Author: William J. Palmer
Publisher: Palgrave Macmillan
ISBN: 9780312174279
Category : Literary Criticism
Languages : en
Pages : 203
Book Description
Throughout his work, Charles Dickens focused upon the definition, composition, and democratizing of the process of writing history. In Dickens and New Historicism, William J. Palmer takes as his point of departure the New Historicist critical theories articulated by Michel Foucault, Mikhail Bakhtin, Hayden White, Dominick LaCapra and others, and offers a critical analysis of Dickens's complete body of work. Palmer reveals that not only did Dickens give voice to the marginalized participants in the history of the eighteenth century and of his own contemporary Victorian age, but evolved a philosophy of history composed from the perspective of those marginalized voices.
Dickens and New Historicism
Author: William J. Palmer
Publisher: Palgrave Macmillan
ISBN: 9780312174279
Category : Literary Criticism
Languages : en
Pages : 203
Book Description
Throughout his work, Charles Dickens focused upon the definition, composition, and democratizing of the process of writing history. In Dickens and New Historicism, William J. Palmer takes as his point of departure the New Historicist critical theories articulated by Michel Foucault, Mikhail Bakhtin, Hayden White, Dominick LaCapra and others, and offers a critical analysis of Dickens's complete body of work. Palmer reveals that not only did Dickens give voice to the marginalized participants in the history of the eighteenth century and of his own contemporary Victorian age, but evolved a philosophy of history composed from the perspective of those marginalized voices.
Publisher: Palgrave Macmillan
ISBN: 9780312174279
Category : Literary Criticism
Languages : en
Pages : 203
Book Description
Throughout his work, Charles Dickens focused upon the definition, composition, and democratizing of the process of writing history. In Dickens and New Historicism, William J. Palmer takes as his point of departure the New Historicist critical theories articulated by Michel Foucault, Mikhail Bakhtin, Hayden White, Dominick LaCapra and others, and offers a critical analysis of Dickens's complete body of work. Palmer reveals that not only did Dickens give voice to the marginalized participants in the history of the eighteenth century and of his own contemporary Victorian age, but evolved a philosophy of history composed from the perspective of those marginalized voices.
Practicing New Historicism
Author: Catherine Gallagher
Publisher: University of Chicago Press
ISBN: 022677256X
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
For almost twenty years, new historicism has been a highly controversial and influential force in literary and cultural studies. In Practicing the New Historicism, two of its most distinguished practitioners reflect on its surprisingly disparate sources and far-reaching effects. In lucid and jargon-free prose, Catherine Gallagher and Stephen Greenblatt focus on five central aspects of new historicism: recurrent use of anecdotes, preoccupation with the nature of representations, fascination with the history of the body, sharp focus on neglected details, and skeptical analysis of ideology. Arguing that new historicism has always been more a passionately engaged practice of questioning and analysis than an abstract theory, Gallagher and Greenblatt demonstrate this practice in a series of characteristically dazzling readings of works ranging from paintings by Joos van Gent and Paolo Uccello to Hamlet and Great Expectations. By juxtaposing analyses of Renaissance and nineteenth-century topics, the authors uncover a number of unexpected contrasts and connections between the two periods. Are aspects of the dispute over the Roman Catholic doctrine of the Eucharist detectable in British political economists' hostility to the potato? How does Pip's isolation in Great Expectations shed light on Hamlet's doubt? Offering not only an insider's view of new historicism, but also a lively dialogue between a Renaissance scholar and a Victorianist, Practicing the New Historicism is an illuminating and unpredictable performance by two of America's most respected literary scholars. "Gallagher and Greenblatt offer a brilliant introduction to new historicism. In their hands, difficult ideas become coherent and accessible."—Choice "A tour de force of new literary criticism. . . . Gallagher and Greenblatt's virtuoso readings of paintings, potatoes (yes, spuds), religious ritual, and novels—all 'texts'—as well as essays on criticism and the significance of anecdotes, are likely to take their place as model examples of the qualities of the new critical school that they lead. . . . A zesty work for those already initiated into the incestuous world of contemporary literary criticism-and for those who might like to see what all the fuss is about."—Kirkus Reviews, starred review
Publisher: University of Chicago Press
ISBN: 022677256X
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
