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Author: StaVl Zosimov Premudroslovsky Publisher: Litres ISBN: 5042269134 Category : Fiction Languages : en Pages : 392
Book Description
Yn Lloegr mae ditectif, Sherlock Holmes a Dr. Watson; Yn Ewrop – Hercule Poirot a Hastings; yn yr UD, Niro Wolfe ac Archie Goodwin.Ac yma, y Rwsiaid, dyma’r cadfridog ardal Klop a’i gynorthwyydd cas, yn gorporal, Incifalapat.Gyda’i gilydd ni fyddant yn gweld ei gilydd, ond nid yw hyn yn eu hatal rhag ymchwilio i achosion troseddol...Hoffai Putin y nofel hon.# Cedwir pob hawl.
Author: StaVl Zosimov Premudroslovsky Publisher: Litres ISBN: 5042269134 Category : Fiction Languages : en Pages : 392
Book Description
Yn Lloegr mae ditectif, Sherlock Holmes a Dr. Watson; Yn Ewrop – Hercule Poirot a Hastings; yn yr UD, Niro Wolfe ac Archie Goodwin.Ac yma, y Rwsiaid, dyma’r cadfridog ardal Klop a’i gynorthwyydd cas, yn gorporal, Incifalapat.Gyda’i gilydd ni fyddant yn gweld ei gilydd, ond nid yw hyn yn eu hatal rhag ymchwilio i achosion troseddol...Hoffai Putin y nofel hon.# Cedwir pob hawl.
Author: Jim Hillier Publisher: Harvard University Press ISBN: 9780674090613 Category : Performing Arts Languages : en Pages : 332
Book Description
The Cahiers du Cinéma has played a major role in establishing film theory and criticism as an essential part of the late 20th century culture. This volume contains articles from the 1950s.
Author: Jean-luc Godard Publisher: Da Capo Press ISBN: 9780306802591 Category : Performing Arts Languages : en Pages : 300
Book Description
Jean-Luc Godard, like many of his European contemporaries, came to filmmaking through film criticism. This collection of essays and interviews, ranging from his early efforts for La Gazette du Cinéma to his later writings for Cahiers du Cinéma, reflects his dazzling intelligence, biting wit, maddening judgments, and complete unpredictability. In writing about Hitchcock, Welles, Bergman, Truffaut, Bresson, and Renoir, Godard is also writing about himself-his own experiments, obsessions, discoveries. This book offers evidence that he may be even more original as a thinker about film than as a director. Covering the period of 1950-1967, the years of Breathless, A Woman Is a Woman, My Life to Live, Alphaville, La Chinoise, and Weekend, this book of writings is an important document and a fascinating study of a vital stage in Godard's career. With commentary by Tom Milne and Richard Roud, and an extensive new foreword by Annette Michelson that reassesses Godard in light of his later films, here is an outrageous self-portrait by a director who, even now, continues to amaze and bedevil, and to chart new directions for cinema and for critical thought about its history.
Author: Zahra Tavassoli Zea Publisher: Springer Nature ISBN: 3030306151 Category : Performing Arts Languages : en Pages : 237
Book Description
This book examines the theoretical affiliations between the most notable proponent of literary realism, Honoré de Balzac, and two understated but key representatives of the French New Wave, Éric Rohmer and Jacques Rivette. It argues that their film criticism, which gradually led to the establishment of a common aesthetic vision of cinema (the “politique des auteurs”), owes more to Balzac and the nineteenth-century novel than to any intellectual trend of the immediate post-war period. By considering the films of Rohmer and Rivette as an extension of their writings (essays, film reviews, scriptwriting, novels and interviews), this volume analyses the changing and sometimes opposed ways in which they applied Balzacian principles and themes to their cinematic practice. Essentially, it understands the exchange between art forms, past traditions and contemporaneous currents as the overlooked yet common thread that links these three authors, through their own re-appropriations of classical and romantic aesthetics in their explorations of modern French society. In doing so, this study provides further nuance to the “conservative” versus “progressist” rupture that is generally assumed between the two directors, and offers an innovative reading of The Human Comedy in the light of post-war ideas on authorship, film adaptation, classicism and modernism.
