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Author: Brent Nelson Publisher: Iter Press ISBN: 9780866984744 Category : Archival materials Languages : en Pages : 0
Book Description
Digital technologies are changing the way in which we can understand and analyse history and its associated artefacts. The aim of this book is to encapsulate the potential that digital technologies pose for medieval material culture, providing examples of leading projects worldwide which are enabling new forms of research in this area. The text aims to provide a broad overview of the type of tools now used by historians--such as text encoding, digitization, and visualization--and juxtaposing these with core concerns from historians investigating particular research questions. It draws together a key body of research in this area, demonstrating how digital tools and techniques can aid in changing our understanding of the past.
Author: Brent Nelson Publisher: Iter Press ISBN: 9780866984744 Category : Archival materials Languages : en Pages : 0
Book Description
Digital technologies are changing the way in which we can understand and analyse history and its associated artefacts. The aim of this book is to encapsulate the potential that digital technologies pose for medieval material culture, providing examples of leading projects worldwide which are enabling new forms of research in this area. The text aims to provide a broad overview of the type of tools now used by historians--such as text encoding, digitization, and visualization--and juxtaposing these with core concerns from historians investigating particular research questions. It draws together a key body of research in this area, demonstrating how digital tools and techniques can aid in changing our understanding of the past.
Author: Grażyna Jurkowlaniec Publisher: Routledge ISBN: 1351681494 Category : Art Languages : en Pages : 428
Book Description
This volume explores the late medieval and early modern periods from the perspective of objects. While the agency of things has been studied in anthropology and archaeology, it is an innovative approach for art historical investigations. Each contributor takes as a point of departure active things: objects that were collected, exchanged, held in hand, carried on a body, assembled, cared for or pawned. Through a series of case studies set in various geographic locations, this volume examines a rich variety of systems throughout Europe and beyond. The Open Access version of this book, available at http://www.taylorfrancis.com/doi/view/10.4324/9781315401867, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license
Author: Claire Loffman Publisher: Routledge ISBN: 131718792X Category : Literary Criticism Languages : en Pages : 471
Book Description
A Handbook of Editing Early Modern Texts provides a series of answers written by more than forty editors of diverse texts addressing the 'how-to's' of completing an excellent scholarly edition. The Handbook is primarily a practical guide rather than a theoretical forum; it airs common problems and offers a number of solutions to help a range of interested readers, from the lone editor of an unedited document, through to the established academic planning a team-enterprise, multi-volume re-editing of a canonical author. Explicitly, this Handbook does not aim to produce a linear treatise telling its readers how they 'should' edit. Instead, it provides them with a thematically ordered collection of insights drawn from the practical experiences of a symposium of editors. Many implicit areas of consensus on good practice in editing are recorded here, but there are also areas of legitimate disagreement to be charted. The Handbook draws together a diverse range of first person narratives detailing the approaches taken by different editors, with their accompanying rationales, and evaluations of the benefits and problems of their chosen methods. The collection's aim is to help readers to read modern editions more sensitively, and to make better-informed decisions in their own editorial projects.
Author: Lisa H. Cooper Publisher: Routledge ISBN: 1351894617 Category : History Languages : en Pages : 308
Book Description
The Arma Christi, the cluster of objects associated with Christ’s Passion, was one of the most familiar iconographic devices of European medieval and early modern culture. From the weapons used to torment and sacrifice the body of Christ sprang a reliquary tradition that produced active and contemplative devotional practices, complex literary narratives, intense lyric poems, striking visual images, and innovative architectural ornament. This collection displays the fascinating range of intellectual possibilities generated by representations of these medieval ’objects,’ and through the interdisciplinary collaboration of its contributors produces a fresh view of the multiple intersections of the spiritual and the material in the Middle Ages and Renaissance. It also includes a new and authoritative critical edition of the Middle English Arma Christi poem known as ’O Vernicle’ that takes account of all twenty surviving manuscripts. The book opens with a substantial introduction that surveys previous scholarship and situates the Arma in their historical and aesthetic contexts. The ten essays that follow explore representative examples of the instruments of the Passion across a broad swath of history, from some of their earliest formulations in late antiquity to their reformulations in early modern Europe. Together, they offer the first large-scale attempt to understand the arma Christi as a unique cultural phenomenon of its own, one that resonated across centuries in multiple languages, genres, and media. The collection directs particular attention to this array of implements as an example of the potency afforded material objects in medieval and early modern culture, from the glittering nails of the Old English poem Elene to the coins of the Middle English poem ’Sir Penny,’ from garments and dice on Irish tomb sculptures to lanterns and ladders in Hieronymus Bosch’s panel painting of St. Christopher, and from the altar of the Sistine Chapel to the printed prayer books of the Reformation.
Author: Katharine D. Scherff Publisher: Taylor & Francis ISBN: 1000852822 Category : Art Languages : en Pages : 211
Book Description
Through a multidisciplinary collection of case studies, this book explores the effects of the digital age on medieval and early modern studies. Divided into five parts, the book examines how people, medieval and modern, engage with medieval media and technology through an exploration of the theory underpinning audience interactions with historical materials in the past and the real-world engagement of a twenty-first century audience with medieval and early modern studies through the multimodal lens of a vast digital landscape. Each case study reveals the diversity of medieval media and technology and challenges readers to consider new types of literacy competencies as scholarly, rigorous methods of engaging in pre-modern investigations of materiality. Essays in the first section engage in the examination of medieval media, mediation, and technology from a theoretical framework, while the second section explores how digitization, smart technologies, digital mapping, and the internet have shaped medieval and early modern studies today. The book will be of interest to students in undergraduate or graduate intermediate or advanced courses as well as scholars, in medieval studies, art history, architectural history, medieval history, literary history, and religious history.
