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Author: Pamela Allen Brown Publisher: Oxford University Press ISBN: 0198867832 Category : Literary Criticism Languages : en Pages : 308
Book Description
The Diva's Gift to the Shakespearean Stage traces the transnational connections between Shakespeare's all-male stage and the first female stars in the West. The book is the first to use Italian and English plays and other sources to explore this relationship, focusing on the gifted actress whoradically altered female roles and expanded the horizons of drama just as the English were building their first paying theaters. By the time Shakespeare began to write plays, women had been acting professionally in Italian troupes for two decades, traveling across the Continent and acting in allgenres, including tragicomedy and tragedy. Some women became the first truly international stars, winning royal and noble patrons and literary admirers beyond Italy, with repeat tours in France and Spain.Elizabeth and her court caught wind of the Italians' success, and soon troupes with actresses came to London to perform. Through contacts direct and indirect, English professionals grew keenly aware of the mimetic revolution wrought by the skilled diva, who expanded the innamorata and made the typemore engaging, outspoken, and autonomous. Some English writers pushed back, treating the actress as a whorish threat to the all-male stage, which had long minimized female roles. Others saw a vital new model full of promise. Faced with rising demand for Italian-style plays, Lyly, Marlowe, Kyd, andShakespeare used Italian models from scripted and improvised drama to turn out stellar female parts in the mode of the actress, altering them in significant ways while continuing to use boys to play them. Writers seized on the comici's materials and methods to piece together pastoral, comic, andtragicomic plays from mobile theatergrams - plot elements, roles, stories, speeches, and star scenes, such as cross-dressing, the mad scene, and the sung lament. Shakespeare and his peers gave new prominence to female characters, marked their passions as un-English, and devised plots that figuredthem as self-aware agents, not counters traded between men. Playing up the skills and charisma of the boy player, they produced stunning roles charged with the diva's prodigious theatricality and alien glamour. Rightly perceived, the diva's celebrity and her acclaimed skills posed a radicalchallenge that pushed English playwrights to break with the past in enormously generative and provocative ways.
Author: Pamela Allen Brown Publisher: Oxford University Press ISBN: 0198867832 Category : Literary Criticism Languages : en Pages : 308
Book Description
The Diva's Gift to the Shakespearean Stage traces the transnational connections between Shakespeare's all-male stage and the first female stars in the West. The book is the first to use Italian and English plays and other sources to explore this relationship, focusing on the gifted actress whoradically altered female roles and expanded the horizons of drama just as the English were building their first paying theaters. By the time Shakespeare began to write plays, women had been acting professionally in Italian troupes for two decades, traveling across the Continent and acting in allgenres, including tragicomedy and tragedy. Some women became the first truly international stars, winning royal and noble patrons and literary admirers beyond Italy, with repeat tours in France and Spain.Elizabeth and her court caught wind of the Italians' success, and soon troupes with actresses came to London to perform. Through contacts direct and indirect, English professionals grew keenly aware of the mimetic revolution wrought by the skilled diva, who expanded the innamorata and made the typemore engaging, outspoken, and autonomous. Some English writers pushed back, treating the actress as a whorish threat to the all-male stage, which had long minimized female roles. Others saw a vital new model full of promise. Faced with rising demand for Italian-style plays, Lyly, Marlowe, Kyd, andShakespeare used Italian models from scripted and improvised drama to turn out stellar female parts in the mode of the actress, altering them in significant ways while continuing to use boys to play them. Writers seized on the comici's materials and methods to piece together pastoral, comic, andtragicomic plays from mobile theatergrams - plot elements, roles, stories, speeches, and star scenes, such as cross-dressing, the mad scene, and the sung lament. Shakespeare and his peers gave new prominence to female characters, marked their passions as un-English, and devised plots that figuredthem as self-aware agents, not counters traded between men. Playing up the skills and charisma of the boy player, they produced stunning roles charged with the diva's prodigious theatricality and alien glamour. Rightly perceived, the diva's celebrity and her acclaimed skills posed a radicalchallenge that pushed English playwrights to break with the past in enormously generative and provocative ways.
Author: David Sear Publisher: Spink & Son, Ltd ISBN: 1912667231 Category : Antiques & Collectibles Languages : en Pages : 697
Book Description
Volume II now extends coverage of the Imperial series from Nerva, the 'thirteenth Caesar' and first of the 'Adoptive' emperors, down to the overthrow of the Severan dynasty in 235. It encompasses what may justifiably be termed the 'golden age' of the Roman imperial coinage. The full development of the Augustan system of coin denomination and perfection of the method by which government propaganda was communicated to the citizenry through the medium of coinage both reached their peak during these fourteen decades.
Author: John Stauffer Publisher: Oxford University Press ISBN: 0199837449 Category : History Languages : en Pages : 391
Book Description
It was sung at Ronald Reagan's funeral, and adopted with new lyrics by labor radicals. John Updike quoted it in the title of one of his novels, and George W. Bush had it performed at the memorial service in the National Cathedral for victims of September 11, 2001. Perhaps no other song has held such a profoundly significant--and contradictory--place in America's history and cultural memory than the "The Battle Hymn of the Republic." In this sweeping study, John Stauffer and Benjamin Soskis show how this Civil War tune has become an anthem for cause after radically different cause. The song originated in antebellum revivalism, with the melody of the camp-meeting favorite, "Say Brothers, Will You Meet Us." Union soldiers in the Civil War then turned it into "John Brown's Body." Julia Ward Howe, uncomfortable with Brown's violence and militancy, wrote the words we know today. Using intense apocalyptic and millenarian imagery, she captured the popular enthusiasm of the time, the sense of a climactic battle between good and evil; yet she made no reference to a particular time or place, allowing it to be exported or adapted to new conflicts, including Reconstruction, sectional reconciliation, imperialism, progressive reform, labor radicalism, civil rights movements, and social conservatism. And yet the memory of the song's original role in bloody and divisive Civil War scuttled an attempt to make it the national anthem. The Daughters of the Confederacy held a contest for new lyrics, but admitted that none of the entries measured up to the power of the original. "The Battle Hymn" has long helped to express what we mean when we talk about sacrifice, about the importance of fighting--in battles both real and allegorical--for the values America represents. It conjures up and confirms some of our most profound conceptions of national identity and purpose. And yet, as Stauffer and Soskis note, the popularity of the song has not relieved it of the tensions present at its birth--tensions between unity and discord, and between the glories and the perils of righteous enthusiasm. If anything, those tensions became more profound. By following this thread through the tapestry of American history, The Battle Hymn of the Republic illuminates the fractures and contradictions that underlie the story of our nation.