Author: Carol Williams Publisher: ISBN: Category : English language Languages : en Pages : 132
Book Description
This Welsh-English dictionary consists of 1500 words. In the Welsh-English section, a comprehensive system to help find mutated forms of words is introduced, and parts of speech and many plurals are included.
Author: Wheeler Winston Dixon Publisher: Rutgers University Press ISBN: 0813595169 Category : Art Languages : en Pages : 525
Book Description
With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.
Author: Michael Payne Publisher: John Wiley & Sons ISBN: 1118438817 Category : Literary Criticism Languages : en Pages : 834
Book Description
Now thoroughly updated and revised, this new edition of the highly acclaimed dictionary provides an authoritative and accessible guide to modern ideas in the broad interdisciplinary fields of cultural and critical theory Updated to feature over 40 new entries including pieces on Alain Badiou, Ecocriticism, Comparative Racialization , Ordinary Language Philosophy and Criticism, and Graphic Narrative Includes reflective, broad-ranging articles from leading theorists including Julia Kristeva, Stanley Cavell, and Simon Critchley Features a fully updated bibliography Wide-ranging content makes this an invaluable dictionary for students of a diverse range of disciplines
Author: Bill Krohn Publisher: State University of New York Press ISBN: 1438477651 Category : Performing Arts Languages : en Pages : 324
Book Description
Journalist and filmmaker Bill Krohn has been the Los Angeles correspondent for the French magazine Cahiers du cinéma for over forty years. Letters from Hollywood brings together thirty-four of his essays, many of them appearing in English for the first time. Focusing most pieces on a particular director and film, Krohn uses his inside knowledge of the studio system to illuminate an art that is also a multibillion-dollar business. He connects currents in French film criticism and theory with an unfolding account of American cinema past and present, offering penetrating insights into directors and their work. Beginning with Allan Dwan, who learned how to make movies before Hollywood was born by watching D. W. Griffith, Krohn presents a panorama that encompasses Alfred Hitchcock and Woody Allen, Stanley Kubrick and Sergio Leone, Star Wars and I Love Lucy. He covers everything from gangsters to gremlins, from blockbusters to no-budget cult films like Moon Over Harlem and Plan 9 from Outer Space, in a style that is accessible to anyone who loves movies, or has a passion for writing about them.
Author: András Bálint Kovács Publisher: University of Chicago Press ISBN: 0226451666 Category : Performing Arts Languages : en Pages : 441
Book Description
Casting fresh light on the renowned productions of auteurs like Antonioni, Fellini, and Bresson and drawing out from the shadows a range of important but lesser-known works, Screening Modernism is the first comprehensive study of European art cinema’s postwar heyday. Spanning from the 1950s to the 1970s, András Bálint Kovács’s encyclopedic work argues that cinematic modernism was not a unified movement with a handful of styles and themes but rather a stunning range of variations on the core principles of modern art. Illustrating how the concepts of modernism and the avant-garde variously manifest themselves in film, Kovács begins by tracing the emergence of art cinema as a historical category. He then explains the main formal characteristics of modern styles and forms as well as their intellectual foundation. Finally, drawing on modernist theory and philosophy along the way, he provides an innovative history of the evolution of modern European art cinema. Exploring not only modernism’s origins but also its stylistic, thematic, and cultural avatars, Screening Modernism ultimately lays out creative new ways to think about the historical periods that comprise this golden age of film.
Author: StaVl Zosimov Premudroslovsky
Author: StaVl Zosimov Premudroslovsky
Author: Jim Hillier
Author: Jean-luc Godard
Author: Zahra Tavassoli Zea
Author: Carol Williams
Author: Wheeler Winston Dixon
Author: Jean Renoir
Author: Michael Payne
Author: Bill Krohn
Author: András Bálint Kovács