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Author: Oliver Grau (Hg.) Publisher: Edition Donau-Universität Krems ISBN: 3903150525 Category : Art Languages : en Pages : 413
Book Description
Digital art challenges archiving, collecting and preserving methods within and outside of gallery, library, archive and museum (GLAM) institutions. By its media, art in the digital sphere is processual, contextual, modular and ephemeral, and its creative process is collaborative. From artists, scholars, technicians and conservators—to preserve this contemporary art is a transdisciplinary task. This book brings together leading international experts from digital art theory and preservation, digital humanities, collection management, conservation and media art histories. In a transdisciplinary approach, theoretic and practice-based research from these stakeholders in art, research, education and exhibition are presented to create an overview of present preservation methods and discuss demands and opportunities for the future. Finally, the need for a new appropriate museum and archive infrastructure is shown to preserve the art of our time.
Author: Oliver Grau (Hg.) Publisher: Edition Donau-Universität Krems ISBN: 3903150525 Category : Art Languages : en Pages : 413
Book Description
Digital art challenges archiving, collecting and preserving methods within and outside of gallery, library, archive and museum (GLAM) institutions. By its media, art in the digital sphere is processual, contextual, modular and ephemeral, and its creative process is collaborative. From artists, scholars, technicians and conservators—to preserve this contemporary art is a transdisciplinary task. This book brings together leading international experts from digital art theory and preservation, digital humanities, collection management, conservation and media art histories. In a transdisciplinary approach, theoretic and practice-based research from these stakeholders in art, research, education and exhibition are presented to create an overview of present preservation methods and discuss demands and opportunities for the future. Finally, the need for a new appropriate museum and archive infrastructure is shown to preserve the art of our time.
Author: Barrett Williams Publisher: Barrett Williams ISBN: Category : Crafts & Hobbies Languages : en Pages : 91
Book Description
Step into a world where fire dances with sand, where history, science, and art fuse into an enchanting journey spanning centuries, waiting to engulf your senses – this is "Through the Looking Glass." Prepare to embark on an intellectual odyssey that begins with the alchemical wonders of ancient civilizations. Witness their hidden truths and legends, as glittering artifacts emerge from the sands of time. Transform your understanding of an art that has defined empires and sparked revolutions. Your guide a kaleidoscope of stories laid out in meticulously crafted chapters, unveiling the mystique behind one of humanity's most mesmerizing crafts glass blowing. "Through the Looking Glass" paints a vivid tableau of stained glass windows, whose every piece tells a spiritual tale from a bygone medieval era. Trailblaze through the Renaissance, as innovative glass techniques shatter the limits of creativity. Marvel at Venetian artisans, whose mastery turns molten glass into unrivaled beauty. Your journey is not just about looking—it's about truly seeing. Venture into the courts of royalty and discover how, through a delicate alchemy, glass transcended mere utility to become a symbol of power and prestige. Feel the heat of the scientific revolution – glasses not just for seeing through, but for seeing beyond, becoming a vital tool in humanity's relentless quest for knowledge. You'll encounter modern alchemists who wield fire and air to mold the glass canvas into contemporary masterpieces. Tools and techniques that have withstood the test of time make their secrets known, as the roles of kilns and glassblower's instruments are revealed. Explore the elusive dance of light as it plays with glass to create breathtaking architectural spectacles. Discover sustainable practices breathing new life into this ancient art. Dive deep into the microcosm of economics, where art collides with commerce, and investment whispers through the galleries. Feel the restorative power of glass as it transitions into a therapeutic medium, and uncover the mentorship and apprenticeship models that preserve the flames of tradition. As you approach the book's culmination, consider the environmental implications, restoration challenges, and look ahead to the digital innovations poised to redefine glass artistry's future. Embark upon a literary adventure with "Through the Looking Glass," where every chapter is a looking glass of its own, reflecting a world where art and science, the physical and metaphysical, tradition and innovation converge. This isn't just a book. It's your passport to a realm shimmering with ingenuity, inviting you to a rendezvous with beauty, history, and the endless possibilities within the heart of every shard of glass.
Author: Richard H. Brown Publisher: ISBN: 0190628073 Category : Music Languages : en Pages : 257
Book Description
Through the Looking Glass examines John Cage's interactions and collaborations with avant-garde and experimental filmmakers, and in turn seeks out the implications of the audiovisual experience for the overall aesthetic surrounding Cage's career. As the commercially dominant media form in the twentieth century, cinema transformed the way listeners were introduced to and consumed music. Cage's quest to redefine music, intentionality, and expression reflect the similar transformation of music within the larger audiovisual experience of sound film. This volume examines key moments in Cage's career where cinema either informed or transformed his position on the nature of sound, music, expression, and the ontology of the musical artwork. The examples point to moments of rupture within Cage's own consideration of the musical artwork, pointing to newfound collision points that have a significant and heretofore unacknowledged role in Cage's notions of the audiovisual experience and the medium-specific ontology of a work of art.
Author: Jen Kavanagh Publisher: Taylor & Francis ISBN: 1040156576 Category : Art Languages : en Pages : 325
Book Description
Ethics of Contemporary Collecting addresses pressing and pertinent issues around ethical contemporary collecting, reflecting on how practices are evolving or in flux. Across three sections, each containing live sector subjects from the climate crisis to digital collecting to centring communities, this book collates a combination of case studies and in-depth chapters by leading practitioners working in the field. These pieces are instructive and provide practical, transferable examples of how people have approached these challenges. It highlights examples of leading practice in the field and illustrates ethical approaches to contemporary collecting as work in this area progresses and our conversations about it advance. To reflect this ongoing growth, the book closes with an ‘Activations’ section of discussion prompts intended to keep the conversations and progress – on individual, institutional and societal levels – going. Ethics of Contemporary Collecting is an indispensable tool for informing, training and educating the next generation of curators and collection professionals, and inspiring future collecting projects.
