Il disegno. L'architettura del moderno. Dalla rivoluzione industriale a oggi. Per il triennio PDF Download

Author: Emilio Morasso
Publisher: Bruno Mondadori
ISBN: 8842426253
Category :
Languages : en
Pages : 221

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Author: Marilisa Yolanda Spironello
Publisher: Lulu.com
ISBN: 1291919716
Category : History
Languages : en
Pages : 58

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Nella fase preprassica della progettazione, l'Arte architettonica può produrre delle "endo-soluzioni" che possono poi diventare proposte concrete ed attuative, a patto però che il "demiurgo" situazionale additi, di volta in volta, un percorso motivazionale che non sia solo ideativo, ma - seppur minimalisticamente - consustanziale a delle scelte non solo di campo od ideologiche, bensì tali da fugare qualsiasi apriorismo destrutturante o, peggio, eventuali logiche finalistiche tese a facili determinismi di ritorno o a rassicuranti concettosità diacroniche.

Author: Julian Brooks
Publisher: Getty Publications
ISBN: 9780892369027
Category : Art
Languages : en
Pages : 148

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One of the most important series of drawings in late-sixteenth-century Italian art--the twenty large sheets by Federico Zuccaro (ca. 1541-1609) showing the early life of his older brother, Taddeo (1529-1566)--was acquired by the J. Paul Getty Museum in 1999. Never fully published, the series shows Taddeo's trials and tribulations as a young artist trying to achieve success in Renaissance Rome, and his eventual triumph. The drawings contain charming details of the life of a struggling artist and reveal much about the younger brother, Federico, a successful artist in his own right. This volume--published to coincide with an exhibition at the J. Paul Getty Museum to be held from October 1, 2007, to January 6, 2008--presents Federico Zuccaro's twenty drawings and accompanying poems in their historical and artistic context and will be of interest to art historians and general readers alike. Of particular importance is its examination of the role of the copying of masterworks in the training of young Renaissance artists.

Author: Thijs Weststeijn
Publisher: Amsterdam University Press
ISBN: 9089640274
Category : Art
Languages : en
Pages : 477

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How did painters and their public speak about art in Rembrandt's age? This book about the writings of the painter-poet Samuel van Hoogstraten, one of Rembrandt's pupils, examines a wide variety of themes from painting practice and theory from the Dutch Golden Age. It addresses the contested issue of 'Dutch realism' and its hidden symbolism, as well as Rembrandt's concern with representing emotions in order to involve the spectator. Diverse aspects of imitation and illusion come to the fore, such as the theory behind sketchy or 'rough' brushwork and the active role played by the viewer's imagination. Taking as its starting point discussions in Rembrandt's studio, this unique study provides an ambitious overview of Dutch artists' ideas on painting.

Author: Jonathan Glynne
Publisher: Universal-Publishers
ISBN: 1599429063
Category : Art
Languages : en
Pages : 574

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Book Description
Networks of Design maps a new methodological territory in design studies, conceived as a field of interdisciplinary inquiry and practice informed by a range of responses to actor network theory. It brings together a rich body of current work by researchers in the social sciences, technology, material culture, cultural geography, information technology, and systems design, and design theory and history. This collection will be invaluable to students and researchers in many areas of design studies and to design practitioners receptive to new and challenging notions of what constitutes the design process. Over ninety essays are thematically organised to address five aspects of the expanded notions of mediation, agency, and collaboration posited by network theory: Ideas, Things, Technology, Texts, and People. The collection also includes an important new essay on rethinking the concept of design by Bruno Latour, one of the most influential figures in the philosophy and sociology of science and technology and a pioneer of actor network theory, and essays deriving from forum discussions involving designers and designer-makers responsive to actor network theory. Rather than an anthology of previously-published essays, Networks of Design presents work in progress on design theory and its applications. It is the outcome of a live and vigorous debate on the possibilities and actualities offered by actor network led conceptualisations of the relationships and processes constituting design. All the essays, many collaborative, derive from papers presented at the international conference of the Design History Society held at University College Falmouth, UK in the Autumn of 2008.

Author: David Summers
Publisher: Cambridge University Press
ISBN: 9780521386319
Category : History
Languages : en
Pages : 384

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Book Description
With the rise of naturalism in the art of the late Middle Ages and the Renaissance there developed an extensive and diverse literature about art which helped to explain, justify and shape its new aims. In this book, David Summers provides an investigation of the philosophical and psychological notions invoked in this new theory and criticism. From a thorough examination of the sources, he shows how the medieval language of mental discourse derived from an understanding of classical thought.

Author: Beth L. Holman
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 152

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A book on the origins of modern-day objects and concepts of design.

Author: Wladyslaw Tatarkiewicz
Publisher: A&C Black
ISBN: 9780826488558
Category : Philosophy
Languages : en
Pages : 606

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Book Description
Tatarkiewicz's History of Aesthetics is an extremely comprehensive account of the development of European aesthetics from the time of the ancient Greeks to the 1700s. Published originally in Polish in 1962-7, it achieved bestseller status and acclaim as the best work of its kind in the world. The English translation of 1970-74 is a rare masterpiece. Covering ancient, medieval and modern aesthetics, Tatarkiewicz writes substantial essays on the views of beauty and art through the ages and then goes on to demonstrate these with extracts from original texts from each period. The authors he cites include Homer, Democritus, Plato, St Augustine, Boethius, Thomas Aquinas, Dante, William of Ockham, Leonardo da Vinci, Michelangelo, Galileo, Bacon, Shakespeare and Rubens. His study is systematic and extremely wide, including the aesthetics of the archaic period, the classical period, Hellenistic aesthetics, Eastern Aesthetics, Western Aesthetics, the Renaissance, sixteenth-century visual arts, poetry and music, Italian, English, Spanish and Polish aesthetics of the sixteenth century, Baroque aesthetics, and theories of painting and architecture in the seventeeth century. Tatarkiewicz (1886-1981) was the most distinguished Polish historian of philosophy of the twentieth century, with an international reputation as an aesthetician and authority in art criticism, the history of art and classical scholarship. The erudition, lucidity and clarity of his writing make this unique work an accessible and invaluable source for the study of the history of aesthetics.

Author: Ludovico Pratesi
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 92

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Author: Marco Frascari
Publisher: Routledge
ISBN: 1134719558
Category : Architecture
Languages : en
Pages : 310

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Book Description
This edited collection addresses the vital role of the imagination in the critical interpretation of architectural representations. By challenging the contemporary tendency for computer-aided drawings to become mere ‘models’ for imitation in the construction of buildings, the articles explore the broader range of methods and meanings at stake in the creation and interpretation of architectural drawings, models, images and artefacts. These critical – and often practice-led – investigations are placed alongside a range of historical studies considering the development of representational techniques such as perspective, orthography and diagramming. By also addressing the use of visual representation in a number of related disciplines such as visual arts, film, performance and literature, the book opens up debates in architecture to important developments in other fields. This book is key reading for all students of architecture and architectural theory.