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Author: Guido Morselli Publisher: New York Review of Books ISBN: 1681374765 Category : Fiction Languages : en Pages : 145
Book Description
A fantastic and philosophical vision of the apocalypse by one of the most striking Italian novelists of the twentieth century. From his solitary buen retiro in the mountains, the last man on earth drives to the capital Chrysopolis to see if anyone else has survived the Vanishing. But there’s no one else, living or dead, in that city of “holy plutocracy,” with its fifty-six banks and as many churches. He’d left the metropolis to escape his fellow humans and their struggles and ambitions, but to find that the entire human race has evaporated in an instant is more than he had bargained for. Meanwhile, life itself—the rest of nature—is just beginning to flourish now that human beings are gone. Guido Morselli’s arresting postapocalyptic novel, written just before he died by suicide in 1973, depicts a man much like the author himself—lonely, brilliant, difficult—and a world much like our own, mesmerized by money, speed, and machines. Dissipatio H.G. is a precocious portrait of our Anthropocene world, and a philosophical last will and testament from a great Italian outsider.
Author: Guido Morselli Publisher: New York Review of Books ISBN: 1681374765 Category : Fiction Languages : en Pages : 145
Book Description
A fantastic and philosophical vision of the apocalypse by one of the most striking Italian novelists of the twentieth century. From his solitary buen retiro in the mountains, the last man on earth drives to the capital Chrysopolis to see if anyone else has survived the Vanishing. But there’s no one else, living or dead, in that city of “holy plutocracy,” with its fifty-six banks and as many churches. He’d left the metropolis to escape his fellow humans and their struggles and ambitions, but to find that the entire human race has evaporated in an instant is more than he had bargained for. Meanwhile, life itself—the rest of nature—is just beginning to flourish now that human beings are gone. Guido Morselli’s arresting postapocalyptic novel, written just before he died by suicide in 1973, depicts a man much like the author himself—lonely, brilliant, difficult—and a world much like our own, mesmerized by money, speed, and machines. Dissipatio H.G. is a precocious portrait of our Anthropocene world, and a philosophical last will and testament from a great Italian outsider.
Author: Guido Morselli Publisher: New York Review of Books ISBN: 1681374773 Category : Fiction Languages : en Pages : 145
Book Description
A fantastic and philosophical vision of the apocalypse by one of the most striking Italian novelists of the twentieth century. From his solitary buen retiro in the mountains, the last man on earth drives to the capital Chrysopolis to see if anyone else has survived the Vanishing. But there’s no one else, living or dead, in that city of “holy plutocracy,” with its fifty-six banks and as many churches. He’d left the metropolis to escape his fellow humans and their struggles and ambitions, but to find that the entire human race has evaporated in an instant is more than he had bargained for. Meanwhile, life itself—the rest of nature—is just beginning to flourish now that human beings are gone. Guido Morselli’s arresting postapocalyptic novel, written just before he died by suicide in 1973, depicts a man much like the author himself—lonely, brilliant, difficult—and a world much like our own, mesmerized by money, speed, and machines. Dissipatio H.G. is a precocious portrait of our Anthropocene world, and a philosophical last will and testament from a great Italian outsider.
Author: Guido Morselli Publisher: National Geographic Books ISBN: 1681370786 Category : Fiction Languages : en Pages : 0
Book Description
A unique political coming of age story, now in English for the first time An NYRB Classics Original Walter Ferranini has been born and bred a man of the left. His father was a worker and an anarchist; Walter himself is a Communist. In the 1930s, he left Mussolini’s Italy to fight Franco in Spain. After Franco’s victory, he left Spain for exile in the United States. With the end of the war, he returned to Italy to work as a labor organizer and to build a new revolutionary order. Now, in the late 1950s, Walter is a deputy in the Italian parliament. He is not happy about it. Parliamentary proceedings are too boring for words: the Communist Party seems to be filling up with ward heelers, timeservers, and profiteers. For Walter, the political has always taken precedence over the personal, but now there seems to be no refuge for him anywhere. The puritanical party disapproves of his relationship with Nuccia, a tender, quizzical, deeply intelligent editor who is separated but not divorced, while Walter is worried about his health, haunted by his past, and increasingly troubled by knotty questions of both theory and practice. Walter is, always has been, and always will be a Communist, he has no doubt about that, and yet something has changed. Communism no longer explains the life he is living, the future he hoped for, or, perhaps most troubling of all, the life he has led.
