Author: Francisco Goya
Publisher: Courier Corporation
ISBN: 0486139344
Category : Art
Languages : en
Pages : 107
Book Description
Visual indictment of war's horrors, modeled after Spanish insurrection (1808), the resultant Peninsular War and following famine. Miseries of war graphically demonstrated in 83 prints.
The Disasters of War
Author: Francisco Goya
Publisher: Courier Corporation
ISBN: 0486139344
Category : Art
Languages : en
Pages : 107
Book Description
Visual indictment of war's horrors, modeled after Spanish insurrection (1808), the resultant Peninsular War and following famine. Miseries of war graphically demonstrated in 83 prints.
Publisher: Courier Corporation
ISBN: 0486139344
Category : Art
Languages : en
Pages : 107
Book Description
Visual indictment of war's horrors, modeled after Spanish insurrection (1808), the resultant Peninsular War and following famine. Miseries of war graphically demonstrated in 83 prints.
Goya's War
Author: Janis A. Tomlinson
Publisher: University of Delaware Press
ISBN: 9780985625115
Category : Etching, Spanish
Languages : en
Pages : 0
Book Description
This book draws on the most recently scholarship by art historians and historians on the context and meaning of Goya s series of eighty aquatint etchings, the Desastres de la Guerra, much of it made available for the first time in English. Goya scholar Janis Tomlinson re-orders the sequence of the posthumously published 1863 edition to illustrates the artist s stylistic evolution as well as the etchings relation to their historical context. Kathleen Stewart Howe discusses the enduring influence of these prints in contemporary art. All eighty etchings of the first edition (1863) are reproduced in full-page, color illustrations."
Publisher: University of Delaware Press
ISBN: 9780985625115
Category : Etching, Spanish
Languages : en
Pages : 0
Book Description
This book draws on the most recently scholarship by art historians and historians on the context and meaning of Goya s series of eighty aquatint etchings, the Desastres de la Guerra, much of it made available for the first time in English. Goya scholar Janis Tomlinson re-orders the sequence of the posthumously published 1863 edition to illustrates the artist s stylistic evolution as well as the etchings relation to their historical context. Kathleen Stewart Howe discusses the enduring influence of these prints in contemporary art. All eighty etchings of the first edition (1863) are reproduced in full-page, color illustrations."
Disaster Drawn
Author: Hillary L. Chute
Publisher: Harvard University Press
ISBN: 0674495667
Category : Literary Criticism
Languages : en
Pages : 372
Book Description
In hard-hitting accounts of Auschwitz, Bosnia, Palestine, and Hiroshima’s Ground Zero, comics display a stunning capacity to bear witness to trauma. Investigating how hand-drawn comics has come of age as a serious medium for engaging history, Disaster Drawn explores the ways graphic narratives by diverse artists, including Jacques Callot, Francisco Goya, Keiji Nakazawa, Art Spiegelman, and Joe Sacco, document the disasters of war. Hillary L. Chute traces how comics inherited graphic print traditions and innovations from the seventeenth century and later, pointing out that at every turn new forms of visual-verbal representation have arisen in response to the turmoil of war. Modern nonfiction comics emerged from the shattering experience of World War II, developing in the 1970s with Art Spiegelman’s first “Maus” story about his immigrant family’s survival of Nazi death camps and with Hiroshima survivor Keiji Nakazawa’s inaugural work of “atomic bomb manga,” the comic book Ore Wa Mita (“I Saw It”)—a title that alludes to Goya’s famous Disasters of War etchings. Chute explains how the form of comics—its collection of frames—lends itself to historical narrative. By interlacing multiple temporalities over the space of the page or panel, comics can place pressure on conventional notions of causality. Aggregating and accumulating frames of information, comics calls attention to itself as evidence. Disaster Drawn demonstrates why, even in the era of photography and film, people understand hand-drawn images to be among the most powerful forms of historical witness.
