The Quest for Music Divine PDF Download

Author: Suresh Chandra Dey
Publisher: APH Publishing
ISBN: 9788170243014
Category : Music
Languages : en
Pages : 348

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Book Description
Emphasizes The Integration Aspects And The Spiritual Foundations Of Music. Beings Together The Ideas Of Great Saints, Philosophers, Grammarians, Critics, Poets, Musicologists And Artists Of Music.

Author: Selina Thielemann
Publisher: APH Publishing
ISBN: 9788176482493
Category : Music
Languages : en
Pages : 240

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Book Description
The Book Aims At The Inner Soul And Accordingly The Essays Are Centered Around Music As A Cosmic Energy And Its Role And Functions In The Game Plan Of Creation. Discovers Music As A Spiritual Activity. Also Contains Poetic Quotes Reflecting The Spirit Of Bauls Of Bengal.

Author: John Addiego
Publisher: Unbridled Books
ISBN: 1936071258
Category : Fiction
Languages : en
Pages : 254

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Book Description
The Islands of Divine Music is a novel of five generations of an Italian-American family finding its place in the New World. Against a backdrop of Immigration, Prohibition, the Cuban Missile Crisis, the Vietnam War, and the new millennium, five generations of the Verbicaro family make their way from Southern Italy to San Francisco as each character brushes up against some aspect of the divine. The family matriarch is Rosari, a little girl whose family flees Italy because her prodigality is exploited by illiterate kidnappers. After her beautiful, psychotic mother’s suicide, the girl and her despondent father come to San Francisco, where she meets the man she’ll marry, a handsome, fiercely strong peasant named Giuseppe Verbicaro. The twelve linked stories of The Islands of Divine Music are portraits of family members whose lives are interwoven in one narrative that spans 100 years. Rosari and Giuseppe’s oldest son, Narciso, a handsome and dim-witted dandy, barely evades death and the stain of organized crime by his simple-minded innocence and luck, while his passionate brother Ludovico, a talented third baseman in the old San Francisco minor leagues, falls prey to the illicit dreams of a wise guy from the Gambino family. His scheme to smuggle Cuban cigars to the San Francisco Bay nearly ends in drowning but leads to a kind of salvation. Their youngest brother, Joe, a brilliant child and shrewd businessman, is ashamed of his ethnicity and, in particular, his father. This is due in part to the fact that Giuseppe, wandering North Beach, believes that God directs him to marry a teen-aged, pregnant Mexican prostitute named Maria. Further senility, faith, or vermouth convinces the old man that Maria’s child, Jesus, is the product of an immaculate conception. The event is both a family disgrace and a bizarre blessing. The child’s life and tragic death come to have a profound effect on Giuseppe’s progeny, particularly Joe’s children: Penelope, who flees the country following involvement in deadly anti-Vietnam War activities, and her brothers Paulie and Angelo, who are inspired by the young Jesus to embark upon a quest of several thousand miles to recover the family’s lost and most prized spiritual treasures.

Author: Wynand De Beer
Publisher: Wipf and Stock Publishers
ISBN: 1532686455
Category : Philosophy
Languages : en
Pages : 265

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Book Description
What is reality? Most people in the modern world are ignorant of metaphysical realities, not to mention the prevalence of semantic confusion, and therefore Wynand de Beer aims to counter this ignorance and confusion. He employs numerous insights from classical Greek philosophy and traditional Christian theology in order to discuss the various levels of reality, ranging from the highest (the divine) to the lowest (the material). The author then deals with a range of philosophical and theological themes in the light of the preceding discussion. These include well-being and love, time and eternity, good and evil, truth and knowledge, and the survival of the soul beyond bodily death, which is the only kind of immortality that human beings may attain. A lengthy chapter also deals with the manifestation of higher levels of consciousness in religion, mathematics, and music. In the later chapters of the book, the author subjects salient aspects of the Western sociocultural phenomenon known as "political correctness" to critical scrutiny. In the process, these ideologically driven and media-promoted "isms" are contrasted with both Hellenic and Christian thought, and the penetrating writings of traditionalist and/or anti-modernist thinkers from different parts of the world.

