Author: Frederika Elizabeth Bain
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501513230
Category : History
Languages : en
Pages : 314
Book Description
The medieval and early modern English imaginary encompasses a broad range of negative and positive dismemberments, from the castration anxieties of Turk plays to the elite practices of distributive burial. This study argues that representations and instances of bodily fragmentation illustrated and performed acts of exclusion and inclusion, detaching not only limbs from bodies but individuals from identity groups. Within this context it examines questions of legitimate and illegitimate violence, showing that such distinctions largely rested upon particular acts’ assumed symbolic meanings. Specific chapters address ways dismemberments manifested gender, human versus animal nature, religious and ethnic identity, and social rank. The book concludes by examining the afterlives of body parts, including relics and specimens exhibited for entertainment and education, contextualized by discussion of the resurrection body and its promise of bodily reintegration. Grounded in dramatic works, the study also incorporates a variety of genres from midwifery manuals to broadside ballads.
Dismemberment in the Medieval and Early Modern English Imaginary
Dismemberment in the Medieval and Early Modern English Imaginary
Author: Frederika Elizabeth Bain
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501512951
Category : History
Languages : en
Pages : 363
Book Description
The medieval and early modern English imaginary encompasses a broad range of negative and positive dismemberments, from the castration anxieties of Turk plays to the elite practices of distributive burial. This study argues that representations and instances of bodily fragmentation illustrated and performed acts of exclusion and inclusion, detaching not only limbs from bodies but individuals from identity groups. Within this context it examines questions of legitimate and illegitimate violence, showing that such distinctions largely rested upon particular acts’ assumed symbolic meanings. Specific chapters address ways dismemberments manifested gender, human versus animal nature, religious and ethnic identity, and social rank. The book concludes by examining the afterlives of body parts, including relics and specimens exhibited for entertainment and education, contextualized by discussion of the resurrection body and its promise of bodily reintegration. Grounded in dramatic works, the study also incorporates a variety of genres from midwifery manuals to broadside ballads.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501512951
Category : History
Languages : en
Pages : 363
Book Description
The medieval and early modern English imaginary encompasses a broad range of negative and positive dismemberments, from the castration anxieties of Turk plays to the elite practices of distributive burial. This study argues that representations and instances of bodily fragmentation illustrated and performed acts of exclusion and inclusion, detaching not only limbs from bodies but individuals from identity groups. Within this context it examines questions of legitimate and illegitimate violence, showing that such distinctions largely rested upon particular acts’ assumed symbolic meanings. Specific chapters address ways dismemberments manifested gender, human versus animal nature, religious and ethnic identity, and social rank. The book concludes by examining the afterlives of body parts, including relics and specimens exhibited for entertainment and education, contextualized by discussion of the resurrection body and its promise of bodily reintegration. Grounded in dramatic works, the study also incorporates a variety of genres from midwifery manuals to broadside ballads.
Materializing the East in Early Modern English Drama
Author: Murat Ögütcü
Publisher: Bloomsbury Publishing
ISBN: 1350300462
Category : Literary Criticism
Languages : en
Pages : 205
Book Description
Despite the popularity of plays about the East, the representation of the East in early modern drama has been either overlooked, marginalized as footnotes or generalized into stereotypes. Materializing the East in Early Modern English Drama focuses on the multi-layered, often conflicting and changing perceptions of the East and how dramatic works made use of their respective theatrical space to represent the concept of the East in drama. This volume re-examines the (mis)representation of the East on the early modern English outdoor and indoor stage and broadens our understanding of early modern theatrical productions beyond Shakespeare and the European continent. It traces the origin of conventional depictions of the East to university dramas and explores how they influenced the commercial stage. Chapters uncover how conflicting representations of the East were communicated on stage through the material aspects of stage architecture, costumes and performance effects. The collection emphasizes these material aspects of dramatic performances and showcases neglected plays, including George Salterne's Tomumbeius, Robert Greene's The Historie of Orlando Furioso and Joseph Simons' Leo the Armenian, and puts them in conversation with William Shakespeare's The Tempest and John Fletcher's The Island Princess.
