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Author: Marcia Talley Publisher: Severn House Publishers Ltd ISBN: 1448307945 Category : Fiction Languages : en Pages : 204
Book Description
A trip to the local cemetery draws Hannah into a puzzling case stretching back forty years. It may seem creepy, but Hannah Ives enjoys her expeditions to the local cemetery to help people find their deceased relatives. Usually a quiet affair, Hannah is surprised when she encounters Isabel 'Izzy' Randall laying flowers on the grave of Amy Madison, a college senior who was killed in 1978. Last seen in a popular Annapolis disco bar, Amy's murder remains unsolved. Hannah's interest in the case leads her to join Silent Sleuths, a small, passionate group of 'citizen detectives' dedicated to trying to solve cases like Amy's, and their research soon suggests that Amy may have been the first of several victims targeted by a serial killer. As DNA from the scene of the murder throws up surprising results, their investigation takes them down unexpected avenues. Is Amy's killer still alive, or has an untimely death taken them beyond justice?
Author: Marcia Talley Publisher: Severn House Publishers Ltd ISBN: 1448307945 Category : Fiction Languages : en Pages : 204
Book Description
A trip to the local cemetery draws Hannah into a puzzling case stretching back forty years. It may seem creepy, but Hannah Ives enjoys her expeditions to the local cemetery to help people find their deceased relatives. Usually a quiet affair, Hannah is surprised when she encounters Isabel 'Izzy' Randall laying flowers on the grave of Amy Madison, a college senior who was killed in 1978. Last seen in a popular Annapolis disco bar, Amy's murder remains unsolved. Hannah's interest in the case leads her to join Silent Sleuths, a small, passionate group of 'citizen detectives' dedicated to trying to solve cases like Amy's, and their research soon suggests that Amy may have been the first of several victims targeted by a serial killer. As DNA from the scene of the murder throws up surprising results, their investigation takes them down unexpected avenues. Is Amy's killer still alive, or has an untimely death taken them beyond justice?
Author: Tyler Colins Publisher: Next Chapter ISBN: Category : Fiction Languages : en Pages : 411
Book Description
The mystery surrounding the disappearance of mobster Mo-Mo Martine in Canada during the days of disco and polyester is finally solved when his body is found in a drum off the sapphire waters of Oahu. An associate (local limb-breaker Harry the Hoarse) asks the pretty private investigators from the Triple Threat Investigation Agency - JJ, Rey, and Linda - to prove it wasn’t his brother-in-law, Johnny B. He’d been accused back then but never arrested, and it certainly appears that he’s the perp now. The trio finds itself embroiled in the most challenging, if not deadly, case yet! Countless people - family, friends, foes - hated Mo-Mo. Anyone could have murdered him. Or was it a professional hit by the notorious, never-miss Death Angel? Is it possible!? The faceless, nameless assassin-for-hire is still plying his trade after all these years? As bodies drop, the P.I.s begin to believe answers won’t come from anyone they interview; they’ll be found in mysterious photos dating back to Mo-Mo’s disco days. They merely have to decipher what the people and backdrops in those photos are telling them—a tricky task indeed. Will they figure it out before more murders occur... perhaps theirs?
Author: Richie Narvaez Publisher: Arte Público Press ISBN: 1518506224 Category : Young Adult Fiction Languages : en Pages : 290
Book Description
Holly Hernandez, voted “Miss Bright of ’79” and valedictorian at her previous school, is excited to start fresh at Flatbush Technical High School, one of the most competitive public schools in New York City. She’ll be one of thousands; anonymous. But her dreams of a normal school life disappear when her mother, a homicide detective, has to investigate the murder of Mr. Friedman, the social studies teacher. One of her classmates, Xander Herrera, quickly becomes the primary suspect. The tall, awkward boy is socially inept, but Holly doesn’t think he’s a murderer. She is intent on exonerating him—but he wants nothing to do with her. To Xander, Holly is the overly enthusiastic student who always sits in the front row and answers all the teachers’ questions—correctly. He hates perky people! Eventually cleared of the crime, Xander is determined to find the killer before Holly. As they race to solve the case, their separate investigations lead to a slew of suspects, including another teacher seen arguing with Friedman and a mysterious person named Steve who met with him several times before his death. Could it have been a disgruntled student? Ultimately, a trophy for a disco-dancing contest leads the intrepid young detectives to the Mission Venus nightclub and a murderer intent on killing again!
