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Author: Richard Wagner Publisher: ISBN: 9781296026516 Category : Languages : en Pages : 64
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Richard Wagner Publisher: ISBN: 9781296026516 Category : Languages : en Pages : 64
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Richard Wagner Publisher: Courier Corporation ISBN: 0486443248 Category : Music Languages : en Pages : 322
Book Description
It started as a single idea, under the working title of Siegfried's Death, and ended as an epic four-opera cycle, "Der Ring des Nibelungen." Inspired by the great Nordic and Germanic sagas, Richard Wagner created a unique statement of the interplay between love and power — a struggle he movingly expressed through recurrent motifs of yearning and loss. Die Walküre, the second opera in the series, remains the most popular and frequently performed of the mighty Ring Cycle works. From its gripping opening — in which the hero finds himself weaponless in the house of his enemy — to its heartrending finale — a father' s final farewell to his favorite daughter — generations of listeners have thrilled and swooned to this story and its magical music. First performed as part of the complete Ring Cycle in 1876, at the grand opening of the Bayreuth Festival Theatre, Die Walküre boasts one of opera's best-known passages, the exhilarating "Ride of the Walküre." This vocal score of the complete opera, with lyrics in both German and English, features a piano reduction of the orchestral part and is ideal for study, rehearsal, and concert performances.
Author: Alexander William Kinglake Publisher: Scholar's Choice ISBN: 9781298147462 Category : Languages : en Pages : 328
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: John Deathridge Publisher: Univ of California Press ISBN: 0520254538 Category : Biography & Autobiography Languages : en Pages : 320
Book Description
"This collection provides us with that rarest of objects: a genuinely new book on Wagner. Virtually every page offers fresh perspectives, some of them mined from the most unlikely of sources; indeed, the sheer eclecticism of the book, its willingness to range widely and irreverently through both popular and elite culture, is one of its greatest strengths."—Roger Parker, author of Remaking the Song: Operatic Visions and Revisions from Handel to Berio "John Deathridge is one of the most authoritative, widely-regarded Wagner scholars around in any language. Few can match his command of scholarship and primary sources, and no one else knows how to put them to such clever, provocative uses. In addition, Deathridge enjoys an impressive range of critical, historical, and literary reference. The writing is consistently lively and engaging. The collection will provide a welcome change of diet for those tired of the usual Wagnerian fare. This is a welcome contribution, indeed."—Thomas Grey, author of Wagner's Musical Prose: Texts and Contexts
Author: Alex Ross Publisher: Farrar, Straus and Giroux ISBN: 1429944544 Category : Music Languages : en Pages : 784
Book Description
Alex Ross, renowned New Yorker music critic and author of the international bestseller and Pulitzer Prize finalist The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence. For better or worse, Wagner is the most widely influential figure in the history of music. Around 1900, the phenomenon known as Wagnerism saturated European and American culture. Such colossal creations as The Ring of the Nibelung, Tristan und Isolde, and Parsifal were models of formal daring, mythmaking, erotic freedom, and mystical speculation. A mighty procession of artists, including Virginia Woolf, Thomas Mann, Paul Cézanne, Isadora Duncan, and Luis Buñuel, felt his impact. Anarchists, occultists, feminists, and gay-rights pioneers saw him as a kindred spirit. Then Adolf Hitler incorporated Wagner into the soundtrack of Nazi Germany, and the composer came to be defined by his ferocious antisemitism. For many, his name is now almost synonymous with artistic evil. In Wagnerism, Alex Ross restores the magnificent confusion of what it means to be a Wagnerian. A pandemonium of geniuses, madmen, charlatans, and prophets do battle over Wagner’s many-sided legacy. As readers of his brilliant articles for The New Yorker have come to expect, Ross ranges thrillingly across artistic disciplines, from the architecture of Louis Sullivan to the novels of Philip K. Dick, from the Zionist writings of Theodor Herzl to the civil-rights essays of W.E.B. Du Bois, from O Pioneers! to Apocalypse Now. In many ways, Wagnerism tells a tragic tale. An artist who might have rivaled Shakespeare in universal reach is undone by an ideology of hate. Still, his shadow lingers over twenty-first century culture, his mythic motifs coursing through superhero films and fantasy fiction. Neither apologia nor condemnation, Wagnerism is a work of passionate discovery, urging us toward a more honest idea of how art acts in the world.
Author: Philip Gossett Publisher: University of Chicago Press ISBN: 0226304876 Category : Music Languages : en Pages : 788
Book Description
"Divas and Scholars" is a dazzling and beguiling account of how opera comes to the stage, filled with Philip Gossett's personal experiences of triumphant - and even failed - performances and suffused with his towering passion for music. Gossett, the world's leading authority on the performance of Italian opera, brings to life the problems, and occasionally the scandals, that attend the production of some of our favorite operas.Gossett begins by tracing the social history of nineteenth-century Italian theaters in order to explain the nature of the musical scores from which performers have long worked. He then illuminates the often hidden but crucial negotiations between what is written and how it is interpreted by opera conductors and performers.
Author: Alex Ross Publisher: Farrar, Straus and Giroux ISBN: 1429932880 Category : Music Languages : en Pages : 706
Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Author: Matthew Bribitzer-Stull Publisher: Cambridge University Press ISBN: 1107098394 Category : History Languages : en Pages : 357
Book Description
Through analysis, Matthew Bribitzer-Stull explores the legacy of the leitmotif, from Wagner's Ring cycle to present-day Hollywood film music.
Author: Laurence Dreyfus Publisher: Harvard University Press ISBN: 0674018818 Category : History Languages : en Pages : 285
Book Description
Though his image is tarnished today by unrepentant anti-Semitism, Richard Wagner (1813–1883) was better known in the nineteenth century for his provocative musical eroticism. In this illuminating study of the composer and his works, Laurence Dreyfus shows how Wagner’s obsession with sexuality prefigured the composition of operas such as Tannhäuser, Die Walküre, Tristan und Isolde, and Parsifal. Daring to represent erotic stimulation, passionate ecstasy, and the torment of sexual desire, Wagner sparked intense reactions from figures like Baudelaire, Clara Schumann, Nietzsche, and Nordau, whose verbal tributes and censures disclose what was transmitted when music represented sex. Wagner himself saw the cultivation of an erotic high style as central to his art, especially after devising an anti-philosophical response to Schopenhauer’s “metaphysics of sexual love.” A reluctant eroticist, Wagner masked his personal compulsion to cross-dress in pink satin and drench himself in rose perfumes while simultaneously incorporating his silk fetish and love of floral scents into his librettos. His affection for dominant females and surprising regard for homosexual love likewise enable some striking portraits in his operas. In the end, Wagner’s achievement was to have fashioned an oeuvre which explored his sexual yearnings as much as it conveyed—as never before—how music could act on erotic impulse.
Author: Richard Wagner
Author: Richard Wagner
Author: Richard Wagner
Author: Alexander William Kinglake
Author: John Deathridge
Author: Alex Ross
Author: Philip Gossett
Author: Alex Ross
Author: Patrick Carnegy
Author: Matthew Bribitzer-Stull
Author: Laurence Dreyfus