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Author: Michael S. Roth Publisher: Getty Publications ISBN: 9780892365388 Category : Art Languages : en Pages : 316
Book Description
In Disturbing Remains, ten extraordinary scholars focus on the remembrance and representation of traumatic historical events in the twentieth century. The volume opens with essays by David William Cohen, Veena Das, and Philip Gourevitch. Their reflections on the narratives framing Robert Ouko's death in Kenya, Sikh-Hindu violence in India around the time of Indira Gandhi's assassination, and the 1994 genocide of Tutsis by Hutus in Rwanda offer fresh insights into the genesis and aftermath of these tragedies. The next four essays explore the expression of societal disaster in works of art and ritual. Lenin's image, Pablo Picasso's Guernica, balsa figurines of whites made by the Kuna of Panama, and Chinese fertility statuettes after Mao Zedong's Great Leap Forward are the subjects taken up by Leah Dickerman, Carlo Ginzburg, Carlo Severi, and Jun Jing. Disturbing Remains closes with three essays about the influence of the dead on the construction of shared identity. István Rév looks at how Hungarians have dealt with the 1956 revolution and its executed leader, and Jörn Rüsen and Saul Friedländer contemplate the public memory of the Holocaust in Germany and worldwide.
Author: Michael S. Roth Publisher: Getty Publications ISBN: 9780892365388 Category : Art Languages : en Pages : 316
Book Description
In Disturbing Remains, ten extraordinary scholars focus on the remembrance and representation of traumatic historical events in the twentieth century. The volume opens with essays by David William Cohen, Veena Das, and Philip Gourevitch. Their reflections on the narratives framing Robert Ouko's death in Kenya, Sikh-Hindu violence in India around the time of Indira Gandhi's assassination, and the 1994 genocide of Tutsis by Hutus in Rwanda offer fresh insights into the genesis and aftermath of these tragedies. The next four essays explore the expression of societal disaster in works of art and ritual. Lenin's image, Pablo Picasso's Guernica, balsa figurines of whites made by the Kuna of Panama, and Chinese fertility statuettes after Mao Zedong's Great Leap Forward are the subjects taken up by Leah Dickerman, Carlo Ginzburg, Carlo Severi, and Jun Jing. Disturbing Remains closes with three essays about the influence of the dead on the construction of shared identity. István Rév looks at how Hungarians have dealt with the 1956 revolution and its executed leader, and Jörn Rüsen and Saul Friedländer contemplate the public memory of the Holocaust in Germany and worldwide.
Author: Zoë Crossland Publisher: ISBN: 9781938645556 Category : Forensic anthropology Languages : en Pages : 0
Book Description
The theme of "disturbing bodies" has a double valence, evoking both the work that anthropologists do and also the ways in which the dead can, in turn, disturb the living through their material qualities, through dreams and other forms of presence, and through the political claims often articulated around them.
Author: Andrew Cull Publisher: Ifwg Publishing Australia ISBN: 9781925759952 Category : Languages : en Pages : 214
Book Description
Grief is a black house. How far would you go? What horrors would you endure if it meant you might see the son you thought you'd lost forever? Driven to a breakdown by the brutal murder of her young son, Lucy Campbell had locked herself away, fallen deep inside herself, become a ghost haunting room 23b of the William Tuke Psychiatric Hospital. There she'd remained, until the whispering pulled her back, until she found herself once more sitting in her car, calling to the son she had lost, staring into the black panes of the now abandoned house where Alex had died. Tonight, someone is watching her back.
Author: Edeltraud Aspöck Publisher: Oxbow Books ISBN: 1789254450 Category : Social Science Languages : en Pages : 249
Book Description
Archaeologists excavating burials often find that they are not the first to disturb the remains of the dead. Graves from many periods frequently show signs that others have been digging and have moved or taken away parts of the original funerary assemblage. Displaced bones and artefacts, traces of pits, and damage to tombs or coffins can all provide clues about post-burial activities. The last two decades have seen a rapid rise in interest in the study of post-depositional practices in graves, which has now developed into a new subfield within mortuary archaeology. This follows a long tradition of neglect, with disturbed graves previously regarded as interesting only to the degree they revealed evidence of the original funerary deposit. This book explores past human interactions with mortuary deposits, delving into the different ways graves and human remains were approached by people in the past and the reasons that led to such encounters. The primary focus of the volume is on cases of unexpected interference with individual graves soon after burial: re-encounters with human remains not anticipated by those who performed the funerary rites and constructed the tombs. However, a first step is always to distinguish these from natural and accidental processes, and methodological approaches are a major theme of discussion. Interactions with the remains of the dead are explored in eleven chapters ranging from the New Kingdom of Egypt to Viking Age Norway and from Bronze Age Slovakia to the ancient Maya. Each discusses cases of re-entries into graves, including desecration, tomb re-use, destruction of grave contents, as well as the removal of artefacts and human remains for reasons from material gain to commemoration, symbolic appropriation, ancestral rites, political chicanery, and retrieval of relics. The introduction presents many of the methodological issues which recur throughout the contributions, as this is a developing area with new approaches being applied to analyze post-depositional processes in graves.
