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Author: Chris Louttit Publisher: Routledge ISBN: 1135217513 Category : History Languages : en Pages : 182
Book Description
The first full-length study on the subject of Dickens and work, this book argues that, rather than engaging with work as an abstract, quasi-religious and entirely benign value, Dickens’s writings demonstrate the varied ways in which it shapes gender identity and personality.
Author: Chris Louttit Publisher: Routledge ISBN: 1135217513 Category : History Languages : en Pages : 182
Book Description
The first full-length study on the subject of Dickens and work, this book argues that, rather than engaging with work as an abstract, quasi-religious and entirely benign value, Dickens’s writings demonstrate the varied ways in which it shapes gender identity and personality.
Author: Gary L. Colledge Publisher: Baker Books ISBN: 144123778X Category : Religion Languages : en Pages : 225
Book Description
Charles Dickens's 200th birthday will be celebrated in 2012. Though his writings are now more than 100 years old, many remain in print and are avidly read and studied. Often overlooked--or unknown--are the considerable Christian convictions Dickens held and displayed in his work. This book fills that vacuum by examining Dickens the Christian and showing how Christian beliefs and practices permeate his work. This historical work is written for pastors, students, and laity alike. Chapters look at Dickens's life and work topically, arguing that Christian faith was front and center in some of what Dickens wrote (such as his children's work The Life of Our Lord) and saliently implicit throughout various other characters and plots. Since Dickens's Christian side is rarely considered, Gary Colledge illuminates a fresh angle of Dickens, and the 200th birthday makes it especially timely.
Author: Peter J. Capuano Publisher: Cornell University Press ISBN: 1501772880 Category : History Languages : en Pages : 289
Book Description
Dickens's Idiomatic Imagination offers an original analysis of how Charles Dickens's use of "low" and "slangular" (his neologism) language allowed him to express and develop his most sophisticated ideas. Using a hybrid of digital (distant) and analogue (close) reading methodologies, Peter J. Capuano considers Dickens's use of bodily idioms—"right-hand man," "shoulder to the wheel," "nose to the grindstone"—against the broader lexical backdrop of the nineteenth century. Dickens was famously drawn to the vernacular language of London's streets, but this book is the first to call attention to how he employed phrases that embody actions, ideas, and social relations for specific narrative and thematic purposes. Focusing on the mid- to late career novels Dombey and Son, David Copperfield, Bleak House, Great Expectations, and Our Mutual Friend, Capuano demonstrates how Dickens came to relish using common idioms in uncommon ways and the possibilities they opened up for artistic expression. Dickens's Idiomatic Imagination establishes a unique framework within the social history of language alteration in nineteenth-century Britain for rethinking Dickens's literary trajectory and its impact on the vocabularies of generations of novelists, critics, and speakers of English.
Author: Leon Litvack Publisher: John Wiley & Sons ISBN: 111960222X Category : Literary Criticism Languages : en Pages : 275
Book Description
A collection of original essays and innovative reading strategies—provides examples of reading Dickens in creative and challenging ways Reading Dickens Differently features contributions from many of the field’s leading scholars, offering creative ways of reading Dickens and enriching understanding of the most celebrated author of his time. A diverse range of innovative reading strategies—archival, historical, textual, and digital—representing new and exciting approaches to contemporary literary and cultural studies. This groundbreaking volume brings together literature, history, politics, painting, illustration, social media, video games, and other topics to reveal new opportunities to engage with the author's life and work. This unique book includes a re-evaluation of Dickens’ death and burial, new research data drawn from legal records and newspapers, assessments of well-known paintings and lesser-known illustrations, experimental readings of Dickens’ texts in digital form, and more. Much of the evidence presented has never been seen before, such as Dickens' funeral fee account from Westminster Abbey, Dickens' death certificate, and a telegram from Dickens' son asking for urgent assistance for his dying father. Revising and refreshing the critical strategies of traditional Dickens studies, this important volume: Features new research data on aspects of Dickens's life Discusses a range of innovative reading strategies (including physiological novel theory) for clarifying aspects of Dickens' work Examines the presence of Dickens in popular media and technology, such as Assassin’s Creed video game and A Christmas Carol iPad app Features rare illustrations, including documents and images relating to Dickens's death and funeral Edited by world authorities on Dickens and his manuscripts Authoritative, yet accessible, Reading Dickens Differently is a must-have book for Dickens specialists, instructors and students in Victorian fiction and Dickens courses, as well as general readers lookingfor innovative reading strategies of the author's work.
Author: Christine Gmur Publisher: Edinburgh University Press ISBN: 1399535684 Category : Languages : en Pages : 314
Book Description
Dickens and Switzerland brings to light the many surprising connections between the country, which Dickens visited on several occasions, and the author's life and work. The close links between Dickens's biography, his writing and Switzerland have never before been examined so thoroughly. Rather than offering a mere chronology of travel, this volume explores Dickens's deep personal investment in the country and its people, which manifests itself in numerous and often the most unexpected places in his fictional and personal texts. It looks both at and beyond the period of the author's journeys to Switzerland during the 1840s and early 50s and considers both earlier and later references as well. The tome renders visible how Dickens's experience of Switzerland was more than merely episodic and is deeply connected to the rest of his life and literary work. As a significant and integral part of his imagination and his identity, Switzerland deserves a prominent pla ce in Dickensian scholarship.
