Diego Velazquez and His Times PDF Download

Author: Carl Justi
Publisher: London, H. Grevel & Company
ISBN:
Category : Artists
Languages : en
Pages : 536

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Author: Margaretta M. Salinger
Publisher:
ISBN: 9781258827083
Category :
Languages : en
Pages : 28

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Author: Diego Velázquez
Publisher:
ISBN:
Category :
Languages : en
Pages : 74

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Author: Diego Rodríguez de Silva Velázquez
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: William Stirling-Maxwell (Sir)
Publisher: Palala Press
ISBN: 9781342379887
Category :
Languages : en
Pages : 288

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: Margaretta Salinger
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 24

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Author: William Stirling Maxwell
Publisher: Rarebooksclub.com
ISBN: 9781458992239
Category : History
Languages : en
Pages : 320

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Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: of the Scriptures, like Our Lord crucified between the two thieves.1 If the church was but slightly tinged with classical tastes, the laity had but little taste of any kind. Out of the church and the royal palaces there was nothing that could be called public patronage of art, until the seventeenth century. A few great families, whose chiefs or scions had held Italian governments or commands, were honourably distinguished from the herd of nobles who cared for nothing beyond horses and armour, hounds and falcons. The house of Mendoza, famous in arms, diplomacy, and letters, possessed at Guadalaxara a library which had been commenced before the invention of printing; and their noble palace there gradually became a museum of art. At Alba de Tonnes the duke of Alba, known to fame as the hero of Muhlberg, the scourge of Flanders, and the conqueror of Portugal, likewise displayed bis love of the arts of peace. Hither he brought one Tommaso, from Florence, to paint a gallery in fresco; here he formed a collection of pictures and statues: and here his military exploits wereafterwards commemorated in fresco, by order of his son, by Granelo and the younger Castello. This castle, cruelly treated by the wretched Spanish architects of the eighteenth century, and the remorseless French invaders of the nineteenth, is now a mere shell, and used by the adjoining town as a quarry; but long alter the green hill-top, ' its pleasant seat, ' shall be marked only by a mound of ruin, it will stand in imperishable beauty on the fair bank of Tormes? 1 BiUia Polyglolta Card. Ximenii, 6 vol. fol. Compluti, 1514, i. p. 3. La ribera verde y deleytosa Del sacro Tormes dulce y claro rio,1? in the sweet verse of the Sydney of Castille. At La Abadia, amongst the hills and chesnut woods of Estremadura..