Author: Giacomo Sartori Publisher: Restless Books ISBN: 1632062151 Category : Fiction Languages : en Pages : 224
Book Description
Diabolically funny and subversively philosophical, Italian novelist Giacomo Sartori’s I Am God is the diary of the Almighty’s existential crisis that erupts when he falls in love with a human. I am God. Have been forever, will be forever. Forever, mind you, with the razor-sharp glint of a diamond, and without any counterpart in the languages of men. So begins God’s diary of the existential crisis that ensues when, inexplicably, he falls in love with a human. And not just any human, but a geneticist and fanatical atheist who’s certain she can improve upon the magnificent creation she doesn’t even give him the credit for. It’s frustrating, for a god. God has infinitely bigger things to occupy his celestial attentions. Yet he can’t tear his eyes (so to speak) from the geneticist who’s unsettlingly avid when it comes to science, sex, and Sicilian cannoli. Whatever happens, he must safeguard his transcendental dignity. So he watches—disinterestedly, of course—as the handsome climatologist who has his sights set on her keeps having strange accidents. And as the lanky geneticist becomes hell-bent on infiltrating the Vatican’s secret files, for reasons of her own…. A sly critique of the hypocrisy and hubris that underlie faith in religion, science, and macho careerism, I Am God takes us on a hilarious and provocative romp through the Big Questions with the universe’s supreme storyteller.
Author: Saul Friedländer Publisher: Other Press, LLC ISBN: 1590519124 Category : Literary Criticism Languages : en Pages : 177
Book Description
Named a Times Literary Supplement Best Book of the Year A Pulitzer Prize–winning historian revisits Marcel Proust’s masterpiece in this essay on literature and memory, exploring the question of identity—that of the novel’s narrator and Proust’s own. This engaging reexamination of In Search of Lost Time considers how the narrator defines himself, how this compares to what we know of Proust himself, and what the significance is of these various points of commonality and divergence. We know, for example, that the author did not hide his homosexuality, but the narrator did. Why the difference? We know that the narrator tried to marginalize his part-Jewish background. Does this reflect the author’s position, and how does the narrator handle what he tries, but does not manage, to dismiss? These are major questions raised by the text and reflected in the text, to which the author’s life doesn’t give obvious answers. The narrator’s reflections on time, on death, on memory, and on love are as many paths leading to the image of self that he projects. In Proustian Uncertainties, Saul Friedländer draws on his personal experience from a life spent investigating the ties between history and memory to offer a fresh perspective on the seminal work.
Author: Gianfranco Calligarich Publisher: Farrar, Straus and Giroux ISBN: 0374600163 Category : Fiction Languages : en Pages : 135
Book Description
The first novel from award-winning author Gianfranco Calligarich to be published in English, Last Summer in the City is a witty and despairing classic of Italian literature. Biting, tragic, and endlessly quotable, this translated edition features an introductory appreciation from longtime fan New York Times bestselling author André Aciman. In a city smothering under the summer sun and an overdose of la dolce vita, Leo Gazarra spends his time in an alcoholic haze, bouncing between run-down hotels and the homes of his rich and well-educated friends, without whom he would probably starve. At thirty, he’s still drifting: between jobs that mean nothing to him, between human relationships both ephemeral and frayed. Everyone he knows wants to graduate, get married, get rich—but not him. He has no ambitions whatsoever. Rather than toil and spin, isn’t it better to submit to the alienation of the Eternal City, Rome, sometimes a cruel and indifferent mistress, sometimes sweet and sublime? There can be no half measures with her, either she’s the love of your life or you have to leave her. First discovered by Natalia Ginzburg, Last Summer in the City is a forgotten classic of Italian literature, a great novel of a stature similar to that of The Great Gatsby or The Catcher in the Rye. Gianfranco Calligarich’s enduring masterpiece has drawn comparisons to such writers as Truman Capote, Ernest Hemingway, and Jonathan Franzen and is here made available in English for the first time.
