Die Kunsthistoriographien in Ostmitteleuropa und der nationale Diskurs PDF Download

Author: Robert Born
Publisher:
ISBN:
Category : Art
Languages : de
Pages : 490

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Author: Kevin E. Kandt
Publisher: Lukas Verlag
ISBN: 3867321825
Category : Sculpture, Baroque
Languages : en
Pages : 385

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Book Description
The year 2014 marks the 300th anniversary of the death of the great German Baroque sculptor and architect Andreas Schlüter. In commemoration, this second issue of the new serial publication »Schlüteriana: Studies in the Art, Life, and Milieu of Andreas Schlüter«*, written and edited by its author, presents two articles on this brilliant artist’s creations. Schlüter was a master of truly international significance whose work is relatively well-known to scholars and the general public within the borders of Europe’s German-speaking countries but much less so to readers outside them. Yet a great deal of research, cataloguing, and analysis of his art still remains to be accomplished and it is the aim of this and future volumes of »Schlüteriana« to fulfill the task. Featured in this issue are important facets of Schlüter’s output: his drawings and funerary sculpture. Examined here are rare drawings with allegorical/astro­nomical themes ascribed to his almost non-existent oeuvre of works on paper. Included as well is the first installment of a major, two-part study on the sculptor’s tomb art in Poland and Germany. In »Part One: Poland«, projects from the artist’s earliest years are studied in detail with key examples from contemporary European Baroque sepulchral monuments brought forward as comparisons to highlight their significance for Schlüter’s artwork. The examination continues in the second installment »Part Two: Germany« to be published in »Schlüteriana III«. Both studies shall provide a complete overview – in an essay/catalogue-form – of Andreas Schlüter’s documented and attributed funerary monuments located in these countries. * »Schlüteriana I« first appeared in »Aus Hippocrenes Quell’. Ein Album amico­rum kunsthistorischer Beiträge zum 60. Geburtstag von Gerd-Helge Vogel« published by Lukas Verlag in 2011.

Author: Maria Alessia Rossi
Publisher: Taylor & Francis
ISBN: 1003844898
Category : History
Languages : en
Pages : 428

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This volume aims to broaden and nuance knowledge about the history, art, culture, and heritage of Eastern Europe relative to Byzantium. From the thirteenth century to the decades after the fall of Constantinople in 1453, the regions of the Danube River stood at the intersection of different traditions, and the river itself has served as a marker of connection and division, as well as a site of cultural contact and negotiation. The Routledge Handbook of Byzantine Visual Culture in the Danube Regions, 1300–1600 brings to light the interconnectedness of this broad geographical area too often either studied in parts or neglected altogether, emphasizing its shared history and heritage of the regions of modern Greece, Croatia, Serbia, Bulgaria, Romania, Hungary, Slovakia, and Czechia. The aim is to challenge established perceptions of what constitutes ideological and historical facets of the past, as well as Byzantine and post-Byzantine cultural and artistic production in a region of the world that has yet to establish a firm footing on the map of art history. The 24 chapters offer a fresh and original approach to the history, literature, and art history of the Danube regions, thus being accessible to students thematically, chronologically, or by case study; each part can be read independently or explored as part of a whole.

Author: Matthew Rampley
Publisher: BRILL
ISBN: 9004218777
Category : History
Languages : en
Pages : 586

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This book undertakes a critical survey of art history across Europe, examining the recent conceptual and methodological concerns informing the discipline as well as the political, social and ideological factors that have shaped its development in specific national contexts.

Author: MitchellB. Frank
Publisher: Routledge
ISBN: 1351565710
Category : Art
Languages : en
Pages : 303

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A fresh contribution to the ongoing debate between Kunstwissenschaft (scientific study of art) and Kunstgeschichte (art history), this essay collection explores how German-speaking art historians of the late nineteenth and early twentieth century self-consciously generated a field of study. Prominent North American and European scholars provide new insights into how a mixing of diverse methodologies took place, in order to gain a more subtle and comprehensive understanding of how art history became institutionalized and legitimized in Germany. One common assumption about early art-historical writing in Germany is that it depended upon a simplistic and narrowly-defined formalism. This book helps to correct this stereotype by demonstrating the complexity of discussion surrounding formalist concerns, and by examining how German-speaking art historians borrowed, incorporated, stole, and made analogies with concepts from the sciences in formulating their methods. In focusing on the work of some of the well-known 'fathers' of the discipline - such as Alois Riegl and Heinrich W?lfflin - as well as on lesser-known figures, the essays in this volume provide illuminating, and sometimes surprising, treatments of art history's prior and understudied interactions with a wide range of scientific orientations, from psychology, sociology, and physiognomics to evolutionism and comparative anatomy.