Publisher: Bloomsbury Publishing
ISBN: 1350300462
Category : Literary Criticism
Languages : en
Pages : 205
Book Description
Despite the popularity of plays about the East, the representation of the East in early modern drama has been either overlooked, marginalized as footnotes or generalized into stereotypes. Materializing the East in Early Modern English Drama focuses on the multi-layered, often conflicting and changing perceptions of the East and how dramatic works made use of their respective theatrical space to represent the concept of the East in drama. This volume re-examines the (mis)representation of the East on the early modern English outdoor and indoor stage and broadens our understanding of early modern theatrical productions beyond Shakespeare and the European continent. It traces the origin of conventional depictions of the East to university dramas and explores how they influenced the commercial stage. Chapters uncover how conflicting representations of the East were communicated on stage through the material aspects of stage architecture, costumes and performance effects. The collection emphasizes these material aspects of dramatic performances and showcases neglected plays, including George Salterne's Tomumbeius, Robert Greene's The Historie of Orlando Furioso and Joseph Simons' Leo the Armenian, and puts them in conversation with William Shakespeare's The Tempest and John Fletcher's The Island Princess.
A History of the World Through Body Parts
Author: Kathy Petras
Publisher: Chronicle Books
ISBN: 1797205420
Category : Humor
Languages : en
Pages : 259
Book Description
A grab bag of historic spleens, chins, and more, this is your ultimate literary dissection of body parts throughout history! From famous craniums to prominent breasts, ancient spleens and bound feet, this book will bring history to life in a whole new way. With their inimitable wit and probing intelligence, authors Kathy and Ross Petras look at the role the human body has played throughout history as each individual part becomes a jumping-off point for a wider look at the times. In far-ranging, quirky-yet-interrelated stories, learn about Charles II of Spain's jaw and the repercussions of inbreeding, what Anne Boleyn's heart says about the Crusades and the trend of dispersed burials, and what can be learned about the Aztecs through Moctezuma's pierced lip. A History of the World Through Body Parts is packed with fascinating little-known historical facts and anecdotes that will entertain, enlighten, and delight even the most well-read history buff. BESTSELLING AUTHORS: Kathy and Ross Petras have authored the New York Times bestseller You're Saying It Wrong and the hit calendar The 365 Stupidest Things Ever Said, now in its 24th year with over 4.8 million copies sold! ENGAGING CONTENT: Packed with rich material told with a lively and humorous voice, take a trip through history in this unique, exciting way. QUIRKY HISTORY FANS REJOICE!: For fans of The Disappearing Spoon, Wicked Plants, The Violinist's Thumb, The Sawbones Book and Strange Histories! Perfect for: • History buffs and pop history fans • Father's Day, birthday, and holiday shoppers
Publisher: Chronicle Books
ISBN: 1797205420
Category : Humor
Languages : en
Pages : 259
Book Description
A grab bag of historic spleens, chins, and more, this is your ultimate literary dissection of body parts throughout history! From famous craniums to prominent breasts, ancient spleens and bound feet, this book will bring history to life in a whole new way. With their inimitable wit and probing intelligence, authors Kathy and Ross Petras look at the role the human body has played throughout history as each individual part becomes a jumping-off point for a wider look at the times. In far-ranging, quirky-yet-interrelated stories, learn about Charles II of Spain's jaw and the repercussions of inbreeding, what Anne Boleyn's heart says about the Crusades and the trend of dispersed burials, and what can be learned about the Aztecs through Moctezuma's pierced lip. A History of the World Through Body Parts is packed with fascinating little-known historical facts and anecdotes that will entertain, enlighten, and delight even the most well-read history buff. BESTSELLING AUTHORS: Kathy and Ross Petras have authored the New York Times bestseller You're Saying It Wrong and the hit calendar The 365 Stupidest Things Ever Said, now in its 24th year with over 4.8 million copies sold! ENGAGING CONTENT: Packed with rich material told with a lively and humorous voice, take a trip through history in this unique, exciting way. QUIRKY HISTORY FANS REJOICE!: For fans of The Disappearing Spoon, Wicked Plants, The Violinist's Thumb, The Sawbones Book and Strange Histories! Perfect for: • History buffs and pop history fans • Father's Day, birthday, and holiday shoppers
Grave
Author: Allison C. Meier
Publisher: Bloomsbury Publishing USA
ISBN: 1501383671
Category : Literary Criticism
Languages : en
Pages : 167
Book Description
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Grave takes a ground-level view of how burial sites have transformed over time and how they continue to change. As a cemetery tour guide, Allison C. Meier has spent more time walking among tombstones than most. Even for her, the grave has largely been invisible, an out of the way and unobtrusive marker of death. However, graves turn out to be not always so subtle, reverent, or permanent. While the indigent and unidentified have frequently been interred in mass graves, a fate brought into the public eye during the COVID-19 pandemic, the practice today is not unlike burials in the potter's fields of the colonial era. Burial is not the only option, of course, and Meier analyzes the rise of cremation, green burial, and new practices like human composting, investigating what is next for the grave and how existing spaces of death can be returned to community life. Object Lessons is published in partnership with an essay series in The Atlantic.