Author: David Sear Publisher: Spink & Son, Ltd ISBN: 1912667223 Category : Antiques & Collectibles Languages : en Pages : 533
Book Description
The original edition of Sear's Roman Coins and Their Values was published by Seaby thirty-six years ago and has been through four revisions (1970, 1974, 1981 and 1988). However, the publication of the 'Millennium Edition' of this popular work makes a radical departure from previous editions.
Author: Publisher: Cambridge University Press ISBN: 1009382829 Category : History Languages : en Pages : 430
Book Description
This volume in the LACTOR Sourcebooks in Ancient History series offers a generous selection of primary texts on the Flavians, with accompanying maps, glossary and explanatory notes. It provides for the needs of students at schools and universities who are studying ancient history in English translation and has been written and reviewed by experienced teachers. The texts selected include extracts from the important literary sources but also numerous inscriptions, coins, inscriptions, papyri and extracts from legal texts, many of these being otherwise difficult for students to access.
Author: Robert C. Plumb Publisher: U of Nebraska Press ISBN: 1640122230 Category : History Languages : en Pages : 279
Book Description
Harriet Tubman, Harriet Beecher Stowe, Clara Barton, Julia Ward Howe, and Sarah Josepha Hale came from backgrounds that ranged from abject enslavement to New York City’s elite. Surmounting social and political obstacles, they emerged before and during the worst crisis in American history, the Civil War. Their actions became strands in a tapestry of courage, truth, and patriotism that influenced the lives of millions—and illuminated a new way forward for the nation. In this collective biography, Robert C. Plumb traces these five remarkable women’s awakenings to analyze how their experiences shaped their responses to the challenges, disappointments, and joys they encountered on their missions. Here is Tubman, fearless conductor on the Underground Railroad, alongside Stowe, the author who awakened the nation to the evils of slavery. Barton led an effort to provide medical supplies for field hospitals, and Union soldiers sang Howe’s “Battle Hymn of the Republic” on the march. And, amid national catastrophe, Hale’s campaign to make Thanksgiving a national holiday moved North and South toward reconciliation.
Author: Olivier Hekster Publisher: OUP Oxford ISBN: 0191056553 Category : History Languages : en Pages : 428
Book Description
Ancestry played a continuous role in the construction and portrayal of Roman emperorship in the first three centuries AD. Emperors and Ancestors is the first systematic analysis of the different ways in which imperial lineage was represented in the various 'media' through which images of emperors could be transmitted. Looking beyond individual rulers, Hekster evaluates evidence over an extended period of time and differentiates between various types of sources, such as inscriptions, sculpture, architecture, literary text, and particularly central coinage, which forms the most convenient source material for a modern reconstruction of Roman representations over a prolonged period of time. The volume explores how the different media in use sent out different messages. The importance of local notions and traditions in the choice of local representations of imperial ancestry are emphasized, revealing that there was no monopoly on image-forming by the Roman centre and far less interaction between central and local imagery than is commonly held. Imperial ancestry is defined through various parallel developments at Rome and in the provinces. Some messages resonated outside the centre but only when they were made explicit and fitted local practice and the discourse of the medium. The construction of imperial ancestry was constrained by the local expectations of how a ruler should present himself, and standardization over time of the images and languages that could be employed in the 'media' at imperial disposal. Roman emperorship is therefore shown to be a constant process of construction within genres of communication, representation, and public symbolism.
Author: Mary T. Boatwright Publisher: Oxford University Press ISBN: 0197567037 Category : History Languages : en Pages : 405
Book Description
The Imperial Women of Rome explores the constraints and activities of the women who were part of Rome's imperial families from 35 BCE to 235 CE, the Roman principate. Boatwright uses coins, inscriptions, papyri, material culture, and archaeology, as well as the more familiar but biased ancient authors, to depict change and continuity in imperial women's pursuits and representations over time. Focused vignettes open each thematic chapter, emphasizing imperial women as individuals and their central yet marginalized position in the principate. Evaluating historical contingency and personal agency, the book assesses its subjects in relation to distinct Roman structures rather than as a series of biographies. Rome's imperial women allow us to probe the meanings of the emperor's authority and power; Roman law; the Roman family; Roman religion and imperial cult; imperial presence in the city of Rome; statues and exemplarity; and the military and communications. The book is richly illustrated and offers detailed information in tables and appendices, including one for the life events of the imperial women discussed in the text. Considered over time and as a whole, Livia, the Agrippinas and Faustinas, Julia Domna, and others closely connected to Rome's emperors enrich our understanding of Roman history and offer glimpses of fascinating and demanding lives.
Author: Pamela Allen Brown
Author: Pamela Allen Brown
Author: Laura Elizabeth Howe Richards
Author: David Sear
Author: John Stauffer
Author: George Crabb
Author: David Sear
Author: 
Author: Robert C. Plumb
Author: Olivier Hekster
Author: Mary T. Boatwright