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Author: Lela F. Kerley Publisher: LSU Press ISBN: 0807166359 Category : History Languages : en Pages : 354
Book Description
From 1889 to 1914 nude spectacles increased at an astonishing rate as a result of burgeoning artistic experimentation, the commercialization of the female body, and the rise of urban nightlife. In particular, artists’ balls and music halls provided creative spaces in which women, artists, impresarios, and the illustrated press could cast the natural body as a source of sexual pleasure, identity, and reform. Emphasizing the role of erotic entertainment as an outlet and agent of modern sensibilities, Uncovering Paris: Scandals and Nude Spectacles in the Belle Époque offers a fresh approach to important topics of the period—Bohemian artists, the New Woman, and press censorship—and reinterprets them through the lens of la femme nue. Having inherited her name from the pictorial female Nude and the Nude’s real-life counterpart, the artist’s model, la femme nue operated as a screen onto which various groups projected their artistic drives, sexual desires, monetary interests, and cultural anxieties. A struggle to define pornography and art, freedom and censorship, and public and private spheres ensued among artists, theater directors, and moral leagues as a century-long tradition of equating civilization with clothing broke down in the face of performative challenges. In posing, singing, acting, and dancing in naturalist presentations, the artist’s model-turned-erotic entertainer engendered crises in ways of seeing the female body that contributed to and was indicative of a changing moral climate within which women were accorded more freedom to corporeally express themselves. Once denigrated and denounced as a sign of vulgar working-class sexuality, the revelation of female flesh became an integral aspect of twentieth-century French body culture. Drawing upon a range of colorful commentaries, dramatic debates, and evocative photos, Lela F. Kerley highlights the importance of nudity in the redrawing of moral boundaries as she uncovers key moments that amounted to a “culture war” in the years leading up to World War I. Through an investigation of street riots, court cases, and anti-pornography campaigns, Uncovering Paris offers an interdisciplinary approach to the scholarship on Belle Époque sexual politics and a rich glimpse into the social construction of morality in Belle Époque France.
Author: Lela F. Kerley Publisher: LSU Press ISBN: 0807166359 Category : History Languages : en Pages : 354
Book Description
From 1889 to 1914 nude spectacles increased at an astonishing rate as a result of burgeoning artistic experimentation, the commercialization of the female body, and the rise of urban nightlife. In particular, artists’ balls and music halls provided creative spaces in which women, artists, impresarios, and the illustrated press could cast the natural body as a source of sexual pleasure, identity, and reform. Emphasizing the role of erotic entertainment as an outlet and agent of modern sensibilities, Uncovering Paris: Scandals and Nude Spectacles in the Belle Époque offers a fresh approach to important topics of the period—Bohemian artists, the New Woman, and press censorship—and reinterprets them through the lens of la femme nue. Having inherited her name from the pictorial female Nude and the Nude’s real-life counterpart, the artist’s model, la femme nue operated as a screen onto which various groups projected their artistic drives, sexual desires, monetary interests, and cultural anxieties. A struggle to define pornography and art, freedom and censorship, and public and private spheres ensued among artists, theater directors, and moral leagues as a century-long tradition of equating civilization with clothing broke down in the face of performative challenges. In posing, singing, acting, and dancing in naturalist presentations, the artist’s model-turned-erotic entertainer engendered crises in ways of seeing the female body that contributed to and was indicative of a changing moral climate within which women were accorded more freedom to corporeally express themselves. Once denigrated and denounced as a sign of vulgar working-class sexuality, the revelation of female flesh became an integral aspect of twentieth-century French body culture. Drawing upon a range of colorful commentaries, dramatic debates, and evocative photos, Lela F. Kerley highlights the importance of nudity in the redrawing of moral boundaries as she uncovers key moments that amounted to a “culture war” in the years leading up to World War I. Through an investigation of street riots, court cases, and anti-pornography campaigns, Uncovering Paris offers an interdisciplinary approach to the scholarship on Belle Époque sexual politics and a rich glimpse into the social construction of morality in Belle Époque France.
