![Dio Lo Vuole!!! [Verses on the Political Enfranchisement of Italy.]. PDF](https://books.google.com/books/content/images/frontcover/FofoMgEACAAJ?fife=w150-h200)
Author: R. L. BERNINZONEPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Dio Lo Vuole!!! [Verses on the Political Enfranchisement of Italy.].
![Dio Lo Vuole!!! [Verses on the Political Enfranchisement of Italy.]. PDF](https://books.google.com/books/content/images/frontcover/FofoMgEACAAJ?fife=w80-h100)
Author: R. L. BERNINZONEBritish Museum Catalogue of printed Books
Author: The British Library General Catalogue of Printed Books to 1975
Author: British LibraryPublisher:
ISBN:
Category : Reference
Languages : en
Pages : 536
Book Description
The British Museum Catalogue of Printed Books, 1881-1900
Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : English literature
Languages : en
Pages : 742
Book Description
General Catalogue of Printed Books
Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : English imprints
Languages : en
Pages : 638
Book Description
Internal Exile in Fascist Italy
Author: Piero GarofaloPublisher:
ISBN: 9780719090592
Category : Exile (Punishment) in motion pictures
Languages : en
Pages : 264
Book Description
This book is an accessible history of internal exile's origins and practices under Fascism and of its representation in film, literature and memoir.
Florentine Studies
Author: Nicolai RubinsteinPublisher:
ISBN: 9780835794589
Category :
Languages : en
Pages : 585
Book Description
Writing and Performing Female Identity in Italian Culture
Author: Virginia PicchiettiPublisher: Springer
ISBN: 3319408356
Category : Literary Criticism
Languages : en
Pages : 278
Book Description
This volume investigates the ways in which Italian women writers, filmmakers, and performers have represented female identity across genres from the immediate post-World War II period to the turn of the twenty-first century. Considering genres such as prose, poetry, drama, and film, these essays examine the vision of female agency and self-actualization arising from women artists’ critique of female identity. This dual approach reveals unique interpretations of womanhood in Italy spanning more than fifty years, while also providing a deep investigation of the manipulation of canvases historically centered on the male subject. With its unique coupling of generic and thematic concerns, the volume contributes to the ever expanding female artistic legacy, and to our understanding of postwar Italian women’s evolving relationship to the narration of history, gender roles, and these artists’ use and revision of generic convention to communicate their vision.
Machiavelli and Republicanism
Author: Gisela BockPublisher: Cambridge University Press
ISBN: 9780521435895
Category : History
Languages : en
Pages : 336
Book Description
Some of the world's foremost historians of ideas consider Machiavelli's political thought in the larger context of the republican tradition.
Acoustemologies in Contact
Author: Emily WilbournePublisher: Open Book Publishers
ISBN: 1800640382
Category : Music
Languages : en
Pages : 198
Book Description
In this fascinating collection of essays, an international group of scholars explores the sonic consequences of transcultural contact in the early modern period. They examine how cultural configurations of sound impacted communication, comprehension, and the categorisation of people. Addressing questions of identity, difference, sound, and subjectivity in global early modernity, these authors share the conviction that the body itself is the most intimate of contact zones, and that the culturally contingent systems by which sounds made sense could be foreign to early modern listeners and to present day scholars. Drawing on a global range of archival evidence—from New France and New Spain, to the slave ships of the Middle Passage, to China, Europe, and the Mediterranean court environment—this collection challenges the privileged position of European acoustical practices within the discipline of global-historical musicology. The discussion of Black and non-European experiences demonstrates how the production of ‘the canon’ in the cosmopolitan centres of colonial empires was underpinned by processes of human exploitation and extraction of resources. As such, this text is a timely response to calls within the discipline to decolonise music history and to contextualise the canonical works of the European past. This volume is accessible to a wide and interdisciplinary audience, not only within musicology, but also to those interested in early modern global history, sound studies, race, and slavery.