Author: Andrew Bolton Publisher: Metropolitan Museum of Art ISBN: 0300211120 Category : Art Languages : en Pages : 298
Book Description
For centuries China has fueled the creative imagination and inspired fashion. This stunning publication explores the influence of Chinese art, film, and aesthetics on international fashion designers, including Christian Dior, Jean Paul Gaultier, Karl Lagerfeld, Alexander McQueen, and Yves Saint Laurent.
Author: Annet Dekker Publisher: Taylor & Francis ISBN: 1000785262 Category : Art Languages : en Pages : 217
Book Description
Documentation as Art presents documentation as an expanded practice that is radically changing the ways in which to look at, participate in, and generate art. Bringing together expertise from different disciplines, the book provides an in-depth investigation of the development of documentation as a set of production, circulation, and preservation strategies. Illustrating how these are often led by artists, audiences, and museums, the contributions offer new insights into digital art and its history, curation, and preservation, through documentation. Considering documentation as the main method of preserving these art forms, the book analyses how it can address the inherent challenges of capturing live events, visitor experiences, and evolving artworks. Showing how documentation itself can become (part of) an original artwork, the book discusses ways in which these expanded practices can impact the value and experience of the documented event or artwork, giving consideration to how this might affect the traditional authority of the museum as creator of documentation used for future reference, historical relevance, or cultural memory. Documentation as Art demonstrates how the curation and preservation of documentation and the introduction of audience-generated documentation are radically changing exhibition and visiting practices in which documentation is becoming a significant and emergent cultural form in its own right. The book will appeal to researchers and students engaged in the study of museums and curation, art and art history, performance, new media and digital art, library and information science, and conservation.
Author: Patrick Frank Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3111384691 Category : Art Languages : en Pages : 162
Book Description
Who are the important artists of the 1980s? This book urges a new look at that question in light of the digital direction of our culture since then. Specifically, five artists used advanced technology during that decade in ways that foreshadow many of today’s concerns. Joseph Nechvatal created expressive digital images, and then infected them with computer viruses. Lynn Hershman Leeson created the first interactive work for videodisk, creating a bridge between art and gaming. Nancy Burson foresaw multicultural America when she digitally blended photographs of diverse persons. George Legrady was among the first artists to digitally manipulate news images and offer the results as art. Gretchen Bender’s use of digital imagery in her work has never been adequately discussed. If the digital matters, then these artists should also matter.
Author: Frank Beddor Publisher: Penguin ISBN: 1101221461 Category : Young Adult Fiction Languages : en Pages : 412
Book Description
The Myth: Alice was an ordinary girl who stepped through the looking glass and entered a fairy-tale world invented by Lewis Carroll in his famous storybook. The Truth: Wonderland is real. Alyss Heart is the heir to the throne, until her murderous aunt Redd steals the crown and kills Alyss? parents. To escape Redd, Alyss and her bodyguard, Hatter Madigan, must flee to our world through the Pool of Tears. But in the pool Alyss and Hatter are separated. Lost and alone in Victorian London, Alyss is befriended by an aspiring author to whom she tells the violent, heartbreaking story of her young life. Yet he gets the story all wrong. Hatter Madigan knows the truth only too well, and he is searching every corner of our world to find the lost princess and return her to Wonderland so she may battle Redd for her rightful place as the Queen of Hearts.
Author: Alice Stevenson Publisher: Oxford University Press ISBN: 0192586750 Category : Art Languages : en Pages : 663
Book Description
This Handbook provides a transnational reference point for critical engagements with the legacies of, and futures for, global archaeological collections. It challenges the common misconception that museum archaeology is simply a set of procedures for managing and exhibiting assemblages. Instead, this volume advances museum archaeology as an area of reflexive research and practice addressing the critical issues of what gets prioritized by and researched in museums, by whom, how, and why. Through twenty-eight chapters, authors problematize and suggest new ways of thinking about historic, contemporary, and future relationships between archaeological fieldwork and museums, as well as the array of institutional and cultural paradigms through which archaeological enquiries are mediated. Case studies embrace not just archaeological finds, but also archival field notes, photographic media, archaeological samples, and replicas. Throughout, museum activities are put into dialogue with other aspects of archaeological practice, with the aim of situating museum work within a more holistic archaeology that does not privilege excavation or field survey above other aspects of disciplinary engagement. These concerns will be grounded in the realities of museums internationally, including Latin America, Africa, Asia, Oceania, North America, and Europe. In so doing, the common heritage sector refrain 'best practice' is not assumed to solely emanate from developed countries or European philosophies, but instead is considered as emerging from and accommodated within local concerns and diverse museum cultures.
Author: Oliver Grau (Hg.)
Author: Oliver Grau (Hg.)
Author: Barrett Williams
Author: Richard H. Brown
Author: Jen Kavanagh
Author: Andrew Bolton
Author: Annet Dekker
Author: Patrick Frank
Author: Frank Beddor
Author: Alice Stevenson
Author: Lewis Carroll