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Author: Tristen Jones Publisher: ISBN: Category : Languages : en Pages : 0
Book Description
The rock art of western Arnhem Land represents one of the largest corpuses and most complex ancient cultural records in ancient Australia, with both the rock art and the broader archaeological landscape amongst the oldest Indigenous occupied landscapes in the country (David et al. 2013; Clarkson et al. 2015; Roberts et al. 1990, 1993, 1994). While both the archaeology and aspects of the rock art have been rigorously studied, the early rock art of Arnhem Land rock art largely remains disarticulated from the archaeological record owing to its unknown antiquity (Langley and Tacon 2010). The inability to temporally link rock art sequences to the archaeological record has thus limited the capacity of rock art researchers to inform and engage in disciplinary debates regarding the social nature and the cultural complexity of Indigenous societies in the deep past. This issue remains the greatest limitation of rock art research (Ross et al. 2016). This thesis aims to revaluate and test the validity of the previously proposed stylistic sequences and their assumed antiquity (Brandl 1973; Chaloupka 1993; Chippindale and Tacon 1998; Lewis 1988) with particular reference to the early to middle periods of western Arnhem Land rock art (Chippindale and Tacon 1998; Wesley et al. in press). It aims to anchor the stylistic chronology and our current understanding of western Arnhem Land rock art to the broader regional archaeological record through the production of absolute chronometric age constraints for selected rock art styles. The rock art styles subject to stylistic analysis and radiocarbon dating include; the Northern Running Figure style, the Large Naturalistic style, and the early X-ray convention. By producing chronometric information regarding the timings of the emergence and disappearance of key rock art styles, a revised chronology for the early to middle periods can be proposed. This revised stylistic chronology for early to middle period rock art enables a combined re-evaluation of both the archaeology and the rock art in the region, thus consolidating our understanding of the social nature, function and cultural context of rock art production in western Arnhem Land throughout the Pleistocene - Holocene transition.
Author: Tristen Jones Publisher: ISBN: Category : Languages : en Pages : 0
Book Description
The rock art of western Arnhem Land represents one of the largest corpuses and most complex ancient cultural records in ancient Australia, with both the rock art and the broader archaeological landscape amongst the oldest Indigenous occupied landscapes in the country (David et al. 2013; Clarkson et al. 2015; Roberts et al. 1990, 1993, 1994). While both the archaeology and aspects of the rock art have been rigorously studied, the early rock art of Arnhem Land rock art largely remains disarticulated from the archaeological record owing to its unknown antiquity (Langley and Tacon 2010). The inability to temporally link rock art sequences to the archaeological record has thus limited the capacity of rock art researchers to inform and engage in disciplinary debates regarding the social nature and the cultural complexity of Indigenous societies in the deep past. This issue remains the greatest limitation of rock art research (Ross et al. 2016). This thesis aims to revaluate and test the validity of the previously proposed stylistic sequences and their assumed antiquity (Brandl 1973; Chaloupka 1993; Chippindale and Tacon 1998; Lewis 1988) with particular reference to the early to middle periods of western Arnhem Land rock art (Chippindale and Tacon 1998; Wesley et al. in press). It aims to anchor the stylistic chronology and our current understanding of western Arnhem Land rock art to the broader regional archaeological record through the production of absolute chronometric age constraints for selected rock art styles. The rock art styles subject to stylistic analysis and radiocarbon dating include; the Northern Running Figure style, the Large Naturalistic style, and the early X-ray convention. By producing chronometric information regarding the timings of the emergence and disappearance of key rock art styles, a revised chronology for the early to middle periods can be proposed. This revised stylistic chronology for early to middle period rock art enables a combined re-evaluation of both the archaeology and the rock art in the region, thus consolidating our understanding of the social nature, function and cultural context of rock art production in western Arnhem Land throughout the Pleistocene - Holocene transition.
