Author: Sir Joshua Reynolds
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 110
Book Description
Discourses on Painting and the Fine Arts
Author: Sir Joshua Reynolds
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 110
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 110
Book Description
Discourses on Painting and the Fine Arts, delivered at the Royal Academy. With a portrait
Discourses on Painting and the Fine Arts, Delivered at the Royal Academy
Author: Joshua Reynolds
Publisher: Legare Street Press
ISBN: 9781022041639
Category : Art
Languages : en
Pages : 0
Book Description
As the first President of the Royal Academy of Arts, Joshua Reynolds played a pivotal role in shaping the course of British art in the 18th century. In these discourses, Reynolds reflects on the nature of art, the role of the artist, and the importance of aesthetic education. With insightful commentary on the works of the Old Masters and a wealth of practical advice for aspiring artists, this volume is a must-read for anyone interested in the history of art or art theory. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Legare Street Press
ISBN: 9781022041639
Category : Art
Languages : en
Pages : 0
Book Description
As the first President of the Royal Academy of Arts, Joshua Reynolds played a pivotal role in shaping the course of British art in the 18th century. In these discourses, Reynolds reflects on the nature of art, the role of the artist, and the importance of aesthetic education. With insightful commentary on the works of the Old Masters and a wealth of practical advice for aspiring artists, this volume is a must-read for anyone interested in the history of art or art theory. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Discourses on Painting and the Fine Arts Delivered at the Royal Academy
Author: Sir Joshua Reynolds
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 314
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 314
Book Description
Discourses on the Fine Arts Delivered to the Students of the Royal Academy
Author: Sir Joshua Reynolds
Publisher: Edinburgh : W. and R. Chambers
ISBN:
Category : Art
Languages : en
Pages : 72
Book Description
Publisher: Edinburgh : W. and R. Chambers
ISBN:
Category : Art
Languages : en
Pages : 72
Book Description
The Discourses of Sir Joshua Reynolds
Author: Sir Joshua Reynolds
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 326
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 326
Book Description
Seven Discourses on Art
Author: Sir Joshua Reynolds
Publisher: The Floating Press
ISBN: 1877527327
Category : Art
Languages : en
Pages : 185
Book Description
In the past, the distinctions between art and science weren't as clear-cut as they are today, and philosophers, researchers, and artists often shared insights and ideas. It was in that heady atmosphere that Sir Joshua Reynolds first rose to prominence, initially through his "Grand Style" paintings, but later for his work as a promoter of scientific research and the president and co-founder of the famed Royal Society. This text outlines some of Reynolds' most groundbreaking ideas about art, scholarship, and the intersection between the two.
Publisher: The Floating Press
ISBN: 1877527327
Category : Art
Languages : en
Pages : 185
Book Description
In the past, the distinctions between art and science weren't as clear-cut as they are today, and philosophers, researchers, and artists often shared insights and ideas. It was in that heady atmosphere that Sir Joshua Reynolds first rose to prominence, initially through his "Grand Style" paintings, but later for his work as a promoter of scientific research and the president and co-founder of the famed Royal Society. This text outlines some of Reynolds' most groundbreaking ideas about art, scholarship, and the intersection between the two.
Discourses on Painting & the Fine Arts
Author: Sir Josuha Reynolds
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 105
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 105
Book Description
The Art of Painting
Author: Gérard de Lairesse
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 374
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 374
Book Description
All About Process
Author: Kim Grant
Publisher: Penn State Press
ISBN: 0271079495
Category : Art
Languages : en
Pages : 295
Book Description
In recent years, many prominent and successful artists have claimed that their primary concern is not the artwork they produce but the artistic process itself. In this volume, Kim Grant analyzes this idea and traces its historical roots, showing how changing concepts of artistic process have played a dominant role in the development of modern and contemporary art. This astute account of the ways in which process has been understood and addressed examines canonical artists such as Monet, Cézanne, Matisse, and De Kooning, as well as philosophers and art theorists such as Henri Focillon, R. G. Collingwood, and John Dewey. Placing “process art” within a larger historical context, Grant looks at the changing relations of the artist’s labor to traditional craftsmanship and industrial production, the status of art as a commodity, the increasing importance of the body and materiality in art making, and the nature and significance of the artist’s role in modern society. In doing so, she shows how process is an intrinsic part of aesthetic theory that connects to important contemporary debates about work, craft, and labor. Comprehensive and insightful, this synthetic study of process in modern and contemporary art reveals how artists’ explicit engagement with the concept fits into a broader narrative of the significance of art in the industrial and postindustrial world.
Publisher: Penn State Press
ISBN: 0271079495
Category : Art
Languages : en
Pages : 295
Book Description
In recent years, many prominent and successful artists have claimed that their primary concern is not the artwork they produce but the artistic process itself. In this volume, Kim Grant analyzes this idea and traces its historical roots, showing how changing concepts of artistic process have played a dominant role in the development of modern and contemporary art. This astute account of the ways in which process has been understood and addressed examines canonical artists such as Monet, Cézanne, Matisse, and De Kooning, as well as philosophers and art theorists such as Henri Focillon, R. G. Collingwood, and John Dewey. Placing “process art” within a larger historical context, Grant looks at the changing relations of the artist’s labor to traditional craftsmanship and industrial production, the status of art as a commodity, the increasing importance of the body and materiality in art making, and the nature and significance of the artist’s role in modern society. In doing so, she shows how process is an intrinsic part of aesthetic theory that connects to important contemporary debates about work, craft, and labor. Comprehensive and insightful, this synthetic study of process in modern and contemporary art reveals how artists’ explicit engagement with the concept fits into a broader narrative of the significance of art in the industrial and postindustrial world.