Author: Mickey Hess Publisher: Bloomsbury Publishing USA ISBN: 1567207219 Category : Music Languages : en Pages : 207
Book Description
Hip hop is remarkably self-critical as a genre. In lyrics, rappers continue to debate the definition of hip hop and question where the line between underground artist and mainstream crossover is drawn, who owns the culture and who runs the industry, and most importantly, how to remain true to the culture's roots while also seeking fame and fortune. The tension between the desires to preserve hip hop's original culture and to create commercially successful music promotes a lyrical war of words between mainstream and underground artists that keeps hip hop very much alive today. In response to criticisms that hip hop has suffered or died in its transition to the mainstream, this book seeks to highlight and examine the ongoing dialogue among rap artists whose work describes their own careers. Proclamations of hip hop's death have flooded the airwaves. The issue may have reached its boiling point in Nas's 2006 album Hip Hop is Dead. Nas's album is driven by nostalgia for a mythically pure moment in hip hop's history, when the music was motivated by artistic passion, instead of base commercialism. In the course of this same album, however, Nas himself brags about making money for his particular record label. These and similar contradictions are emblematic of the complex forces underlying the dialogue that keeps hip hop a vital element of our culture. Is Hip Hop Dead? seeks to illuminate the origins of hip hop nostalgia and examine how artists maintain control of their music and culture in the face of corporate record companies, government censorship, and the standardization of the rap image. Many hip hop artists, both mainstream and underground, use their lyrics to engage in a complex dialogue about rhyme skills versus record sales, and commercialism versus culture. This ongoing dialogue invigorates hip hop and provides a common ground upon which we can reconsider many of the developments in the industry over the past 20 years. Building from black traditions that value knowledge gained from personal experience, rappers emphasize the importance of street knowledge and its role in forging a career in the music business. Lyrics adopt models of the self-made man narrative, yet reject the trajectories of white Americans like Benjamin Franklin who espoused values of prudence, diligence, and delayed gratification. Hip hop's narratives instead promote a more immediately viable gratification through crime and extend this criminal mentality to their work in the music business. Through the lens of hip hop, and the threats to hip hop culture, author Mickey Hess is able to confront a range of important issues, including race, class, criminality, authenticity, the media, and personal identity.
Author: Tony Sclafani Publisher: Hal Leonard Corporation ISBN: 1617135828 Category : Biography & Autobiography Languages : en Pages : 359
Book Description
(FAQ). The Grateful Dead rose out of San Francisco's '60s underground rock scene with an unprecedented sound and image. Its members, steeped in rock, folk, classical, and blues; their instrumental prowess; and their refusal to bow to commercial conventions helped originate jam band music. Unapologetic in its advocacy of drug use as a means toward mind expansion, the Dead helped catapult psychedelic music. After performing at the Monterey International Pop Festival and Woodstock, the group became iconic without ever scoring a hit single. A large, devoted fan base "Deadheads" began to follow the band everywhere. The group suffered a tragedy when bandleader Jerry Garcia slipped into a coma in 1986, but returned the next year with a top-selling album and surprise hit single, "Touch of Grey." By 1993, the Dead was the top-grossing live act in the United States. The band ended when Garcia died in 1995, but the music lives on with a stream of live releases. In Grateful Dead FAQ , Tony Sclafani examines the band's impact and influence on rock music and pop culture. This book ventures into unexplored areas and features a host of rare images, making it a must-have for both Deadheads and casual fans.
