Digital Video Shooting for Beginners and Moving Image Theory PDF Download

Author: Ron Belshaw
Publisher: Ron Belshaw
ISBN: 1905415052
Category : Digital video
Languages : en
Pages : 19

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Author: Ron Belshaw
Publisher: Ron Belshaw
ISBN: 1905415125
Category : Digital video
Languages : en
Pages : 34

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Author:
Publisher: Ron Belshaw
ISBN: 1905415176
Category :
Languages : en
Pages : 15

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Author: Ron Belshaw
Publisher: Ron Belshaw
ISBN: 190541501X
Category : HTML (Document markup language)
Languages : en
Pages : 97

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Author:
Publisher: Ron Belshaw
ISBN: 1905415168
Category : Digital video
Languages : en
Pages : 10

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Author: Andreas Treske
Publisher: transcript Verlag
ISBN: 3839430585
Category : Social Science
Languages : en
Pages : 209

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Book Description
Video is a part of everyday life, comparable to driving a car or taking a shower. It is nearly omnipresent, available on demand and attached to nearby anything, anywhere. Online Video became something vital and independent. With all the video created by the cameras around us, constantly uploading, sharing, linking, and relating, a blue ocean is covering our planet, an ocean of video. What might look as bluish noise and dust from the far outside, might embed beautiful and fascinating living scapes of moving images, objects constantly changing, re-arranging, assembling, evolving, collapsing, but never disappearing, a real cinema. Andreas Treske describes and theorizes these objects formerly named video, their forms, behaviours and properties.

Author: John Cantine
Publisher:
ISBN: 9780963743381
Category : Cinematography
Languages : en
Pages : 224

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Book Description
"A clear, easy-to-read introductory text designed for the beginning filmmaker working in high definition digital video or 16mm or super-8 film. The book is divided into twelve chapters, each of which deals with the basic language, processes and techniques of filmmaking: The Moving Image, Film Camera and Film Stock, Video Camera and Recorder, The Lens, Composition, Continuity, Editing Theory, Editing Mechanics, Pre-production, Lighting, Sound, and Distribution. It includes a comprehensive glossary of important terms"--Cover, p. [4].

Author: Joseph D Anderson
Publisher: SIU Press
ISBN: 9780809327461
Category : Art
Languages : en
Pages : 276

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Book Description
Looking at film through its communication properties rather than its social or political implications, this work draws on the tenets of James J. Gibson's ecological theory of visual perception and offers a new understanding of how moving images are seen and understood.

Author: Christopher H. Sterling
Publisher: SAGE
ISBN: 0761929576
Category : Language Arts & Disciplines
Languages : en
Pages : 3131

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Book Description
The six-volume Encyclopedia of Journalism covers all significant dimensions of journalism including: print, broadcast and Internet journalism; US and international perspectives; history; technology; legal issues and court cases; ownership; and economics.

Author: Dieter Daniels
Publisher: Bloomsbury Publishing USA
ISBN: 1501354116
Category : Social Science
Languages : en
Pages : 600

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Book Description
Breaking new ground as the first transdisciplinary reader on video theory, Video Theories is a resource that will form the basis for further research and teaching. With video regarded as a ubiquitous medium, it's surprising that video theory as an academic discipline has not yet been established in comparison to the more canonized theories of photography, film, and television. This “video gap” in media theory is remarkable considering today's omnipresence of the medium through online video portals (such as Youtube, Vimeo, Snapchat or Instagram). Video technologies address us in our everyday online tasks, and they have opened up and superseded text-based web browsers in many aspects. Consisting of a selection of annotated source texts and chapter introductions written by the editors, this book takes into account fifty years of scholarly and artistic reflections on the topic, representing an intergenerational and international set of voices. This is also accompanied by a timeline to help contextualize and frame the techno-cultural developments of video since the analog days. Theorists and artists old and new, like Jacques Derrida, Marshall Mcluhan, Jean-Luc Godard and Paul Virilio, are joined together in this unique collection with almost half the work translated into English for the first time. This transdisciplinary reader offers a conceptual framework for diverging and contradictory viewpoints, following up the continuous transformations of what was / is / will be video.