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Author: Lurker Grand Publisher: Patrick Frey Edition ISBN: 9783905929775 Category : Design Languages : de Pages : 0
Book Description
Die Not hat ein Ende The Swiss Art of Rock ("Need Comes To an End-The Swiss Art of Rock") is Lurker Grand's third and most recent book project in a trilogy published by Edition Patrick Frey. Here the focus is not so much on a musical era and its protagonists as on the visualization of the subcultures. Designers, graphic designers, musicians, and photographers from across Switzerland visualize the last 50 years of local rock and pop music history through their album covers, concert posters, flyers, fanzines, comics, and photographs. Die Not hat ein Ende The Swiss Art of Rock is not just another colorful book about music, but instead an impressive historical document of an era. It is a fulsome work that pays tribute to the aesthetics of this anar-chic artistic avant-garde from its beginnings to the present day. In addition to visualizing the music, a lot of space is devoted to the history of the music itself. Music journalist, collector, and curator Samuel Mumenthaler, coauthor of this book, describes the development of rock music in Switzerland chronologically and very precisely, but without getting lost in the details. Roland Fischbacher, Director of the Visual Communications program at the Bern School for the Arts, and Robert Lzicar, Design researcher and designer, discuss the evolution of the visual appearance of rock culture from its beginnings to the present day. This is a pioneering work that no one in Switzerland has undertaken to date. The book also recounts anecdotes that have made it from Switzerland into the annals of international rock history.
Author: Lurker Grand Publisher: Patrick Frey Edition ISBN: 9783905929775 Category : Design Languages : de Pages : 0
Book Description
Die Not hat ein Ende The Swiss Art of Rock ("Need Comes To an End-The Swiss Art of Rock") is Lurker Grand's third and most recent book project in a trilogy published by Edition Patrick Frey. Here the focus is not so much on a musical era and its protagonists as on the visualization of the subcultures. Designers, graphic designers, musicians, and photographers from across Switzerland visualize the last 50 years of local rock and pop music history through their album covers, concert posters, flyers, fanzines, comics, and photographs. Die Not hat ein Ende The Swiss Art of Rock is not just another colorful book about music, but instead an impressive historical document of an era. It is a fulsome work that pays tribute to the aesthetics of this anar-chic artistic avant-garde from its beginnings to the present day. In addition to visualizing the music, a lot of space is devoted to the history of the music itself. Music journalist, collector, and curator Samuel Mumenthaler, coauthor of this book, describes the development of rock music in Switzerland chronologically and very precisely, but without getting lost in the details. Roland Fischbacher, Director of the Visual Communications program at the Bern School for the Arts, and Robert Lzicar, Design researcher and designer, discuss the evolution of the visual appearance of rock culture from its beginnings to the present day. This is a pioneering work that no one in Switzerland has undertaken to date. The book also recounts anecdotes that have made it from Switzerland into the annals of international rock history.
Author: Nico Nassenstein Publisher: Walter de Gruyter GmbH & Co KG ISBN: 1501511203 Category : Language Arts & Disciplines Languages : en Pages : 346
Book Description
While most of the more recent influential work on swearing has concentrated on English and other languages from the Global North, looking at forms and functions of swear words, this contribution redirects the necessary focus onto a sociolinguistics of swearing that puts transgressive practices in non-Western languages into the focus. The transdisciplinary volume contains innovative case studies that address swearing and cursing in parts of the world characterized by consequences of colonialism and increasingly debated inequalities. Turning away from more conventional and established methodologies and theoretical approaches, the book envisages to address transgressive linguistic practices, performances and contexts in Africa, Asia, America and Europe –including individuals' creativity, subversive power and agency. Due to its interdisciplinary and non-mainstream focus, this volume is an essential addition to the field of studies.
Author: Piers Hemmingsen Publisher: Omnibus Press ISBN: 1787590739 Category : Biography & Autobiography Languages : en Pages : 1078
Book Description
By the spring of 1964, Toronto had the largest and most organized Beatles fan base in North America. The Beatles in Canada: The Origins of Beatlemania! finally tells the true story of how The Beatles’ music and popularity began in Canada a full year before they landed in the U.S.A. Piers Hemmingsen provides a concise look at how radio stations, newspapers and television networks in Canada covered the phenomenon that was Beatlemania, and this digital edition is packed with full-colour images of the band, their travels, those they inspired, and an immense hoard of memorabilia gathered along the way. ’After all these years, I still cannot comprehend where Piers gets his energy supply from. He has written four previous books about The Beatles and discovered an appreciative readership for all of them. However, to me this book, the one you are holding, is his breakthrough. Where it could have been an easy exercise with new information about the Fab Four, Piers has taken one large step forward. He is also able to incorporate the beginnings of the Canadian music industry. Through mainly focusing on one record company he has been able to capture the excitement of a young industry finding its way, competing with the giants in the United States.' – Paul White, Capitol Records of Canada, 1957-1978
Author: Marcos Silva Publisher: Springer ISBN: 3319569198 Category : Philosophy Languages : en Pages : 386
Book Description
This book presents and discusses the varying and seminal role which colour plays in the development of Wittgenstein’s philosophy. Having once said that “Colours spur us to philosophize”, the theme of colour was one to which Wittgenstein returned constantly throughout his career. Ranging from his Notebooks, 1914-1916 and the Tractatus Logico-Philosophicus to the posthumously published Remarks on Colours and On Certainty, this book explores how both his view of philosophical problems generally and his view on colours specifically changed considerably over time. Paying particular attention to his so-called intermediary period, it takes a case-based approach to the presentation of colour in texts from this period, from Some Remarks on Logical Form and Philosophical Remarks to his Big Typescript.
Author: Friedrich Nietzsche Publisher: Livraria Press ISBN: 3989886452 Category : Philosophy Languages : en Pages : 90
Book Description
A new translation into American English from the original manuscript of Nietzsche's 1889 Der Antichrist. This edition is bilingual- the original text is included in the back as reference material behind the English translation. This is volume 9 in The Complete Works of Friedrich Nietzsche from Livraria Press. This chronological, systematic set of Nietzsche's works is the first ever bilingual "Hauptwerke" or complete major works of Nietzsche published in English & the original German. The Anti-Christ is the apotheosis of his arguments against Christianity, as well as his personal Megalomania. As the title suggests, Nietzsche sees himself as the Anti-Christ, the replacement of Christ and Socrates. He truly believed that he was going to replace Jesus in the Western world. Nietzsche is oceanic in his attempt to solve philosophy itself, as Hegel and many Continental philosophers did, but here takes it to an entirely different place. As the self-described Miltonic inversion of Job, a neo-Prometheus, the self-described Anti-Christ, he believed it was his duty to help the West undo thousands of years of history and return to a pre-socratic greek warrior society. This is realized through a restoration of amoral teleology with the Will Zu Macht, the Will to Power, to a return to a Pagan Greco-Roman culture.
Author: Lurker Grand
Author: Lurker Grand
Author: Hans Schemann
Author: Solomon Deutsch
Author: University of Edinburgh
Author: 
Author: Nico Nassenstein
Author: Piers Hemmingsen
Author: 
Author: Marcos Silva
Author: Friedrich Nietzsche