Publisher: Bloomsbury Publishing USA
ISBN: 1501383671
Category : Literary Criticism
Languages : en
Pages : 167
Book Description
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Grave takes a ground-level view of how burial sites have transformed over time and how they continue to change. As a cemetery tour guide, Allison C. Meier has spent more time walking among tombstones than most. Even for her, the grave has largely been invisible, an out of the way and unobtrusive marker of death. However, graves turn out to be not always so subtle, reverent, or permanent. While the indigent and unidentified have frequently been interred in mass graves, a fate brought into the public eye during the COVID-19 pandemic, the practice today is not unlike burials in the potter's fields of the colonial era. Burial is not the only option, of course, and Meier analyzes the rise of cremation, green burial, and new practices like human composting, investigating what is next for the grave and how existing spaces of death can be returned to community life. Object Lessons is published in partnership with an essay series in The Atlantic.
Staging the Blazon in Early Modern English Theater
Author: Sara Morrison
Publisher: Routledge
ISBN: 1317050738
Category : Performing Arts
Languages : en
Pages : 363
Book Description
Offering the first sustained and comprehensive scholarly consideration of the dramatic potential of the blazon, this volume complicates what has become a standard reading of the Petrarchan convention of dismembering the beloved through poetic description. At the same time, it contributes to a growing understanding of the relationship between the material conditions of theater and interpretations of plays by Shakespeare and his contemporaries. The chapters in this collection are organized into five thematic parts emphasizing the conventions of theater that compel us to consider bodies as both literally present and figuratively represented through languge. The first part addresses the dramatic blazon as used within the conventions of courtly love. Examining the classical roots of the Petrarchan blazon, the next part explores the violent eroticism of a poetic technique rooted in Ovidian notions of metamorphosis. With similar attention paid to brutality, the third part analyzes the representation of blazonic dismemberment on stage and screen. Figurative battles become real in the fourth part, which addresses the frequent blazons surfacing in historical and political plays. The final part moves to the role of audience, analyzing the role of the observer in containing the identity of the blazoned woman as well as her attempts to resist becoming an objectified spectacle.
Publisher: Routledge
ISBN: 1317050738
Category : Performing Arts
Languages : en
Pages : 363
Book Description
Offering the first sustained and comprehensive scholarly consideration of the dramatic potential of the blazon, this volume complicates what has become a standard reading of the Petrarchan convention of dismembering the beloved through poetic description. At the same time, it contributes to a growing understanding of the relationship between the material conditions of theater and interpretations of plays by Shakespeare and his contemporaries. The chapters in this collection are organized into five thematic parts emphasizing the conventions of theater that compel us to consider bodies as both literally present and figuratively represented through languge. The first part addresses the dramatic blazon as used within the conventions of courtly love. Examining the classical roots of the Petrarchan blazon, the next part explores the violent eroticism of a poetic technique rooted in Ovidian notions of metamorphosis. With similar attention paid to brutality, the third part analyzes the representation of blazonic dismemberment on stage and screen. Figurative battles become real in the fourth part, which addresses the frequent blazons surfacing in historical and political plays. The final part moves to the role of audience, analyzing the role of the observer in containing the identity of the blazoned woman as well as her attempts to resist becoming an objectified spectacle.
The Routledge Companion to Literature and Food
Author: Lorna Piatti-Farnell
Publisher: Routledge
ISBN: 1351216007
Category : Literary Criticism
Languages : en
Pages : 1135
Book Description
The Routledge Companion to Literature and Food explores the relationship between food and literature in transnational contexts, serving as both an introduction and a guide to the field in terms of defining characteristics and development. Balancing a wide-reaching view of the long histories and preoccupations of literary food studies, with attentiveness to recent developments and shifts, the volume illuminates the aesthetic, cultural, political, and intellectual diversity of the representation of food and eating in literature.
Publisher: Routledge
ISBN: 1351216007
Category : Literary Criticism
Languages : en
Pages : 1135
Book Description
The Routledge Companion to Literature and Food explores the relationship between food and literature in transnational contexts, serving as both an introduction and a guide to the field in terms of defining characteristics and development. Balancing a wide-reaching view of the long histories and preoccupations of literary food studies, with attentiveness to recent developments and shifts, the volume illuminates the aesthetic, cultural, political, and intellectual diversity of the representation of food and eating in literature.