Author: Giacomo Sartori Publisher: Restless Books ISBN: 1632062755 Category : Fiction Languages : en Pages : 311
Book Description
With the wicked humor and imagination that made readers fall in love with his novel I Am God, Giacomo Sartori brings us a madcap story of family dysfunction, (dis)ability, intelligent robots, bees, and a family of misfit savants living outside the bounds. In the singular world of the young, deaf narrator of Bug, there are just a handful of people who try to understand him when he gets into trouble at school. His father, a data analyst for Nutella whose real job is to pinpoint terrorists, is clueless about humans in real life. His brilliant brother, called IQ in public and Robin Hood in the hackersphere, has his back but is ever busier training his robot. His grandfather, a retired anarchist-guerilla-turned-nematologist, chides him for misbehaving when he takes him hunting for worms. Meanwhile, his Buddhist beekeeper mother, ordinarily his closest confidante, has been in a coma ever since a terrible car accident. Just when the family’s survival in their converted chicken coop seems most precarious, someone—or something—new enters his life: Bug. This self-declared “fast friend” seems to know all about his family and has some creative, if not strictly legal, ideas about how to help . . . Praise for Bug “A witty tale of family resilience and a dangerous, homemade AI bot…. the characters’ antics escalate in inventive and unexpected ways. This is worth a spin.”—Publishers Weekly “A lonely boy befriends a charming but dangerous robot in Giacomo Sartori’s science fiction novel Bug. . . . The prose is lively, intense, and full of perceptive similes. The boy’s voice is unique and memorable as he records his daily adventures at school and at home. . . . Whether real or imagined or both, the boy’s adventures show him to be resilient, vulnerable, caring, and inquisitive—but above all else, he is a neglected child who wants his mother back.”—Eileen Gonzalez, Foreword Reviews “With wry attention to the gorgeous frailty of human behavior and a wicked sense of humor, Sartori brings us a family that is utterly unremarkable and unforgettable. Living in a chicken coop as his family goes through emotional and financial turmoil, the narrator, a ten-year-old boy, pulls the reader into his head. When language fails him (‘...words lend themselves without restraint to confecting colossal lies, you might even say they enjoy it.’), he turns to an unpredictable online friend. With the same messy heartbeat he gave us in I Am God, Sartori's newest novel is pure delight.”—Shawn, Mara, and Marisa, Chapter One Book Store (Hamilton, MT)
Author: Josefa Ros Velasco Publisher: Springer Nature ISBN: 3030693929 Category : Psychology Languages : en Pages : 320
Book Description
This book analyzes the social and contextual causes of suicide, the existential and philosophical reasons for committing suicide, and the prevention strategies that modern fictional literature places at our disposal. They go through the review of Modern fictional literature, in the American and European geographical framework, following the rationales that modern literature based on fiction can serve the purpose of understanding better the phenomenon of suicide, its most inaccessible impulses, and that has the potential to prevent suicide. From the turn of the 20th century to the present, debates over the meaning of suicide became a privileged site for efforts to discover the reasons why people commit suicide and how to prevent this behavior. Since the French sociologist and philosopher Émile Durkheim published his study Suicide: A Study in Sociology in 1897, a reframing of suicide took place, giving rise to a flourishing group of researchers and authors devoting their efforts to understand better the causes of suicide and to the formation of suicide prevention organizations. A century later, we still keep on trying to reach such an understanding of suicide, the nature, and nuances of its modern conceptualization, to prevent suicidal behaviors. The question of what suicide means in and for modernity is not an overcome one. Suicide is an act that touches all of our lives and engages with the incomprehensible and unsayable. Since the turn of the millennium, a fierce debate about the state’s role in assisted suicide has been adopted. Beyond the discussion as to whether physicians should assist in the suicide of patients with unbearable and hopeless suffering, the scope of the suicidal agency is much broader concerning general people wanting to die.