Author: Georges Canguilhem Publisher: Princeton University Press ISBN: Category : History Languages : en Pages : 496
Book Description
Georges Canguilhem is one of France's foremost historians of science. Trained as a medical doctor as well as a philosopher, he combined these practices to demonstrate to philosophers that there could be no epistemology without concrete study of the actual development of the sciences and to historians that there could be no worthwhile history of science without a philosophical understanding of the conceptual basis of all knowledge. A Vital Rationalist brings together for the first time a selection of Canguilhem's most important writings, including excerpts from previously unpublished manuscripts and a critical bibliography by Camille Limoges. Organized around the major themes and problems that have preoccupied Canguilhem throughout his intellectual career, the collection allows readers, whether familiar or unfamiliar with Canguilhem's work, access to a vast array of conceptual and concrete meditations on epistemology, methodology, science, and history. Canguilhem is a demanding writer, but Delaporte succeeds in marking out the main lines of his thought with unrivaled clarity; readers will come away with a heightened understanding of the complex and crucial place he holds in French intellectual history.
Author: Dina Gusejnova Publisher: Cambridge University Press ISBN: 1107120624 Category : History Languages : en Pages : 393
Book Description
Explores European civilisation as a concept of twentieth-century political practice and the project of a transnational network of European elites. This title is available as Open Access.
Author: Jonathan Crary Publisher: MIT Press ISBN: 9780262531078 Category : Design Languages : en Pages : 190
Book Description
Jonathan Crary's Techniques of the Observer provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity. This analysis of the historical formation of the observer is a compelling account of the prehistory of the society of the spectacle. In Techniques of the Observer Jonathan Crary provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity. Inverting conventional approaches, Crary considers the problem of visuality not through the study of art works and images, but by analyzing the historical construction of the observer. He insists that the problems of vision are inseparable from the operation of social power and examines how, beginning in the 1820s, the observer became the site of new discourses and practices that situated vision within the body as a physiological event. Alongside the sudden appearance of physiological optics, Crary points out, theories and models of "subjective vision" were developed that gave the observer a new autonomy and productivity while simultaneously allowing new forms of control and standardization of vision. Crary examines a range of diverse work in philosophy, in the empirical sciences, and in the elements of an emerging mass visual culture. He discusses at length the significance of optical apparatuses such as the stereoscope and of precinematic devices, detailing how they were the product of new physiological knowledge. He also shows how these forms of mass culture, usually labeled as "realist," were in fact based on abstract models of vision, and he suggests that mimetic or perspectival notions of vision and representation were initially abandoned in the first half of the nineteenth century within a variety of powerful institutions and discourses, well before the modernist painting of the 1870s and 1880s.
Author: Joseph McCabe Publisher: Burns & Oates ISBN: Category : Biography & Autobiography Languages : en Pages : 508
Book Description
The term rationalism, dating from around the middle of the 17th century, is usually understood as the philosophical outlook which stresses the power of reason over faith, emotion or instinct. This text collects together those figures who have championed the cause of rationalism over three centuries, including theists, pantheists, atheists, materialists, agnostics, secularists, monists, and positivists. It contains not only philosophers but teachers of science, political theorists, historians, and artists. Each entry in the book lists the subject's birth and death dates, details of their education and occupation, and evidence of their rationalist views. European, American and minor figures are included.
Author: Bihini won wa Musiti Publisher: IUCN ISBN: 2831706904 Category : Conservation of natural resources Languages : ru Pages : 344
Book Description
This bilingual publication results from a four-day symposium aimed at capturing the general directions and analytical issues that characterize approaches to sustainable use in Africa. The papers included in this work are organized under four major headings: modes of use, devolution, scale issues and external issues. Authors explore these themes through the use of case studies and the description of specific regional experiences. External issues are further explored in a series of commissioned policy papers which have also been included.
Author: Lela F. Kerley
Author: Lela F. Kerley
Author: 
Author: Niklas Luhmann
Author: Georges Canguilhem
Author: Dina Gusejnova
Author: Jonathan Crary
Author: Joseph McCabe
Author: Bihini won wa Musiti
Author: David Carnegie A. Agnew
Author: British Museum. Dept. of Printed Books