Publisher: Harvard University Press
ISBN: 0674495667
Category : Literary Criticism
Languages : en
Pages : 372
Book Description
In hard-hitting accounts of Auschwitz, Bosnia, Palestine, and Hiroshima’s Ground Zero, comics display a stunning capacity to bear witness to trauma. Investigating how hand-drawn comics has come of age as a serious medium for engaging history, Disaster Drawn explores the ways graphic narratives by diverse artists, including Jacques Callot, Francisco Goya, Keiji Nakazawa, Art Spiegelman, and Joe Sacco, document the disasters of war. Hillary L. Chute traces how comics inherited graphic print traditions and innovations from the seventeenth century and later, pointing out that at every turn new forms of visual-verbal representation have arisen in response to the turmoil of war. Modern nonfiction comics emerged from the shattering experience of World War II, developing in the 1970s with Art Spiegelman’s first “Maus” story about his immigrant family’s survival of Nazi death camps and with Hiroshima survivor Keiji Nakazawa’s inaugural work of “atomic bomb manga,” the comic book Ore Wa Mita (“I Saw It”)—a title that alludes to Goya’s famous Disasters of War etchings. Chute explains how the form of comics—its collection of frames—lends itself to historical narrative. By interlacing multiple temporalities over the space of the page or panel, comics can place pressure on conventional notions of causality. Aggregating and accumulating frames of information, comics calls attention to itself as evidence. Disaster Drawn demonstrates why, even in the era of photography and film, people understand hand-drawn images to be among the most powerful forms of historical witness.
Disasters and Heroes
Author: Angus Calder
Publisher:
ISBN:
Category : History
Languages : en
Pages : 304
Book Description
Images of war and its commemoration are an everyday presence in contemporary culture, from the embedded reporter in the field to the Last Post at the Menin Gate. Disasters and Heroes: On War, Memory and Representation revisits campaigns from the plains of Troy to recent events in the Balkans, examining how wars are represented and remembered. Angus Calder shows how the 'facts'of war are transformed into myths that condition later responses to war, and how the construction of memory begins with wartime events themselves. Beginning with a section devoted to war memorials and the public remembrance of war, such as D-Day commemorations, the essays collected in Disasters and Heroes then look at the lived experience of war for 'ordinary' people, while the final section deals with literary representation of war, from The Iliad to T.E. Lawrence and on to Christa Wolf's Cassandra. Disasters and Heroes is a thought-provoking collection dealing with issues of major significance which recent events have made painfully topical.
Publisher:
ISBN:
Category : History
Languages : en
Pages : 304
Book Description
Images of war and its commemoration are an everyday presence in contemporary culture, from the embedded reporter in the field to the Last Post at the Menin Gate. Disasters and Heroes: On War, Memory and Representation revisits campaigns from the plains of Troy to recent events in the Balkans, examining how wars are represented and remembered. Angus Calder shows how the 'facts'of war are transformed into myths that condition later responses to war, and how the construction of memory begins with wartime events themselves. Beginning with a section devoted to war memorials and the public remembrance of war, such as D-Day commemorations, the essays collected in Disasters and Heroes then look at the lived experience of war for 'ordinary' people, while the final section deals with literary representation of war, from The Iliad to T.E. Lawrence and on to Christa Wolf's Cassandra. Disasters and Heroes is a thought-provoking collection dealing with issues of major significance which recent events have made painfully topical.
Humanitarian Ethics
Author: Hugo Slim
Publisher: Oxford University Press
ISBN: 0190613327
Category : Social Science
Languages : en
Pages : 374
Book Description
Humanitarians are required to be impartial, independent, professionally competent and focused only on preventing and alleviating human suffering. It can be hard living up to these principles when others do not share them, while persuading political and military authorities and non-state actors to let an agency assist on the ground requires savvy ethical skills. Getting first to a conflict or natural catastrophe is only the beginning, as aid workers are usually and immediately presented with practical and moral questions about what to do next. For example, when does working closely with a warring party or an immoral regime move from practical cooperation to complicity in human rights violations? Should one operate in camps for displaced people and refugees if they are effectively places of internment? Do humanitarian agencies inadvertently encourage ethnic cleansing by always being ready to 'mop-up' the consequences of scorched earth warfare? This book has been written to help humanitarians assess and respond to these and other ethical dilemmas.
