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Author: Katherine J. Hagedorn Publisher: National Geographic Books ISBN: 1560989475 Category : Religion Languages : en Pages : 0
Book Description
In Divine Utterances, Katherine J. Hagedorn explores the enduring cultural and spiritual power of the music of Afro-Cuban Santería and the process by which it has been transformed for a secular audience. She focuses on the integral connections between sacred music performances and the dramatizations of theatrical troupes, especially the state-sponsored Conjunto Folklórico Nacional de Cuba, and examines the complex relationships involving race, politics, and religion in Cuba. The music that Hagedorn describes is rooted in Afro-Cuban religious tradition and today pervades a secular performances that can produce a trance in audience members in the same way as a traditional religious ceremony. Hagedorn's analysis is deeply informed by her experiences in Cuba as a woman, scholar, and apprentice batá drummer. She argues that constructions of race and gender, the politics of pre- and post-Revolutionary Cuba, the economics of tourism, and contemporary practices within Santería have contributed to a blurring of boundaries betwen the sacred and the folkloric. As both modes now vie for primacy in Cuba's burgeoning tourist trade, what had once been the music of a marginalized group is now a cultural expression of national pride. The compact disc that accompanies the book includes examples of twenty songs to the orichas, or Afro-Cuban deities, performed by prominent musicians, including Lázaro Ros, Francisco Aguabella, Alberto Villarreal, and Zenaida Armenteros.
Author: Katherine J. Hagedorn Publisher: National Geographic Books ISBN: 1560989475 Category : Religion Languages : en Pages : 0
Book Description
In Divine Utterances, Katherine J. Hagedorn explores the enduring cultural and spiritual power of the music of Afro-Cuban Santería and the process by which it has been transformed for a secular audience. She focuses on the integral connections between sacred music performances and the dramatizations of theatrical troupes, especially the state-sponsored Conjunto Folklórico Nacional de Cuba, and examines the complex relationships involving race, politics, and religion in Cuba. The music that Hagedorn describes is rooted in Afro-Cuban religious tradition and today pervades a secular performances that can produce a trance in audience members in the same way as a traditional religious ceremony. Hagedorn's analysis is deeply informed by her experiences in Cuba as a woman, scholar, and apprentice batá drummer. She argues that constructions of race and gender, the politics of pre- and post-Revolutionary Cuba, the economics of tourism, and contemporary practices within Santería have contributed to a blurring of boundaries betwen the sacred and the folkloric. As both modes now vie for primacy in Cuba's burgeoning tourist trade, what had once been the music of a marginalized group is now a cultural expression of national pride. The compact disc that accompanies the book includes examples of twenty songs to the orichas, or Afro-Cuban deities, performed by prominent musicians, including Lázaro Ros, Francisco Aguabella, Alberto Villarreal, and Zenaida Armenteros.
Author: Edward D. Andrews Publisher: Christian Publishing House ISBN: 1949586987 Category : Religion Languages : en Pages : 655
Book Description
FROM SPOKEN WORDS TO SACRED TEXTS is an introduction-intermediate level coverage of the text of the New Testament. Andrews begins by introducing the reader to New Testament textual studies by presenting all the essential, foundational details necessary to understand New Testament textual criticism. With Andrews' clear and comprehensive approach to New Testament textual studies, FROM SPOKEN WORDS TO SACRED TEXTS, will remain popular for beginning and intermediate students for decades to come. This source on how the New Testament came down us will become the standard book for courses in biblical studies, as well as the history of Christianity. FROM SPOKEN WORDS TO SACRED TEXTS is assured of becoming a reliable, clear-cut resource for generations of Bible students to come. The Greek New Testament was copied and recopied by hand for 1,500 years. Regardless of those scribes who had worked very hard to be faithful in their copying, errors crept into the text. How can we be confident that what we have today is the Word of God? FROM SPOKEN WORDS TO SACRED TEXTS introduces its readers to New Testament textual studies of the Greek New Testament. Herein the reader will find plain language as Edward D. Andrews gives the reader an in-depth view of the history of the New Testament. We will discover how the New Testament books were transmitted. The intentional and unintentional scribal errors that crept into the text for some 1,500 years of corruption by copyists, followed by over 400 years of restoration work by textual scholars who gave their entire lives to give us today a restored New Testament text. In this book, the reader will gain an appreciation for the vast work that has been carried out in preserving the text of the New Testament and finding renewed confidence in its reliability. Andrews' work on FROM SPOKEN WORDS TO SACRED TEXTS was carried out with an apologetical mindset to assist Christians in their defense of God's Word.
Author: Katherine J. Hagedorn
Author: Katherine J. Hagedorn![The Utterances of the CXIX Psalm; Expounded in a Series of Lectures. By the Rev. John Stephen. [With the Text.] PDF](https://books.google.com/books/content/images/frontcover/M_iXwXJqOgMC?fife=w80-h100)
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Author: Katherine J. Hagedorn