Author: Bob ?the Blade? Robinson Publisher: AuthorHouse ISBN: 1468573845 Category : Biography & Autobiography Languages : en Pages : 299
Book Description
You'll love how Bob "the Blade" Robinson stuck it to the man. You'll learn how schizophrenia isn't all that bad. What is the GREATEST guitar solo in rock? Who is the real King of Rock N Roll? How can you live on 8k a year? You can't. But you can feed your head for that much. The new tell-all from a rock radio vet of 30 years. The first real read about the sheer lunacy of the rock business. There was no other business is like it.
Author: Steven Blush Publisher: Rowman & Littlefield ISBN: 1493063901 Category : Music Languages : en Pages : 299
Book Description
Disco began as a gay, black, and brown underground New York City party music scene, which alone was enough to ward off most rockers. The difference between rock and disco was as sociological as it was aesthetic. At its best, disco was galvanizing and affirmative. Its hypnotic power to uplift a broad spectrum of the populace made it the ubiquitous music of the late '70s. Disco was a primal and gaudy fanfare for the apocalypse, a rage for exhibitionism, free of moralizing. Disco was an exclamatory musical passageway into the future. 1978 was the apex of the record industry. Rock music, commercially and artistically, had never been more successful. At the same time, disco was responsible for roughly 40% of the records on Billboard's Hot 100, thanks to the largest-selling soundtrack of all time in Saturday Night Fever. The craze for this music by The Bee Gees revived The Hustle and dance studios across America. For all its apparent excesses and ritual zealotry, disco was a conservative realm, with obsolete rules like formal dress code and dance floor etiquette. When most '70s artists "went disco," it was the relatively few daring rockers who had the most impact, bringing their intensity and personality to a faceless phenomenon. Rock stars who "went disco" crossed a musical rubicon and forever smashed cultural conformity. The ongoing dance-rock phenomenon demonstrates the impact of this unique place and time. The disco crossover forever changed rock.
Author: Alice Echols Publisher: W. W. Norton & Company ISBN: 0393338916 Category : History Languages : en Pages : 411
Book Description
Alice Echols reveals the ways in which disco transformed popular music, propelling it into new sonic territory and influencing rap, techno, and trance. She probes the complex relationship between disco and the era's major movements: gay liberation, feminism, and African American rights. You won't say "disco sucks" as disco thumps back to life in this pulsating look at the culture and politics that gave rise to the music.
Author: Louis Niebur Publisher: Oxford University Press ISBN: 0197511074 Category : Music Languages : en Pages : 289
Book Description
"Menergy tells the story of a "post-disco" recording industry in San Francisco between the years 1978-1984. For most of America, disco died in 1979. Gay men, however, continued to dance, and in the gay enclave of the Castro neighborhood in San Francisco, enterprising gay DJs, record producers, and musicians started their own small dance music record labels to make up for the lack of new, danceable music. These independent labels' music did more than copy what the larger industry had been doing, however. Instead, the upstart companies built upon the musical experiments their roster of local musicians and producers had been exploring over the last several years, developing a distinctive style of its own. Known as "high energy," the music reveled in electronics, fast tempos, disco and DJ culture, and, above all, gay liberation as it had emerged over the previous decade in the Castro neighborhood by so called "Castro clones" (a gay subculture of exaggerated masculinity with a strong presence in the city's nightlife). The sound, like the new revolutionary ethos, derived its aesthetic from San Francisco's unique configuration of elements, but immediately this music had a reach far beyond the Bay, with Megatone Records, Moby Dick Records, and other labels achieving worldwide success with San Francisco artists such as Sylvester, Patrick Cowley, Paul Parker, Lisa, Loverde, and Jolo, creating the world's first gay-owned, gay-produced music for a dancing audience"--
Author: Marcia Talley
Author: Marcia Talley
Author: Tyler Colins
Author: Richie Narvaez
Author: Steve Dahl
Author: Mickey Hess
Author: Tony Sclafani
Author: Bob ?the Blade? Robinson
Author: Steven Blush
Author: Alice Echols
Author: Louis Niebur