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Author: Peter Stockinger Publisher: John Wiley & Sons ISBN: 1118566165 Category : Computers Languages : en Pages : 278
Book Description
Today, huge quantities of digital audiovisual resources are already available – everywhere and at any time – through Web portals, online archives and libraries, and video blogs. One central question with respect to this huge amount of audiovisual data is how they can be used in specific (social, pedagogical, etc.) contexts and what are their potential interest for target groups (communities, professionals, students, researchers, etc.). This book examines the question of the (creative) exploitation of digital audiovisual archives from a theoretical, methodological, technical and practical point of view, especially in three main directions of work: - The repurposing and republishing of existing audiovisual data. - The building of community-centric audiovisual archives. - The use of digital social media and Web 2 technology for the diffusion and sharing of audiovisual content. This book presents a series of concrete examples of creative uses of digital audiovisual corpora for education, research and cultural heritage preservation and valorization.
Author: Peter Stockinger Publisher: John Wiley & Sons ISBN: 1118566165 Category : Computers Languages : en Pages : 278
Book Description
Today, huge quantities of digital audiovisual resources are already available – everywhere and at any time – through Web portals, online archives and libraries, and video blogs. One central question with respect to this huge amount of audiovisual data is how they can be used in specific (social, pedagogical, etc.) contexts and what are their potential interest for target groups (communities, professionals, students, researchers, etc.). This book examines the question of the (creative) exploitation of digital audiovisual archives from a theoretical, methodological, technical and practical point of view, especially in three main directions of work: - The repurposing and republishing of existing audiovisual data. - The building of community-centric audiovisual archives. - The use of digital social media and Web 2 technology for the diffusion and sharing of audiovisual content. This book presents a series of concrete examples of creative uses of digital audiovisual corpora for education, research and cultural heritage preservation and valorization.
Author: Peter Stockinger Publisher: John Wiley & Sons ISBN: 1118566203 Category : Technology & Engineering Languages : en Pages : 225
Book Description
Today, audiovisual archives and libraries have become very popular especially in the field of collecting, preserving and transmitting cultural heritage. However, the data from these archives or libraries – videos, images, sound tracks, etc. – constitute as such only potential cognitive resources for a given public (or "target community"). They have to undergo more or less significant qualitative transformations in order to become user- or community-relevant intellectual goods. These qualitative transformations are performed through a series of concrete operations such as: audiovisual text segmentation, content description and indexing, pragmatic profiling, translation, etc. These and other operations constitute what we call the semiotic turn in dealing with digital (audiovisual) texts, corpora of texts or even entire (audiovisual) archives and libraries. They demonstrate practically and theoretically the well-known "from data to meta-data" or "from (simple) information to (relevant) knowledge" problem – a problem that obviously directly influences the effective use, the social impact and relevancy and therefore also the future of digital knowledge archives. It constitutes, indeed, the heart of a diversity of important R&D programs and projects all over the world.
Author: Peter Stockinger Publisher: John Wiley & Sons ISBN: 1118614097 Category : Technology & Engineering Languages : en Pages : 391
Book Description
Today, audiovisual archives and libraries have become very popular especially in the field of collecting, preserving and transmitting cultural heritage. However, the data in these archives or libraries - videos, images, soundtracks, etc. - constitute as such only potential cognitive resources for a given public (or “target community”). One of the most crucial issues of digital audiovisual libraries is indeed to enable users to actively appropriate audiovisual resources for their own concern (in research, education or any other professional or non-professional context). This means, an adaptation of the audiovisual data to the specific needs of a user or user group can be represented by small and closed "communities" as well as by networks of open communities around the globe. "Active appropriation" is, basically speaking, the use of existing digital audiovisual resources by users or user communities according to their expectations, needs, interests or desires. This process presupposes: 1) the definition and development of models or "scenarios" of cognitive processing of videos by the user; 2) the availability of tools necessary for defining, developing, reusing and sharing meta-linguistic resources such as thesauruses, ontologies or description models by users or user communities. Both aspects are central to the so-called semiotic turn in dealing with digital (audiovisual) texts, corpora of texts or again entire (audiovisual) archives and libraries. They demonstrate practically and theoretically the well-known “from data to metadata” or “from (simple) information to (relevant) knowledge” problem, which obviously directly influences the effective use, social impact and relevancy, and therefore also the future, of digital knowledge archives. This book offers a systematic, comprehensive approach to these questions from a theoretical as well as practical point of view. Contents Part 1. The Practical, Technical and Theoretical Context 1. Analysis of an Audiovisual Resource. 2. The Audiovisual Semiotic Workshop (ASW) Studio – A Brief Presentation. 3. A Concrete Example of a Model for Describing Audiovisual Content. 4. Model of Description and Task of Analysis. Part 2. Tasks in Analyzing an Audiovisual Corpus 5. The Analytical Task of “Describing the Knowledge Object”. 6. The Analytical Task of “Contextualizing the Domain of Knowledge”. 7. The Analytical Task of “Analyzing the Discourse Production around a Subject”. Part 3. Procedures of Description 8. Definition of the Domain of Knowledge and Configuration of the Topical Structure. 9. The Procedure of Free Description of an Audiovisual Corpus. 10. The Procedure of Controlled Description of an Audiovisual Corpus. Part 4. The ASW System of Metalinguistic Resources 11. An Overview of the ASW Metalinguistic Resources. 12. The Meta-lexicon Representing the ASW Universe of Discourse.