Stages of Dismemberment
Author: Margaret E. Owens
Publisher: University of Delaware Press
ISBN: 9780874138887
Category : Drama
Languages : en
Pages : 340
Book Description
"This study has essentially two focuses, two stories to tell. One story traces the secularization, theatricalization, and uncanny returns of suppressed religious culture in early modern drama. The other story concerns the tendency of the theater to expose contingencies and gaps in politico-judicial practices of spectacular violence." "The investigation covers a broad range of plays dating from the fifteenth century to the closing of the theatres in 1642; however, three chapters are devoted to extensive analysis of single plays: R.B.'s Apius and Virginia, Shakespeare's 2 Henry VI, and Marlowe's Doctor Faustus."--Jacket.
Publisher: University of Delaware Press
ISBN: 9780874138887
Category : Drama
Languages : en
Pages : 340
Book Description
"This study has essentially two focuses, two stories to tell. One story traces the secularization, theatricalization, and uncanny returns of suppressed religious culture in early modern drama. The other story concerns the tendency of the theater to expose contingencies and gaps in politico-judicial practices of spectacular violence." "The investigation covers a broad range of plays dating from the fifteenth century to the closing of the theatres in 1642; however, three chapters are devoted to extensive analysis of single plays: R.B.'s Apius and Virginia, Shakespeare's 2 Henry VI, and Marlowe's Doctor Faustus."--Jacket.
England's Asian Renaissance
Author: Su Fang Ng
Publisher: Rutgers University Press
ISBN: 1644532425
Category : Literary Criticism
Languages : en
Pages : 225
Book Description
England's Asian Renaissance explores how Asian knowledges, narratives, and customs inflected early modern English literature. Just as Asian imports changed England's tastes and enriched the English language, Eastern themes, characters, and motifs helped shape the country's culture and contributed to its national identity. Questioning long-standing dichotomies between East and West and embracing a capacious understanding of translatio as geographic movement, linquistic transformation, and cultural grafting, the collection gives pride of place to convergence, approximation, and hybridity, thus underscoring the radical mobility of early modern culture. In so doing, England's Asian Renaissance also moves away from entrenched narratives of Western cultural sovereignty to think anew England's debts to Asia. Published by the University of Delaware Press. Distributed worldwide by Rutgers University Press.
Publisher: Rutgers University Press
ISBN: 1644532425
Category : Literary Criticism
Languages : en
Pages : 225
Book Description
England's Asian Renaissance explores how Asian knowledges, narratives, and customs inflected early modern English literature. Just as Asian imports changed England's tastes and enriched the English language, Eastern themes, characters, and motifs helped shape the country's culture and contributed to its national identity. Questioning long-standing dichotomies between East and West and embracing a capacious understanding of translatio as geographic movement, linquistic transformation, and cultural grafting, the collection gives pride of place to convergence, approximation, and hybridity, thus underscoring the radical mobility of early modern culture. In so doing, England's Asian Renaissance also moves away from entrenched narratives of Western cultural sovereignty to think anew England's debts to Asia. Published by the University of Delaware Press. Distributed worldwide by Rutgers University Press.
The Imagination in Early Modern English Literature
Author: Deanna Smid
Publisher: BRILL
ISBN: 9004344047
Category : Literary Criticism
Languages : en
Pages : 218
Book Description
In The Imagination in Early Modern English Literature, Deanna Smid presents a literary, historical account of imagination in early modern English literature, paying special attention to its effects on the body, to its influence on women, to its restraint by reason, and to its ability to create novelty. An early modern definition of imagination emerges in the work of Robert Burton, Francis Bacon, Edward Reynolds, and Margaret Cavendish. Smid explores a variety of literary texts, from Thomas Nashe’s The Unfortunate Traveler to Francis Quarles’s Emblems, to demonstrate the literary consequences of the early modern imagination. The Imagination in Early Modern English Literature insists that, if we are to call an early modern text “imaginative,” we must recognize the unique characteristics of early modern English imagination, in all its complexity.
Publisher: BRILL
ISBN: 9004344047
Category : Literary Criticism
Languages : en
Pages : 218
Book Description
In The Imagination in Early Modern English Literature, Deanna Smid presents a literary, historical account of imagination in early modern English literature, paying special attention to its effects on the body, to its influence on women, to its restraint by reason, and to its ability to create novelty. An early modern definition of imagination emerges in the work of Robert Burton, Francis Bacon, Edward Reynolds, and Margaret Cavendish. Smid explores a variety of literary texts, from Thomas Nashe’s The Unfortunate Traveler to Francis Quarles’s Emblems, to demonstrate the literary consequences of the early modern imagination. The Imagination in Early Modern English Literature insists that, if we are to call an early modern text “imaginative,” we must recognize the unique characteristics of early modern English imagination, in all its complexity.