Author: Louis HalphenPublisher:
ISBN:
Category :
Languages : fr
Pages : 5
Book Description
Discours... à l'occasion de la mort de M. Henri Gouraud
Author: Louis HalphenDiscours ... à l'occasion de la mort de M. Henri Pirenne, etc
Author: Académie des inscriptions & belles-lettres (France). Lefranc (Abel)Publisher:
ISBN:
Category :
Languages : fr
Pages : 10
Book Description
Discours ... à l'occasion de la mort de M. Henri Hauvette, etc
Author: Académie des inscriptions & belles-lettres (France). Lefranc (Abel)Publisher:
ISBN:
Category :
Languages : fr
Pages : 9
Book Description
Discours à l'occasion de la mort de M. Henri Cordier
Author: Charles-Victor LangloisPublisher:
ISBN:
Category :
Languages : fr
Pages : 4
Book Description
Discours à l'occasion de la mort de M. Henri Pirenne
Author: Abel LefrancDiscours à l'occasion de la mort de M. Henri Grégoire,...
Author: André GrabarDiscours prononcé à l'occasion de la mort de M. Henri Lavedan
Author: Abel HermantDiscours à l'occasion de la mort de M. Henri Hauvette,...
Author: Abel LefrancDiscours prononcé par M. Henri Troyat
Author: The Sounds of Early Cinema
Author: Richard AbelPublisher: Indiana University Press
ISBN: 9780253108708
Category : Performing Arts
Languages : en
Pages : 350
Book Description
The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.