Author: Germana Cubeta Publisher: Springer Nature ISBN: 3030474291 Category : Literary Criticism Languages : en Pages : 117
Book Description
This work explores Dickens’s perception of Italy as it appears in the travel book Pictures from Italy. Corpus methodologies, alongside the notion of intersectionality, display the writer’s multi-faceted interpretation of the Italians and his efforts to highlight their multidimensionality and heterogeneity. The book debates that Pictures from Italy departs from conventions – it investigates the function of travel in the construction of Italian identity and discusses Dickens’s relationship with Italy. Corpus linguistics methodologies analyse the language of the book and shed newlight on the relationship between body language and culture.
Author: Marialuisa Bignami Publisher: Cambridge Scholars Publishing ISBN: 1527554104 Category : Literary Criticism Languages : en Pages : 290
Book Description
‘Dickens and America’ has been amply studied, his no less important relationship to Italy much less so, despite his friend Forster's assertion that his long stay in Genoa represented ‘the turning-point of his career.’ This book, arising from a major conference held in Genoa in 2007, attempts to redress the balance, focusing primarily on Dickens's two major writings about Italy—the travel book Pictures from Italy of 1845, and Part Two of his great novel Little Dorrit of 1855–7. It falls into six sections: the first concerns Dickens's enjoyment of leisure for the first time in his life in Italy; the second, his response to the visual attractions of Italy, both natural and artistic; the third, his political stance about Italy in the period of the Risorgimento; the fourth, his preoccupation with death and decay in what he saw and experienced in Italy; the fifth, his representation of ‘Italianness’ in Little Dorrit and elsewhere; and the sixth, his relation to modern and contemporary writers about Italy. It thus aims to fill a vital gap in Dickens studies.
Author: Natalie Prizel Publisher: Oxford University Press ISBN: 0192888560 Category : Art Languages : en Pages : 337
Book Description
Explores the way that characters and figures in Victorian literature and visual art encountered and observed the bodies of others, particularly those bodies which were aberrant, deformed, and disabled.
Author: Jennifer Gribble Publisher: Routledge ISBN: 1000289664 Category : Literary Criticism Languages : en Pages : 190
Book Description
At a time when biblical authority was under challenge from the Higher Criticism and evolutionary science, ‘what providence meant’ was the most keenly contested of questions. This book takes up the controversial subject of Dickens and religion, and offers a significant contribution to the interdisciplinary area of religion and literature. In a close study of major novels, it argues that networks of biblical allusion reveal the Judeo-Christian grand narrative as key to his development as a writer, and as the ontological ground on which he stands to appeal to ‘the conscience of a Christian people’. Engaging the biblical narrative in dialogue with other contemporary narratives that concern themselves with origins, destinations, and hermeneutic decipherments, the inimitable Dickens affirms the Bible’s still-active role in popular culture. The providential thinking of two twentieth-century theorists, Bakhtin and Ricoeur, sheds light on an exploration of Dickens’s narrative theology.
Author: Sue Zemka Publisher: Stanford University Press ISBN: 9780804728485 Category : Literary Criticism Languages : en Pages : 310
Book Description
Victorian Testaments examines the changing nature of biblical and religious authority during the first half of the Victorian period. The book argues that these changes had a profound impact on concepts of cultural authority in general. Among the figures discussed are Coleridge, Thomas Arnold, Ruskin, Dickens, Florence Nightingale, and the missionaries of the British and Foreign Bible Society. In developing its picture of Victorian religious ideology, the book analyzes major works of the period, as well as works and documents that have received little critical attention. Its methods are interdisciplinary, building upon recent ideas in literary theory, cultural criticism, and gender studies. The book proposes that changes in religious faith and Bible reading tended in two directions, the one a celebration of spiritual individualism, the other of the nuclear family. As the credibility of a supernatural source for the scriptures diminished, the need for certainty in moral and religious matters was increasingly filled by the importance attached to individual character. Those Victorians who nurtured their individual character on Bible reading were understood to reveal the perfect spirit of the scripturesjust as the scriptures themselves, it seemed, could no longer do so. However, the desire for religious heroes was counterpoised by another and highly sentimentalized model of the spiritual life, one where religious authority was decentered across a social spectrum of fathers, mothers, and children. In this second direction explored by the book, a complex economy of spiritual power and authority is created by the distribution of sexual, intellectual, and affective attributes to figures who together constitute the nuclear familyone might say the secular holy family. By tracing these two narrative patternsthe intellectual drama of the spiritual hero and the sentimental saga of the nuclear familythe author demonstrates that the spirituality of many nineteenth-century texts was not an allegory of transcendence so much as a by-product of the narratives themselves. A large-scale cultural confrontation with the disappearance of God was, to a certain extent, deferred by narratives that picked up the slack in faith, creating performances of sacred power with characters who demonstrated either an awesome religious interiority or a recognizably sentimental display of idealized femininity or childhood innocence.
Author: Chris Louttit
Author: Chris Louttit
Author: Gary L. Colledge
Author: Peter J. Capuano
Author: Leon Litvack
Author: Christine Gmur
Author: Germana Cubeta
Author: Marialuisa Bignami
Author: Natalie Prizel
Author: Jennifer Gribble
Author: Sue Zemka