Publisher: Oxford University Press
ISBN: 0190613327
Category : Social Science
Languages : en
Pages : 374
Book Description
Humanitarians are required to be impartial, independent, professionally competent and focused only on preventing and alleviating human suffering. It can be hard living up to these principles when others do not share them, while persuading political and military authorities and non-state actors to let an agency assist on the ground requires savvy ethical skills. Getting first to a conflict or natural catastrophe is only the beginning, as aid workers are usually and immediately presented with practical and moral questions about what to do next. For example, when does working closely with a warring party or an immoral regime move from practical cooperation to complicity in human rights violations? Should one operate in camps for displaced people and refugees if they are effectively places of internment? Do humanitarian agencies inadvertently encourage ethnic cleansing by always being ready to 'mop-up' the consequences of scorched earth warfare? This book has been written to help humanitarians assess and respond to these and other ethical dilemmas.
Goya’s Graphic Imagination
Author: Mark McDonald
Publisher: Metropolitan Museum of Art
ISBN: 1588397149
Category : Art
Languages : en
Pages : 323
Book Description
This book presents the first focused investigation of Francisco Goya's (1746–1828) graphic output. Spanning six decades, Goya’s works on paper reflect the transformation and turmoil of the Enlightenment, the Inquisition, and Spain's years of constitutional government. Two essays, a detailed chronology, and more than 100 featured artworks illuminate the remarkable breadth and power of Goya's drawings and prints, situating the artist within his historical moment. The selected pieces document the various phases and qualities of Goya's graphic work—from his early etchings after Velázquez through print series such as the Caprichos and The Disasters of War to his late lithographs, The Bulls of Bordeaux, and including albums of drawings that reveal the artist’s nightmares, dreams, and visions.
Publisher: Metropolitan Museum of Art
ISBN: 1588397149
Category : Art
Languages : en
Pages : 323
Book Description
This book presents the first focused investigation of Francisco Goya's (1746–1828) graphic output. Spanning six decades, Goya’s works on paper reflect the transformation and turmoil of the Enlightenment, the Inquisition, and Spain's years of constitutional government. Two essays, a detailed chronology, and more than 100 featured artworks illuminate the remarkable breadth and power of Goya's drawings and prints, situating the artist within his historical moment. The selected pieces document the various phases and qualities of Goya's graphic work—from his early etchings after Velázquez through print series such as the Caprichos and The Disasters of War to his late lithographs, The Bulls of Bordeaux, and including albums of drawings that reveal the artist’s nightmares, dreams, and visions.
The Black Paintings of Goya
Author: Juan José Junquera
Publisher: Scala Arts Publishers Incorporated
ISBN:
Category : Art
Languages : en
Pages : 100
Book Description
Goya was the last of the old masters and the first of the moderns. The Black Paintings presage surrealism and other aspects of the 20th century artistic vision. The series forms a star part of the Prado's collections.
Publisher: Scala Arts Publishers Incorporated
ISBN:
Category : Art
Languages : en
Pages : 100
Book Description
Goya was the last of the old masters and the first of the moderns. The Black Paintings presage surrealism and other aspects of the 20th century artistic vision. The series forms a star part of the Prado's collections.
The Disasters of War
Author: Francisco Goya
Publisher: Courier Corporation
ISBN: 0486139344
Category : Art
Languages : en
Pages : 107
Book Description
Visual indictment of war's horrors, modeled after Spanish insurrection (1808), the resultant Peninsular War and following famine. Miseries of war graphically demonstrated in 83 prints.
Publisher: Courier Corporation
ISBN: 0486139344
Category : Art
Languages : en
Pages : 107
Book Description
Visual indictment of war's horrors, modeled after Spanish insurrection (1808), the resultant Peninsular War and following famine. Miseries of war graphically demonstrated in 83 prints.
Henry Darger
Author: Brooke Davis Anderson
Publisher: Prestel Publishing
ISBN: 9783791342108
Category : Art
Languages : en
Pages : 0
Book Description
An authoritative, balanced, and insightful look at American master Henry Darger (1892-1972). Presents his art and an exploration of his complex role in the art of our time.
