Diderot on Art (volume 2) PDF Download

Author: Denis Diderot
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Denis Diderot
Publisher:
ISBN: 9780300062496
Category : Art
Languages : en
Pages : 344

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Book Description
The 18th-century French philosopher Denis Diderot - the principal intelligence behind the Encyclopedie and the author of idiosyncratic fictional works such as Jacques the Fatalist and Rameau's Nephew - is also considered by many to have been the first great art critic. Until now, however, Diderot's treatises on the visual arts have been available only in French. This two-volume edition makes his art-critical texts available in English. Diderot's works are among the most provocative and engaging products of the French Enlightenment. Moreover, their ruminations on many issues of perennial interest (invention versus convention, nature versus culture, and technique versus imagination; the complex relations) between economic reality and artistic achievement give them a rare pertinence to current debates on the nature and function of representation.

Author: Denis Diderot
Publisher:
ISBN: 9780300062489
Category : Art
Languages : en
Pages : 250

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An introduction by Thomas Crow describes the peculiar circumstances under which these texts were written, and concise notes make it possible for non-specialist readers to keep their bearings in the vividly evoked world of late eighteenth-century Paris.

Author: Andrew S. Curran
Publisher: Other Press, LLC
ISBN: 1590516702
Category : Biography & Autobiography
Languages : en
Pages : 529

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Best Book of the Year – Kirkus Reviews A spirited biography of the prophetic and sympathetic philosopher who helped build the foundations of the modern world. Denis Diderot is often associated with the decades-long battle to bring the world’s first comprehensive Encyclopédie into existence. But his most daring writing took place in the shadows. Thrown into prison for his atheism in 1749, Diderot decided to reserve his best books for posterity–for us, in fact. In the astonishing cache of unpublished writings left behind after his death, Diderot challenged virtually all of his century's accepted truths, from the sanctity of monarchy, to the racial justification of the slave trade, to the norms of human sexuality. One of Diderot’s most attentive readers during his lifetime was Catherine the Great, who not only supported him financially, but invited him to St. Petersburg to talk about the possibility of democratizing the Russian empire. In this thematically organized biography, Andrew S. Curran vividly describes Diderot’s tormented relationship with Rousseau, his curious correspondence with Voltaire, his passionate affairs, and his often iconoclastic stands on art, theater, morality, politics, and religion. But what this book brings out most brilliantly is how the writer's personal turmoil was an essential part of his genius and his ability to flout taboos, dogma, and convention.

Author: Denis Diderot
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 0

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Author: Denis Diderot
Publisher:
ISBN: 9780486274294
Category : Encyclopedias and dictionaries, Azerbaijani
Languages : en
Pages : 0

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First paperbound edition of 485 remarkable plates -- over 2,000 illustrations -- that accompanied landmark work of the Enlightenment. Royalty-free images depict agriculture, military science, metalwork, mining, textile manufacture, masonry, carpentry, more.

Author: Elizabeth Gilmore Holt
Publisher: Princeton University Press
ISBN: 0691242917
Category : Art
Languages : en
Pages : 434

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The theory and practice of art underwent a number of fascinating changes between the sixteenth and the eighteenth centuries, changes which are clearly revealed in this unique collection of letters, journals, essays, and other writings by the artists and their contemporaries. In the poems of Michelangelo, the Dialogues of Carducho, or the Discourses of Sir Joshua Reynolds, one discovers the stylistic and philosophical concerns of the artist, while the record of Veronese's trial before the Holy Tribunal, the diary of Bernini's journey in France, the letters of Rubens and Poussin or biographical sketches of Rembrandt and Watteau reveal not only the personalities but also the conditions of the times. These basic and illuminating documents, now again available in paperback, provide an unparalleled opportunity for insight into the art and ideas of the periods the author discusses.

Author: Denis Diderot
Publisher: Courier Corporation
ISBN: 9780486279541
Category : Design
Languages : en
Pages : 136

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From Diderot's 18th-century masterpiece: elegant renderings of architectural landmarks; drawings and plans for theaters, windmills, bridges, boats; renderings of palatial interiors and furnishings; scenes of 18th-century craftsmen at work in the building trades; more.

Author: Jean Le Rond d'Alembert
Publisher: University of Chicago Press
ISBN: 9780226134765
Category : Foreign Language Study
Languages : en
Pages : 228

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Book Description
Preliminary Discourse to the Encyclopedia of Diderot expresses the hopes, dogmas, assumptions, and prejudices that have come to characterize the French Enlightenment. In this preface to the Encyclopedia, d'Alembert traces the history of intellectual progress from the Renaissance to 1751. Including a revision of Diderot's Prospectus and a list of contributors to the Encyclopedia, this edition, elegantly translated and introduced by Professor Richard Schwab, is one of the great works of the Enlightenment and an outstanding introduction to the philosophes.

Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292

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Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.