix ", Frankie Knucles et Tony Humphries, artisans de la house, jusque DJ Shadow. Massive Attack, Aphex Twin et Daft Punk. S'appuyant sur les travaux de Greil Marcus, Nik Cohn. David Toop, Simon Reynolds ou Nelson George, UIf Poschardt retrace dans ses moindres détails [historiques, sociologiques, techniques et musicaux] la courte [mais dense] histoire sonore de cette musique pop dont la vie ne fut rien d'autre que celle d'une " culture DJ " avec laquelle elle se confond désormais.
Author: Claudia Mitchell Publisher: Bloomsbury Publishing USA ISBN: 0313084440 Category : Social Science Languages : en Pages : 749
Book Description
Never before has so much popular culture been produced about what it means to be a girl in today's society. From the first appearance of Nancy Drew in 1930, to Seventeen magazine in 1944 to the emergence of Bratz dolls in 2001, girl culture has been increasingly linked to popular culture and an escalating of commodities directed towards girls of all ages. Editors Claudia A. Mitchell and Jacqueline Reid-Walsh investigate the increasingly complex relationships, struggles, obsessions, and idols of American tween and teen girls who are growing up faster today than ever before. From pre-school to high school and beyond, Girl Culture tackles numerous hot-button issues, including the recent barrage of advertising geared toward very young girls emphasizing sexuality and extreme thinness. Nothing is off-limits: body image, peer pressure, cliques, gangs, and plastic surgery are among the over 250 in-depth entries highlighted. Comprehensive in its coverage of the twenty and twenty-first century trendsetters, fashion, literature, film, in-group rituals and hot-button issues that shape—and are shaped by—girl culture, this two-volume resource offers a wealth of information to help students, educators, and interested readers better understand the ongoing interplay between girls and mainstream culture.
Author: Mark Katz Publisher: Oxford University Press ISBN: 0195331117 Category : Music Languages : en Pages : 351
Book Description
It's all about the scratch in Groove Music, award-winning music historian Mark Katz's groundbreaking book about the figure that defined hip-hop: the DJ.Today hip-hop is a global phenomenon, and the sight and sound of DJs mixing and scratching is familiar in every corner of the world. But hip-hop was born in the streets of New York in the 1970s when a handful of teenagers started experimenting with spinning vinyl records on turntables in new ways. Although rapping has become the face of hip-hop, for nearly 40 years the DJ has proven the backbone of the culture. In Groove Music, Katz (an amateur DJ himself) delves into the fascinating world of the DJ, tracing the art of the turntable from its humble beginnings in the Bronx in the 1970s to its meteoric rise to global phenomenon today. Based on extensive interviews with practicing DJs, historical research, and his own personal experience, Katz presents a history of hip-hop from the point of view of the people who invented the genre. Here, DJs step up to discuss a wide range of topics, including the transformation of the turntable from a playback device to an instrument in its own right, the highly charged competitive DJ battles, the game-changing introduction of digital technology, and the complex politics of race and gender in the DJ scene.Exhaustively researched and written with all the verve and energy of hip-hop itself, Groove Music will delight experienced and aspiring DJs, hip-hop fans, and all students or scholars of popular music and culture.
Author: Barbara Wimmer Publisher: GRIN Verlag ISBN: 3640128079 Category : Business & Economics Languages : en Pages : 30
Book Description
Seminar paper from the year 2000 in the subject Communications - Journalism, Journalism Professions, grade: very good, University of Vienna, course: Journalism, 7 entries in the bibliography, language: English, abstract: My presentation deals with the term and the existence of a "DJ Culture" as a worldwide phenomenon. DJ Culture does not only exist at one place in the whole world - it is a cultural movement which can be mostly be found in urban and suburban surroundings in the so-called "western-orientated" world. If somebody is interested in this cultural development, he or she can spot it in the United States as well as in Europe. Apart from introducing this phenomenon to you, my task is also to present the existence of DJ magazines and general music magazines located in Austria, Germany and Great Britain. Because of the wide range of musical styles, I reduced my reflection to hip hop & breakbeat culture including the new phenomenon drum'n'bass. For those of you who have not heard the word DJ yet - it is an abbreviation of the word "disk jokey" and formerly was defined as somebody who presents discs.
Author: Christoph Cox Publisher: Bloomsbury Publishing USA ISBN: 1501318365 Category : Social Science Languages : en Pages : 665
Book Description
The groundbreaking Audio Culture: Readings in Modern Music (Continuum; September 2004; paperback original) maps the aural and discursive terrain of vanguard music today. Rather than offering a history of contemporary music, Audio Culture traces the genealogy of current musical practices and theoretical concerns, drawing lines of connection between recent musical production and earlier moments of sonic experimentation. It aims to foreground the various rewirings of musical composition and performance that have taken place in the past few decades and to provide a critical and theoretical language for this new audio culture. This new and expanded edition of the Audio Culture contains twenty-five additional essays, including four newly-commissioned pieces. Taken as a whole, the book explores the interconnections among such forms as minimalism, indeterminacy, musique concrète, free improvisation, experimental music, avant-rock, dub reggae, ambient music, hip hop, and techno via writings by philosophers, cultural theorists, and composers. Instead of focusing on some "crossover" between "high art" and "popular culture," Audio Culture takes all these musics as experimental practices on par with, and linked to, one another. While cultural studies has tended to look at music (primarily popular music) from a sociological perspective, the concern here is philosophical, musical, and historical. Audio Culture includes writing by some of the most important musical thinkers of the past half-century, among them John Cage, Brian Eno, Ornette Coleman, Pauline Oliveros, Maryanne Amacher, Glenn Gould, Umberto Eco, Jacques Attali, Simon Reynolds, Eliane Radigue, David Toop, John Zorn, Karlheinz Stockhausen, and many others. Each essay has its own short introduction, helping the reader to place the essay within musical, historical, and conceptual contexts, and the volume concludes with a glossary, a timeline, and an extensive discography.
Author: Bernardo Attias
Author: Bernardo Attias
Author: Ulf Poschardt
Author: Bernardo Attias
Author: André Sirois
Author: Ulf Poschardt![Girl Culture [2 volumes] PDF](https://books.google.com/books/content/images/frontcover/bEPPEAAAQBAJ?fife=w80-h100)
Author: Claudia Mitchell
Author: Mark Katz
Author: Barbara Wimmer
Author: Christoph Cox
Author: Ulf Poschardt