Publisher: Prestel Publishing
ISBN: 9783791342108
Category : Art
Languages : en
Pages : 0
Book Description
An authoritative, balanced, and insightful look at American master Henry Darger (1892-1972). Presents his art and an exploration of his complex role in the art of our time.
Goya
Author: Robert Hughes
Publisher: Knopf
ISBN: 0307809625
Category : Biography & Autobiography
Languages : en
Pages : 747
Book Description
Robert Hughes, who has stunned us with comprehensive works on subjects as sweeping and complex as the history of Australia (The Fatal Shore), the modern art movement (The Shock of the New), the nature of American art (American Visions), and the nature of America itself as seen through its art (The Culture of Complaint), now turns his renowned critical eye to one of art history’s most compelling, enigmatic, and important figures, Francisco José de Goya y Lucientes. With characteristic critical fervor and sure-eyed insight, Hughes brings us the story of an artist whose life and work bridged the transition from the eighteenth-century reign of the old masters to the early days of the nineteenth-century moderns. With his salient passion for the artist and the art, Hughes brings Goya vividly to life through dazzling analysis of a vast breadth of his work. Building upon the historical evidence that exists, Hughes tracks Goya’s development, as man and artist, without missing a beat, from the early works commissioned by the Church, through his long, productive, and tempestuous career at court, to the darkly sinister and cryptic work he did at the end of his life. In a work that is at once interpretive biography and cultural epic, Hughes grounds Goya firmly in the context of his time, taking us on a wild romp through Spanish history; from the brutality and easy violence of street life to the fiery terrors of the Holy Inquisition to the grave realities of war, Hughes shows us in vibrant detail the cultural forces that shaped Goya’s work. Underlying the exhaustive, critical analysis and the rich historical background is Hughes’s own intimately personal relationship to his subject. This is a book informed not only by lifelong love and study, but by his own recent experiences of mortality and death. As such this is a uniquely moving and human book; with the same relentless and fearless intelligence he has brought to every subject he has ever tackled, Hughes here transcends biography to bring us a rich and fiercely brave book about art and life, love and rage, impotence and death. This is one genius writing at full capacity about another—and the result is truly spectacular.
Publisher: Knopf
ISBN: 0307809625
Category : Biography & Autobiography
Languages : en
Pages : 747
Book Description
Robert Hughes, who has stunned us with comprehensive works on subjects as sweeping and complex as the history of Australia (The Fatal Shore), the modern art movement (The Shock of the New), the nature of American art (American Visions), and the nature of America itself as seen through its art (The Culture of Complaint), now turns his renowned critical eye to one of art history’s most compelling, enigmatic, and important figures, Francisco José de Goya y Lucientes. With characteristic critical fervor and sure-eyed insight, Hughes brings us the story of an artist whose life and work bridged the transition from the eighteenth-century reign of the old masters to the early days of the nineteenth-century moderns. With his salient passion for the artist and the art, Hughes brings Goya vividly to life through dazzling analysis of a vast breadth of his work. Building upon the historical evidence that exists, Hughes tracks Goya’s development, as man and artist, without missing a beat, from the early works commissioned by the Church, through his long, productive, and tempestuous career at court, to the darkly sinister and cryptic work he did at the end of his life. In a work that is at once interpretive biography and cultural epic, Hughes grounds Goya firmly in the context of his time, taking us on a wild romp through Spanish history; from the brutality and easy violence of street life to the fiery terrors of the Holy Inquisition to the grave realities of war, Hughes shows us in vibrant detail the cultural forces that shaped Goya’s work. Underlying the exhaustive, critical analysis and the rich historical background is Hughes’s own intimately personal relationship to his subject. This is a book informed not only by lifelong love and study, but by his own recent experiences of mortality and death. As such this is a uniquely moving and human book; with the same relentless and fearless intelligence he has brought to every subject he has ever tackled, Hughes here transcends biography to bring us a rich and fiercely brave book about art and life, love and rage, impotence and death. This is one genius writing at full capacity about another—and the result is truly spectacular.