Author: Ann McGrath Publisher: Routledge ISBN: 1351723634 Category : History Languages : en Pages : 979
Book Description
The Routledge Companion to Global Indigenous History presents exciting new innovations in the dynamic field of Indigenous global history while also outlining ethical, political, and practical research. Indigenous histories are not merely concerned with the past but have resonances for the politics of the present and future, ranging across vast geographical distances and deep time periods. The volume starts with an introduction that explores definitions of Indigenous peoples, followed by six thematic sections which each have a global spread: European uses of history and the positioning of Indigenous people as history’s outsiders; their migrations and mobilities; colonial encounters; removals and diasporas; memory, identities, and narratives; deep histories and pathways towards future Indigenous histories that challenge the nature of the history discipline itself. This book illustrates the important role of Indigenous history and Indigenous knowledges for contemporary concerns, including climate change, spirituality and religious movements, gender negotiations, modernity and mobility, and the meaning of ‘nation’ and the ‘global’. Reflecting the state of the art in Indigenous global history, the contributors suggest exciting new directions in the field, examine its many research challenges and show its resonances for a global politics of the present and future. This book is invaluable reading for students in both undergraduate and postgraduate Indigenous history courses.
Author: Jo McDonald Publisher: ANU Press ISBN: 1760465364 Category : Social Science Languages : en Pages : 306
Book Description
Australia has one of the largest inventories of rock art in the world with pictographs and petroglyphs found almost anywhere that has suitable rock surfaces – in rock shelters and caves, on boulders and rock platforms. First Nations people have been marking these places with figurative imagery, abstract designs, stencils and prints for tens of thousands of years, often engaging with earlier rock markings. The art reflects and expresses changing experiences within landscapes over time, spirituality, history, law and lore, as well as relationships between individuals and groups of people, plants, animals, land and Ancestral Beings that are said to have created the world, including some rock art. Since the late 1700s, people arriving in Australia have been fascinated with the rock art they encountered, with detailed studies commencing in the late 1800s. Through the 1900s an impressive body of research on Australian rock art was undertaken, with dedicated academic study using archaeological methods employed since the late 1940s. Since then, Australian rock art has been researched from various perspectives, including that of Traditional Owners, custodians and other community members. Through the 1900s, there was also growing interest in Australian rock art from researchers across the globe, leading many to visit or migrate to Australia to undertake rock art research. In this volume, the varied histories of Australian rock art research from different parts of the country are explored not only in terms of key researchers, developments and changes over time, but also the crucial role of First Nations people themselves in investigations of this key component of their living heritage.
Author: Ekkehart Malotki Publisher: University of Washington Press ISBN: 029574362X Category : Social Science Languages : en Pages : 314
Book Description
A CHOICE OUTSTANDING ACADEMIC TITLE The earliest rock art - in the Americas as elsewhere - is geometric or abstract. Until Early Rock Art in the American West, however, no book-length study has been devoted to the deep antiquity and amazing range of geometrics and the fascinating questions that arise from their ubiquity and variety. Why did they precede representational marks? What is known about their origins and functions? Why and how did humans begin to make marks, and what does this practice tell us about the early human mind? With some two hundred striking color images and discussions of chronology, dating, sites, and styles, this pioneering investigation of abstract geometrics on stone (as well as bone, ivory, and shell) explores its wide-ranging subject from the perspectives of ethology, evolutionary biology, cognitive archaeology, and the psychology of artmaking. The authors’ unique approach instills a greater respect for a largely unknown and underappreciated form of paleoart, suggesting that before humans became Homo symbolicus or even Homo religiosus, they were mark-makers - Homo aestheticus.
Author: Eugene Ch'ng Publisher: Springer Nature ISBN: 3030770281 Category : Computers Languages : en Pages : 545
Book Description
How we understand our shared and individual heritage, interpret and disseminate that knowledge is increasingly central to contemporary society. The emerging context for such development is the field of heritage science. Inherently interdisciplinary, and involving both the Arts and Humanities, engineering, conservation and the digital sciences, the development of heritage science is a driver for change; socially, economically and technically. This book has gathered contributions from leading researchers from across the world and provides a series of themed contributions demonstrating the theoretical, ethical, methodological and technical methods which lie at the heart of heritage science. Archaeology, conservation, museology, the arts, forensic sciences, and heritage management are represented through collaborative research with specialists in applied technologies including object and terrestrial laser scanning, multi-spectral imaging, visualisation, GIS and 3D-printing. Together, the chapters present important case studies to demonstrate the recent advances and best practise within the discipline, highlighting the value of digital transformation across the heritage community that includes objects, monuments, sites and landscapes spanning two million years of natural and cultural history from all over the world. Visual Heritage: Digital Approaches in Heritage Science is aimed at a broad academic and practice-led readership, which extends across many disciplines and will be of considerable value to scholars, practitioners, and students working within heritage and computer science at all levels. The content, which applies heritage science across two million years of cultural history will be appreciated by a general audience, as well as those wishing simply to explore the vast range of potential technical applications across all the disciplines represented in the book.