Author: Barbara Owen
Publisher: Oxford University Press
ISBN: 0198042485
Category : Music
Languages : en
Pages : 197

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Book Description
Influenced by Robert and Clara Schumann and Joseph Joachim, Johannes Brahms not only learned to play the organ at the beginning of his career, but also wrote significant compositions for the instrument as a result of his early counterpoint study. He composed for the organ only sporadically or as part of larger choral and instrumental works in his subsequent career. During the final year of his life, however, he returned to pure organ composition with a set of chorale preludes--though many of these are thought to have been revisions of earlier works. Today, the organ works of Johannes Brahms are recognized as beautifully-crafted compositions by church and concert organists across the world and have become a much-cherished component of the repertoire. Until now, however, most scholarly accounts of Brahms's life and work treat his works for the organ as a minor footnote in his development as a composer. Precisely because the collection of organ works is not extensive, the pieces--composed at different times during Brahms's lifetime--help to map his path as a composer, pinpointing various stages in his artistic development. In this volume, Barbara Owen offers the first in-depth study of this corpus, considering Brahms's organ works in relation to his background, methods, and overall artistic development, his contacts with organs and organists, the influence of his predecessors and contemporaries, and analyses of each specific work and its place in Brahms's career. Her expert history and analysis of Brahms's individual organ works and their interpretation also investigates contemporary practices relative to the performance of these pieces. The book's three valuable appendices present a guide to editions of Brahms's organ works, a discussion of the organ in Brahms's world that highlights some organs the composer would have heard, and a listing of the organ transcriptions of Brahms's work. Blending unique insights into composition and performance practice, this book will be read eagerly by performers, students, and scholars of the organ, Brahms, and the music of the Nineteenth Century.

Author: Mark Duffett
Publisher: Routledge
ISBN: 1134467761
Category : Music
Languages : en
Pages : 253

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Book Description
This book explores popular music fandom from a cultural studies perspective that incorporates popular music studies, audience research, and media fandom. The essays draw together recent work on fandom in popular music studies and begin a dialogue with the wider field of media fan research, raising questions about how popular music fandom can be understood as a cultural phenomenon and how much it has changed in light of recent developments. Exploring the topic in this way broaches questions on how to define, theorize, and empirically research popular music fan culture, and how music fandom relates to other roles, practices, and forms of social identity. Fandom itself has been brought center stage by the rise of the internet and an industrial structure aiming to incorporate, systematize, and legitimate dimensions of it as an emotionally-engaged form of consumerism. Once perceived as the pariah practice of an overly attached audience, media fandom has become a standardized industrial subject-position called upon to sell box sets, concert tickets, new television series, and special editions. Meanwhile, recent scholarship has escaped the legacy of interpretations that framed fans as passive, pathological, or defiantly empowered, taking its object seriously as a complex formation of identities, roles, and practices. While popular music studies has examined some forms of identity and audience practice, such as the way that people use music in daily life and listener participation in subcultures, scenes and, tribes, this volume is the first to examine music fans as a specific object of study.

Author: Patrick Kavanaugh
Publisher: Zondervan
ISBN: 0310208068
Category : Biography & Autobiography
Languages : en
Pages : 260

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Book Description
This is a compelling and inspiring look at spiritual beliefs that influenced some of the world's greatest composers, now revised and expanded with eight additional composers.

Author: Derek B. Scott
Publisher: Oxford University Press
ISBN: 0195343778
Category : Music
Languages : en
Pages : 267

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Book Description
From the Erotic to the Demonic demonstrates how different musical styles construct ideas of class, sexuality, and ethnic identity. This book will serve as a model for musicologists who want to take a postmodern approach to their inquiries. The clear and lively arguments are supported by ninety musical examples taken from such diverse sources as opera, symphonic music, jazz, and nineteenth- and twentieth-century popular songs. Derek Scott offers new insights on a range of "high" and "low" musical styles, and the cultures that produced them.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 668

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Book Description

Author: Paul Watt
Publisher: Oxford University Press
ISBN: 0197500684
Category : Music
Languages : en
Pages : 720

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Book Description
Rarely studied in their own right, writings about music are often viewed as merely supplemental to understanding music itself. Yet in the nineteenth century, scholarly interest in music flourished in fields as disparate as philosophy and natural science, dramatically shifting the relationship between music and the academy. An exciting and much-needed new volume, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century draws deserved attention to the people and institutions of this period who worked to produce these writings. Editors Paul Watt, Sarah Collins, and Michael Allis, along with an international slate of contributors, discuss music's fascinating and unexpected interactions with debates about evolution, the scientific method, psychology, exoticism, gender, and the divide between high and low culture. Part I of the handbook establishes the historical context for the intellectual world of the period, including the significant genres and disciplines of its music literature, while Part II focuses on the century's institutions and networks - from journalists to monasteries - that circulated ideas about music throughout the world. Finally, Part III assesses how the music research of the period reverberates in the present, connecting studies in aestheticism, cosmopolitanism, and intertextuality to their nineteenth-century origins. The Handbook challenges Western music history's traditionally sole focus on musical work by treating writings about music as valuable cultural artifacts in themselves. Engaging and comprehensive, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century brings together a wealth of new interdisciplinary research into this critical area of study.