Author: Shona Kallestrup
Publisher: Taylor & Francis
ISBN: 1000602079
Category : Art
Languages : en
Pages : 327

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This volume critically investigates how art historians writing about Central and Eastern Europe in the late nineteenth and early twentieth centuries engaged with periodization. At the heart of much of their writing lay the ideological project of nation-building. Hence discourses around periodization – such as the mythicizing of certain periods, the invention of historical continuity and the assertion of national specificity – contributed strongly to identity construction. Central to the book’s approach is a transnational exploration of how the art histories of the region not only interacted with established Western periodizations but also resonated and ‘entangled’ with each other. In their efforts to develop more sympathetic frameworks that refined, ignored or hybridized Western models, they sought to overcome the centre–periphery paradigm which equated distance from the centre with temporal belatedness and artistic backwardness. The book thus demonstrates that the concept of periodization is far from neutral or strictly descriptive, and that its use in art history needs to be reconsidered. Bringing together a broad range of scholars from different European institutions, the volume offers a unique new perspective on Central and Eastern European art historiography. It will be of interest to scholars working in art history, historiography and European studies.

Author: Anu Mänd
Publisher: Cambridge Scholars Publishing
ISBN: 1527515710
Category : History
Languages : en
Pages : 326

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This volume examines the relationship between medieval cults of saints and regional and national identity formation in Europe both during and, to some extent, beyond the Middle Ages. It studies how collective identities have been expressed through saints’ cults and their appropriations in texts, visual representations, and music. Attention is given to various aspects of the role of medieval saints’ cults in European identity formation, as saints were used in the service of both religious and political agendas. Focusing on a range of European regions, this volume uses cults of medieval saints and their religious, cultural and political appropriations over time as a vehicle for studying changing cultural and social values. The articles here report research carried out under the European Science Foundation’s collaborative EuroCORECODE project: Symbols that Bind and Break Communities: Saints’ Cults as Stimuli and Expressions of Local, Regional, National and Universalist Identities (2010–2013/14), an international, interdisciplinary research venture funded by the National Research Councils of five countries: Austria, Denmark, Estonia, Hungary, and Norway.

Author: Julia Allerstorfer
Publisher: transcript Verlag
ISBN: 3839473632
Category : Art
Languages : en
Pages : 421

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The specific role of the Austro-Hungarian Empire and the later nation of Austria within the formation of regional art histories in East Central Europe has received little attention in art historical research so far. Taking into account the era of the Dual Monarchy as well as the period after 1989, the contributions analyze and critically scrutinize the imperial legacies, transnational transfer processes and cultural hierarchies in art historiographies, artistic practices and institutional histories. Consisting of 17 texts, with new commissions and one reprint, case studies, monographic essays and interviews grouped thematically into two sections, the anthology proposes a pluriversal narrative on regional, cultural and political contexts.

Author: Matthew Rampley
Publisher: Penn State Press
ISBN: 0271062606
Category : Art
Languages : en
Pages : 293

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Matthew Rampley’s The Vienna School of Art History is the first book in over seventy-five years to study in depth and in context the practices of art history from 1847, the year the first teaching position in the discipline was created, to 1918, the collapse of Austria-Hungary. It traces the emergence of art history as a discipline, the establishment of norms of scholarly inquiry, and the involvement of art historians in wider debates about the cultural and political identity of the monarchy. The so-called Vienna School plays the central role in the study, but Rampley also examines the formation of art history elsewhere in Austria-Hungary. Located in the Habsburg imperial capital, Vienna art historians frequently became entangled in debates that were of importance to art historians elsewhere in the Empire, and Rampley pays particular attention to these areas of overlapping interest. He also analyzes the methodological innovations for which the Vienna School was well known. Rampley focuses most fully, however, on the larger political and ideological context of the practice of art history—particularly the way in which art-historical debates served as proxies for wider arguments over the political, social, and cultural life of the Habsburg Empire.

Author: Alois Riegl
Publisher: Getty Publications
ISBN: 1606060414
Category : Architecture
Languages : en
Pages : 294

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Book Description
Delivered at the turn of the twentieth century, Riegl's groundbreaking lectures called for the Baroque period to be judged by its own rules and not merely as a period of decline.