Author: Jo McDonald Publisher: John Wiley & Sons ISBN: 1118253922 Category : Social Science Languages : en Pages : 692
Book Description
This unique guide provides an artistic and archaeological journey deep into human history, exploring the petroglyphic and pictographic forms of rock art produced by the earliest humans to contemporary peoples around the world. Summarizes the diversity of views on ancient rock art from leading international scholars Includes new discoveries and research, illustrated with over 160 images (including 30 color plates) from major rock art sites around the world Examines key work of noted authorities (e.g. Lewis-Williams, Conkey, Whitley and Clottes), and outlines new directions for rock art research Is broadly international in scope, identifying rock art from North and South America, Australia, the Pacific, Africa, India, Siberia and Europe Represents new approaches in the archaeological study of rock art, exploring issues that include gender, shamanism, landscape, identity, indigeneity, heritage and tourism, as well as technological and methodological advances in rock art analyses
Author: Christopher Chippindale Publisher: Cambridge University Press ISBN: 9780521576192 Category : Art Languages : en Pages : 398
Book Description
Pictures, painted and carved in caves and on open rock surfaces, are amongst our loveliest relics from prehistory. This pioneering set of sparkling essays goes beyond guesses as to what the pictures mean, instead exploring how we can reliably learn from rock-art as a material record of distant times: in short, rock-art as archaeology. Sometimes contact-period records offer some direct insight about indigenous meaning, so we can learn in that informed way. More often, we have no direct record, and instead have to use formal methods to learn from the evidence of the pictures themselves. The book's eighteen papers range wide in space and time, from the Palaeolithic of Europe to nineteenth-century Australia. Using varied approaches within the consistent framework of informed and proven methods, they make key advances in using the striking and reticent evidence of rock-art to archaeological benefit.
Author: Iain Davidson Publisher: Berghahn Books ISBN: 1789209218 Category : Social Science Languages : en Pages : 359
Book Description
Dating back to at least 50,000 years ago, rock art is one of the oldest forms of human symbolic expression. Geographically, it spans all the continents on Earth. Scenes are common in some rock art, and recent work suggests that there are some hints of expression that looks like some of the conventions of western scenic art. In this unique volume examining the nature of scenes in rock art, researchers examine what defines a scene, what are the necessary elements of a scene, and what can the evolutionary history tell us about storytelling, sequential memory, and cognitive evolution among ancient and living cultures?
Author: Natalie R. Franklin Publisher: Oxbow Books ISBN: 1842173162 Category : Social Science Languages : en Pages : 328
Book Description
This is the third in the five-yearly series of surveys of what is happening in rock art studies around the world. As always, the texts reflect something of the great differences in approach and emphasis that exist in different regions. The volume presents examples from Europe, Asia, Africa, and the New World. During the period in question, 1999 to 2004, there have been few major events, although in the field of Pleistocene art many new discoveries have been made, and a new country added to the select list of those with Ice Age cave art. Some regions such as North Africa and the former USSR have seen a tremendous amount of activity, focusing not only on recording but also on chronology, and the conservation of sites. With the global increase of tourism, the management of rock art sites that are accessible to the public is a theme of ever-growing importance.
Author: Tristen Jones
Author: Tristen Jones
Author: Ann McGrath
Author: Jo McDonald
Author: Ekkehart Malotki
Author: Eugene Ch'ng
Author: Jo McDonald
Author: Christopher Chippindale
Author: George Chaloupka
Author: Iain Davidson
Author: Natalie R. Franklin