Author: Adam Smyth Publisher: Oxford University Press ISBN: 0198846231 Category : History Languages : en Pages : 769
Book Description
"How were books in early modern England made, circulated, sold, stored, read, marked, altered, preserved, and destroyed? The Oxford Handbook to the History of the Book in Early Modern England provides a stimulating account of the very newest work in the field, and an exploration of how new thinking might develop. Written by scholars working at the cutting-edge of the subject, from the UK and North America, the volume combines lucidity, scholarly expertise, intellectual precision, and an imaginative structure that will enable contributors to show why the history of the book matters. This volume analyses in a lively manner the nature and role of the book in early modern England, and also considers critically how we can talk about the history of book"--
Author: Sergio Escribano-Ruiz Publisher: ISBN: 9782503593999 Category : Languages : en Pages : 300
Book Description
The study of the movement of ?things? - the exchange of objects as gifts or through trade, the itineraries that they followed when on the move, and their changing importance from location to location - can offer unique insights into our understanding of past societies; and archaeology plays a vital role in allowing such movements to be traced. Nonetheless, the circulation of objects across time, and between peoples and places, has long been neglected as a field of research in its own right. This volume aims to address this gap in scholarship by drawing on recent archaeological research to provide a detailed study of the moment of objects across Europe in the late medieval and early modern period. The contributions gathered here trace the interactions between peoples, ideas, and objects in order to explore the impact of movement both on the material things themselves, and on the people who manufactured, exchanged, or used such goods. The volume draws on a wide range of archaeological evidence to explore subjects as varied as production and transport, modes of trade, the connections between trade and religion, and the emotional connections between things and people. Together, they offer a pioneering approach to our understanding of objects and their movement in the past.
Author: Kevin Murphy Publisher: Bucknell University Press ISBN: 1611484952 Category : Literary Collections Languages : en Pages : 319
Book Description
Studies in Ephemera: Text and Image in Eighteenth-Century Print bringstogether established and emerging scholars of early modern print culture to explore the dynamic relationships between words and illustrations in awide variety of popular cheap print from the seventeenth to the early nineteenth century. While ephemerawas ubiquitous in the period, it is scarcely visible to us now, because only a handful of the thousands of examplesonce in existence have been preserved. Nonetheless, single-sheet printed works, as well as pamphlets and chapbooks, constituted a central part of visual and literary culture, and were eagerly consumed by rich and poor alike in Great Britain, North America, and on the Continent. Displayed in homes, posted in taverns and other public spaces, or visible in shop windows on city streets, ephemeral works used sensational means to address themes of great topicality. The English broadside ballad, of central concern in this volume, grew out of oral culture; the genre addressed issues of nationality, history, gender and sexuality, economics, and more. Richly illustrated and well researched, Studiesin Ephemera offers interdisciplinary perspectives into how ephemeralworks reached their audiences through visual and textual means. It also includes essays that describe how collections of ephemera are categorized in digital and conventional archives, and how our understanding of these works is shaped by their organization into collections. This timely and fascinating book will appeal to archivists, and students and scholars in many fields, including art history, comparative literature, social and economic history, and English literature. Contributors: Georgia Barnhill, Theodore Barrow, Tara Burk, Adam Fox, Alexandra Franklin, Patricia Fumerton, Paula McDowell, Kevin D. Murphy, Sally O’Driscoll, Ruth Perry
Author: Angus Vine Publisher: Oxford University Press ISBN: 019253761X Category : Literary Criticism Languages : en Pages : 304
Book Description
This book examines one of the most pervasive, but also perplexing, textual phenomena of the early modern world: the manuscript miscellany. Faced with multiple problems of definition, categorization, and (often conflicting) terminology, modern scholars have tended to dismiss the miscellany as disorganized and chaotic. Miscellaneous Order radically challenges that view by uncovering the various forms of organization and order previously hidden in early modern manuscript books. Drawing on original literary and historical research, and examining both the materiality of early modern manuscripts and their contents, this book sheds new light on the transcriptive and archival practices of early modern Britain, as well as on the broader intellectual context of manuscript culture and its scholarly afterlives. Based on extensive archival research, and interdisciplinary in both subject and matter, Miscellaneous Order focuses on the myriad kinds of manuscript compiled and produced in the early modern era. Showing that the miscellany was essential to the organization of knowledge across a range of genres and disciplines, from poetry to science, and from recipe books to accounts, it proposes a new model for understanding the proliferation of manuscript material in the sixteenth and seventeenth centuries. By restoring attention to 'miscellaneous order' in this way, it shows that we have fundamentally misunderstood how early modern men and women read, wrote, and thought. Rather than a textual form characterized by an absence of order, the miscellany, it argues, operated as an epistemically and aesthetically productive system throughout the early modern period.
Author: Brent Nelson
Author: Brent Nelson
Author: Grażyna Jurkowlaniec
Author: Claire Loffman
Author: Lisa H. Cooper
Author: Katharine D. Scherff
Author: Adam Smyth
Author: Sergio Escribano-Ruiz
Author: Kevin Murphy
Author: Angus Vine
Author: Franz Fischer