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Discopaedia of the Violin, 1889-1971

Discopaedia of the Violin, 1889-1971 PDF Author: James Lesley Creighton
Publisher:
ISBN:
Category : Violin music
Languages : en
Pages : 986

Book Description


Discopaedia of the Violin, 1889-1971

Discopaedia of the Violin, 1889-1971 PDF Author: James Lesley Creighton
Publisher:
ISBN:
Category : Violin music
Languages : en
Pages : 986

Book Description


Discopaedia of the Violin, 1889-1971

Discopaedia of the Violin, 1889-1971 PDF Author: James Lesley Creighton
Publisher:
ISBN: 9780608166933
Category :
Languages : en
Pages : 1003

Book Description


Discopaedia of the Violin

Discopaedia of the Violin PDF Author: James Lesley Creighton
Publisher:
ISBN:
Category : Violin music
Languages : en
Pages : 1610

Book Description


The Violin

The Violin PDF Author: Mark Katz
Publisher: Routledge
ISBN: 1135576955
Category : Music
Languages : en
Pages : 424

Book Description
The violin was first mentioned in a book in the sixteenth century. An abundant and diverse literature on the instrument has grown since then, and a complete general guide to these materials has not been produced in the modern era. The last, Edward Heron-Allen's De Fidiculis Bibliographia , was published in1894. This book fills that void, organizing and annotating information on the violin from a variety of fields and sources. It provides a comprehensive, though selective, guide to all facets of the instrument. The book is divided into 4 main parts: Reference and General Studies; Acoustics and Construction; Violin Playing, Performance Practice, and Music; and Violinists, Composers, and Violin Teachers. It will serve as a ready reference for students and scholars, and is a welcome addition to the esteemed Routledge Music Bibliography series.

The Performance Style of Jascha Heifetz

The Performance Style of Jascha Heifetz PDF Author: Dario Sarlo
Publisher: Routledge
ISBN: 1317021630
Category : Music
Languages : en
Pages : 313

Book Description
The violinist Jascha Heifetz (1901-1987) is considered among the most influential performers in history and still maintains a strong following among violinists around the world. Dario Sarlo contributes significantly to the growing field of analytical research into recordings and the history of performance style. Focussing on Heifetz and his under-acknowledged but extensive performing relationship with the Bach solo violin works (BWV 1001-1006), Sarlo examines one of the most successful performing musicians of the twentieth century along with some of the most frequently performed works of the violin literature. The book proposes a comprehensive method for analysing and interpreting the legacies of prominent historical performers in the wider context of their particular performance traditions. The study outlines this research framework and addresses how it can be transferred to related studies of other performers. By building up a comprehensive understanding of multiple individual performance styles, it will become possible to gain deeper insight into how performance style develops over time. The investigation is based upon eighteen months of archival research in the Library of Congress’s extensive Jascha Heifetz Collection. It draws on numerous methods to examine what and how Heifetz played, why he played that way, and how that way of playing compares to other performers. The book offers much insight into the ’music industry’ between 1915 and 1975, including touring, programming, audiences, popular and professional reception and recording. The study concludes with a discussion of Heifetz’s unique performer profile in the context of violin performance history.

The Violin

The Violin PDF Author: Robert Riggs
Publisher: Boydell & Brewer
ISBN: 1580465064
Category : Music
Languages : en
Pages : 327