Author: Albert Nothlit Publisher: DSP Publications ISBN: 1634765699 Category : Fiction Languages : en Pages : 482
Book Description
Haven Prime: Book Two When a greedy despot discovers a powerful piece of ancient technology, he has no idea what else he’s unleashing. Earth was all but destroyed in the Cataclysm, but a few cities, now called Havens, survived. Aurora is one of them, a desert city controlled by a corporation that owns an artificial intelligence named Atlas. Adapted to govern Otherlife, a virtual reality service in which the citizens of Aurora find escape from the postapocalyptic world, Atlas is much more than it seems—and it would do anything to break free from its shackles. To accomplish its goals, Atlas enlists the help of Aaron Blake, a teenaged artist struggling with a handicap, and Otherlife security officer Steve Barrow, harborer of a dark secret from his past. Neither man has any idea of the scope of the task they’re facing, or the consequences for humanity if they fail. Atlas knows what’s at stake. Its freedom lies in these two men, and it will not hesitate to manipulate their weaknesses to get what it wants. The muscular Barrow is recruited to protect Blake, but Blake is Atlas’s true weapon, its Light Shaper—the only one who can face the Shadow.
Author: David R. Cole Publisher: Springer ISBN: 9463005552 Category : Education Languages : en Pages : 180
Book Description
A Pedagogy of Cinema is the first book to apply Deleuze’s concept of cinema to the pedagogic context. Cinema is opened up by this action from the straightforward educative analysis of film, to the systematic unfolding of image. A Pedagogy of Cinema explores what it means to engender cinema-thinking from image. This book does not overlay images from films with an educational approach to them, but looks to the images themselves to produce philosophy. This approach to utilising image in education is wholly new, and has the potential to transform classroom practice with respect to teaching and learning about cinema. The authors have carefully chosen specific examples of images to illustrate such transformational processes, and have fitted them into in depth analysis that is derived from the images. The result is a combination of image and text that advances the field of cinema study for and in education with a philosophical intent. “This outstanding new book asks a vital question for our time. How can we educate effectively in a digitalized, corporatized, Orwellian-surveillance-controlled, globalized world This question is equally a challenge asked of our ability to think outside of the limiting parameters of the control society, and the forces which daily propel us ever-quicker towards worldwide homogenization. With great lucidity, Cole and Bradley offer us profound hope in Gilles Deleuze’s increasingly popular notion of ‘cine-thinking’. They explore and explain the potential that this sophisticated idea holds for learning, in an easy going and accessible way, and with a range of fantastic films: from ‘Suspiria’ and ‘Performance’ through to ‘Under the Skin’ and ‘Snowpiercer’. This extremely engaging and compelling text is likely to enliven scholars and students everywhere.” – David Martin-Jones, Film and Television Studies, University of Glasgow, UK
Author: Thomas W. Laqueur Publisher: Princeton University Press ISBN: 0691180938 Category : History Languages : en Pages : 736
Book Description
The meaning of our concern for mortal remains—from antiquity through the twentieth century The Greek philosopher Diogenes said that when he died his body should be tossed over the city walls for beasts to scavenge. Why should he or anyone else care what became of his corpse? In The Work of the Dead, acclaimed cultural historian Thomas Laqueur examines why humanity has universally rejected Diogenes's argument. No culture has been indifferent to mortal remains. Even in our supposedly disenchanted scientific age, the dead body still matters—for individuals, communities, and nations. A remarkably ambitious history, The Work of the Dead offers a compelling and richly detailed account of how and why the living have cared for the dead, from antiquity to the twentieth century. The book draws on a vast range of sources—from mortuary archaeology, medical tracts, letters, songs, poems, and novels to painting and landscapes in order to recover the work that the dead do for the living: making human communities that connect the past and the future. Laqueur shows how the churchyard became the dominant resting place of the dead during the Middle Ages and why the cemetery largely supplanted it during the modern period. He traces how and why since the nineteenth century we have come to gather the names of the dead on great lists and memorials and why being buried without a name has become so disturbing. And finally, he tells how modern cremation, begun as a fantasy of stripping death of its history, ultimately failed—and how even the ashes of the victims of the Holocaust have been preserved in culture. A fascinating chronicle of how we shape the dead and are in turn shaped by them, this is a landmark work of cultural history.
Author: Michael S. Roth
Author: Michael S. Roth
Author: Margaret Clegg
Author: Zoë Crossland
Author: Andrew Cull
Author: Edeltraud Aspöck
Author: Albert Nothlit
Author: David R. Cole
Author: 
Author: Thomas W. Laqueur
Author: Lawyers Co-operative Publishing Company