Author: Rachael Stoeltje Publisher: Indiana University Press ISBN: 0253027136 Category : Art Languages : en Pages : 241
Book Description
The art and science of audiovisual preservation and access has evolved at breakneck speed in the digital age. The Joint Technical Symposium (JTS) is organized by the Coordinating Council of Audiovisual Archives Associations and brings experts from around the world to learn of technologies and developments in the technical issues affecting the long-term survival and accessibility of audiovisual collections. This collection of essays is derived from presentations made at the 2016 JTS held in Singapore and presents an overview of the latest audiovisual preservation methods and techniques, archival best practices in media storage, as well as analog-to-digital conversion challenges and their solutions.
Author: International Association of Sound and Audiovisual Archives. Technical Committee Publisher: ISBN: 9789197619226 Category : Digital media Languages : en Pages : 150
Author: Brianna H. Marshall Publisher: American Library Association ISBN: 0838916058 Category : Language Arts & Disciplines Languages : en Pages : 304
Book Description
Scholars and scrapbookers alike need your help with saving their most important digital content. But how do you translate your professional knowledge as a librarian or archivist into practical skills that novices can apply to their own projects? The Complete Guide to Personal Archiving will show you the way, helping you break down archival concepts and best practices into teachable solutions for your patrons’ projects. Whether it’s a researcher needing to cull their most important email correspondence, or an empty-nester transferring home movies and photographs to more easily shared and mixed digital formats, this book will show you how to offer assistance, providing explanations of common terms in plain language;quick, non-technical solutions to frequent patron requests;a look at the 3-2-1 approach to backing up files;guidance on how to archive Facebook posts and other social media;methods for capturing analog video from obsolete physical carriers like MiniDV;proven workflows for public facing transfer stations, as used at the Washington, D.C. Memory Lab and the Queens Library mobile scanning unit;talking points to help seniors make proactive decisions about their digital estates;perspectives on balancing core library values with the business goals of Google, Amazon, Facebook, and other dominant platforms; andadditional resources for digging deep into personal digital archiving. Featuring expert contributors working in a variety of contexts, this resource will help you help your patrons take charge of their personal materials.
Author: Anthony Seeger Publisher: ISBN: Category : Language Arts & Disciplines Languages : en Pages : 338
Book Description
This unique book is based on the results of a workshop for an international group of administrators of research-based archives held near New Delhi in December 1999, the aim of which was to bring together archivists from audio and visual archives in industrializing countries, principally from the Southern Hemisphere, which have a relatively recent history of audiovisual archives; to take concerns of audiovisual archives outside the national and regional boundaries that so often define these archives; and to focus on audiovisual archives that document musical and folklore traditions and thus those which are involved with ethnomusicology. Pooling the experience of participants from Austria, Australia, China, Cuba, Ghana, India, Indonesia, Papua New Guinea, Peru, The Philippines, South Africa, Sudan and the United States, the volume will be of interest to cultural workers both as an introductory textbook in ethnomusicology courses and as a book for specialists. The book begins with a theoretical introduction including general observations on archives, a discussion of the principal points in the participant papers, a description of the workshop itself and how the process of the workshop has been transformed into this volume. Section One deals with archive structure and operations, including a chapter on recording technology for audio archives which begins with a paper by the world-renowned expert in technology for audiovisual archives, Dr Dietrich Schüller, Director of the Vienna Phonogramm-Archiv, Austria, the oldest such archive in the world and one on issues of copyright and ethics. Section Two consists of the participants papers. The volume also includes useful material such as a bibliography of major resources on audiovisual archives and a website list of the most important professional organizations and archive sites. Anthony Seeger is Professor of Ethnomusicology at University of California at Los Angeles. He has been Director of the Archives of Traditional Music, University of Indiana and Director of Smithsonian Folkways recordings and the Curator of the archives. He has consulted internationally and published widely on issues of archiving in ethnomusicology and on intellectual property rights. He has been the President of the Society of Ethnomusicology and is currently Secretary General of the International Council of Traditional Music. Shubha Chaudhuri is Director of the Archives and Research Centre for Ethnomusicology of the American Institute of Indian Studies. She has a background in Linguistics and has been with the ARCE for the last twenty years. She has been very actively involved in issues of archiving as well as training workshops and consulting in this field. She is Vice President, International Association of Sound and Audio Visual Archives. Contributors include: Dr Dietrich Schüller (Vienna, Austria), Don Niles (Papua New Guinea), Alex Huerta (Peru), Ali Al-Daw (Sudan), Maxwell Addo (Ghana), Marialita Tamanio-Yraola (Philippines), To Ngoc Thanh (Vietnam), Valmont Layne (South Africa), Endo Suanda (Indonesia) Gert-Matthias Wegner (Nepal), J. Lawrence Witzleben and Tsui Ying-Fai (China), Olavo Alen (Cuba), Grace Koch (Australia).
Author: Peter Stockinger
Author: Peter Stockinger
Author: Peter Stockinger
Author: Peter Stockinger
Author: Rachael Stoeltje
Author: International Association of Sound and Audiovisual Archives. Technical Committee
Author: ANTHONY. COCCIOLO
Author: Brianna H. Marshall
Author: Peter Stockinger
Author: International Association of Sound and Audiovisual Archives
Author: Anthony Seeger