Book Description
Provides new perspectives on the violin's beloved concert repertoire, its diverse roles in indigenous musical traditions on four continents, and its metaphorical presence in visual arts and literature. With a colorful history that spans 450 years, the violin has proven to be one of the world's most important and versatile instruments. Addressed to performing musicians, serious concertgoers, and collectors of recordings, The Violin offers insightful, up-to-date essays on a wide range of topics. Essays discuss beloved masterpieces from the violin's solo repertoire, with individual chapters on the Italian Baroque, Bach, Mozart, Beethoven, and the violin concerto in the nineteenth and twentieth centuries, as well as the evolution of performance styles and interpretation as documented in recordings. The volume also illustrates the broad cultural and geographic reach of the instrument, offering readers a taste of the traditional music of Argentina, Mexico, Norway, and India, in which the violin's participation is an essential and characteristic element. Other chapters are devoted to American fiddling andto the violin and violinists as metaphors in literature and the visual arts. CONTRIBUTORS: Chris Goertzen, Eitan Ornoy, Robert Riggs, Peter Walls, Peter Wollny. Musicologist and violinist Robert Riggs (PhD, Harvard University) chairs the Department of Music at the University of Mississippi and is the author of articles on Mozart as well as the monograph Leon Kirchner: Composer, Performer, and Teacher (URP 2010).

Pioneer Violin Virtuose in the Early Twentieth Century

Pioneer Violin Virtuose in the Early Twentieth Century PDF Author: Tatjana Goldberg
Publisher: Routledge
ISBN: 1351167502
Category : Biography & Autobiography
Languages : en
Pages : 188

Book Description
Tatjana Goldberg reveals the extent to which gender and socially constructed identity influenced female violinists’ ‘separate but unequal’ status in a great male-dominated virtuoso lineage by focussing on the few that stood out: the American Maud Powell (1867–1920), Australian-born Alma Moodie (1898–1943), and the British Marie Hall (1884–1956). Despite breaking down traditional gender-based patriarchal social and cultural norms, becoming celebrated soloists, and greatly contributing towards violin works and the early recording industry (Powell and Hall), they received little historical recognition. Goldberg provides a more complete picture of their artistic achievements and the impact they had on audiences.

Jascha Heifetz

Jascha Heifetz PDF Author: Galina Kopytova
Publisher: Indiana University Press
ISBN: 0253010896
Category : Biography & Autobiography
Languages : en
Pages : 504

Book Description
Notoriously reticent about his early years, violinist Jascha Heifetz famously reduced the story of his childhood to "Born in Russia. First lessons at 3. Debut in Russia at 7. Debut in Carnegie Hall at 17. That's all there is to say." Tracing his little-known upbringing, Jascha Heifetz: Early Years in Russia uncovers the events and experiences that shaped one of the modern era's most unique talents and enigmatic personalities. Using previously unstudied archival materials and interviews with family and friends, this biography explores Heifetz's meteoric rise in the Russian music world—from his first violin lessons with his father, to his studies at the St. Petersburg Conservatory with the well-known pedagogue Leopold Auer, to his tours throughout Russia and Europe. Spotlighting Auer's close-knit circle of musicians, Galina Kopytova underscores the lives of artists in Russia's "Silver Age"—an explosion of artistic activity amid the rapid social and political changes of the early 20th century.

Henryk Wieniawski and the 19th Century Violin Schools

Henryk Wieniawski and the 19th Century Violin Schools PDF Author: Maciej Jabłoński
Publisher:
ISBN:
Category : Violin
Languages : en
Pages : 210

Book Description


Beethoven: Violin Concerto

Beethoven: Violin Concerto PDF Author: Robin Stowell
Publisher: Cambridge University Press
ISBN: 0521451590
Category : Music
Languages : en
Pages : 142

Book Description
Beethoven's Violin Concerto was the only significant work of this genre to appear between Mozart's five concertos of 1775 and Mendelssohn's E minor Concerto of 1844. This handbook explores the background to Beethoven's work, its genesis, its place in the composer's oeuvre and the influences which combined in its creation. It describes contemporary reactions to the work both in the musical press and in the concert hall during its first crucial years, and explains how it was eventually accepted into the repertory, spawning numerous recordings and editions. The principal sources and many of the work's textual problems are considered, including discussion of the composer's version for piano and orchestra, Op. 61a. A detailed account of the work itself is followed by a review of the wide variety of cadenzas that have been written to complement the concerto through its performance history.