Author: Cees W. Passchier Publisher: Springer Science & Business Media ISBN: 3642760139 Category : Science Languages : en Pages : 219
Book Description
Although there are numerous publications on the geology of high-grade gneiss terrains, few descriptions exist of how to map and carry out structural analysis in these terrains. Textbooks on structural geology concentrate on technIques appli cable to low-grade terrains. Geologists who have no experience of mapping high-grade gneisses are often at a loss as to how to apply techniques to high grade rocks that were developed for low to medium grade metamorphic terrains. Any study of deep crustal processes and their development through time should begin with examination of the primary data source - outcrops of high grade metamorphic terrains. We feel that the urge to apply advanced techniques of fabric analysis, petrology, geochemistry, isotope geochemistry and age deter mination to these rocks often results in brief sampling trips in which there is little, if any analysis of the structural and metamorphic history revealed by outcrop patterns. Many studies of the metamorphic petrology and geochemistry of high-grade gneiss terrains make ineffective use of available field data, often because the authors are unaware of structural complexities and of the ways to recognise and use them. This is unfortunate, because much data can be collected in the field at minimal cost that cannot easily, if at all, be obtained from material in the laboratory. The primary igneous or sedimentary nature of a rock, the relative age of intrusive veins, and the sequence of deformation that they under went, can usually best be determined by straightforward observation in the field.
Author: Giorgio De Maria Publisher: Liveright Publishing ISBN: 1631492306 Category : Fiction Languages : en Pages : 224
Book Description
Named one of NPR's Best Books of 2017 Written during the height of the 1970s Italian domestic terror, a cult novel, with distinct echoes of Lovecraft and Borges, makes its English-language debut. In the spare wing of a church-run sanatorium, some zealous youths create "the Library," a space where lonely citizens can read one another’s personal diaries and connect with like-minded souls in "dialogues across the ether." But when their scribblings devolve into the ugliest confessions of the macabre, the Library’s users learn too late that a malicious force has consumed their privacy and their sanity. As the city of Turin suffers a twenty-day "phenomenon of collective psychosis" culminating in nightly massacres that hundreds of witnesses cannot explain, the Library is shut down and erased from history. That is, until a lonely salaryman decides to investigate these mysterious events, which the citizenry of Turin fear to mention. Inevitably drawn into the city’s occult netherworld, he unearths the stuff of modern nightmares: what’s shared can never be unshared. An allegory inspired by the grisly neo-fascist campaigns of its day, The Twenty Days of Turin has enjoyed a fervent cult following in Italy for forty years. Now, in a fretful new age of "lone-wolf" terrorism fueled by social media, we can find uncanny resonances in Giorgio De Maria’s vision of mass fear: a mute, palpitating dread that seeps into every moment of daily existence. With its stunning anticipation of the Internet—and the apocalyptic repercussions of oversharing—this bleak, prescient story is more disturbingly pertinent than ever. Brilliantly translated into English for the first time by Ramon Glazov, The Twenty Days of Turin establishes De Maria’s place among the literary ranks of Italo Calvino and beside classic horror masters such as Edgar Allan Poe and H. P. Lovecraft. Hauntingly imaginative, with visceral prose that chills to the marrow, the novel is an eerily clairvoyant magnum opus, long overdue but ever timely.
Author: Guido Morselli
Author: Guido Morselli
Author: Guido Morselli
Author: Guido Morselli
Author: Giacomo Sartori
Author: Saul Friedländer
Author: Gianfranco Calligarich
Author: Giacomo Sartori
Author: Josefa Ros Velasco
Author: Cees W. Passchier
Author: Giorgio De Maria