For almost twenty years, new historicism has been a highly controversial and influential force in literary and cultural studies. In Practicing the New Historicism, two of its most distinguished practitioners reflect on its surprisingly disparate sources and far-reaching effects. In lucid and jargon-free prose, Catherine Gallagher and Stephen Greenblatt focus on five central aspects of new historicism: recurrent use of anecdotes, preoccupation with the nature of representations, fascination with the history of the body, sharp focus on neglected details, and skeptical analysis of ideology. Arguing that new historicism has always been more a passionately engaged practice of questioning and analysis than an abstract theory, Gallagher and Greenblatt demonstrate this practice in a series of characteristically dazzling readings of works ranging from paintings by Joos van Gent and Paolo Uccello to Hamlet and Great Expectations. By juxtaposing analyses of Renaissance and nineteenth-century topics, the authors uncover a number of unexpected contrasts and connections between the two periods. Are aspects of the dispute over the Roman Catholic doctrine of the Eucharist detectable in British political economists' hostility to the potato? How does Pip's isolation in Great Expectations shed light on Hamlet's doubt? Offering not only an insider's view of new historicism, but also a lively dialogue between a Renaissance scholar and a Victorianist, Practicing the New Historicism is an illuminating and unpredictable performance by two of America's most respected literary scholars. "Gallagher and Greenblatt offer a brilliant introduction to new historicism. In their hands, difficult ideas become coherent and accessible."—Choice "A tour de force of new literary criticism. . . . Gallagher and Greenblatt's virtuoso readings of paintings, potatoes (yes, spuds), religious ritual, and novels—all 'texts'—as well as essays on criticism and the significance of anecdotes, are likely to take their place as model examples of the qualities of the new critical school that they lead. . . . A zesty work for those already initiated into the incestuous world of contemporary literary criticism-and for those who might like to see what all the fuss is about."—Kirkus Reviews, starred review
The Dickens Industry
Author: Laurence W. Mazzeno
Publisher: Camden House
ISBN: 9781571133175
Category : History
Languages : en
Pages : 330
Book Description
Undoubtedly the best-selling author of his day and well loved by readers in succeeding generations, Charles Dickens was not always a favorite among critics. Celebrated for his novels advocating social reform, for half a century after his death he was ridiculed by those academics who condescended to write about him. Only the faithful band of devotees who called themselves Dickensians kept alive an interest in his work. Then, during the Second World War, he was resurrected by critics, and was soon being hailed as the foremost writer of his age, a literary genius alongside Shakespeare and Milton. More recently, Dickens has again been taken to task by a new breed of literary theorists who fault his chauvinism and imperialist attitudes. Whether he has been adored or despised, however, one thing is certain: no other Victorian novelist has generated more critical commentary. This book traces Dickens's reputation from the earliest reviews through the work of early 21st-century commentators, showing how judgments of Dickens changed with new standards for evaluating fiction. Mazzeno balances attention to prominent critics from the late 19th century through the first three quarters of the 20th with an emphasis on the past three decades, during which literary theory has opened up new ways of reading Dickens. What becomes clear is that, in attempting to provide fresh insight into Dickens's writings, critics often reveal as much about the predilections of their own age as they do about the novelist. Laurence W. Mazzeno is President Emeritus of Alvernia University, Reading, Pennsylvania.
Publisher: Camden House
ISBN: 9781571133175
Category : History
Languages : en
Pages : 330
Book Description
Undoubtedly the best-selling author of his day and well loved by readers in succeeding generations, Charles Dickens was not always a favorite among critics. Celebrated for his novels advocating social reform, for half a century after his death he was ridiculed by those academics who condescended to write about him. Only the faithful band of devotees who called themselves Dickensians kept alive an interest in his work. Then, during the Second World War, he was resurrected by critics, and was soon being hailed as the foremost writer of his age, a literary genius alongside Shakespeare and Milton. More recently, Dickens has again been taken to task by a new breed of literary theorists who fault his chauvinism and imperialist attitudes. Whether he has been adored or despised, however, one thing is certain: no other Victorian novelist has generated more critical commentary. This book traces Dickens's reputation from the earliest reviews through the work of early 21st-century commentators, showing how judgments of Dickens changed with new standards for evaluating fiction. Mazzeno balances attention to prominent critics from the late 19th century through the first three quarters of the 20th with an emphasis on the past three decades, during which literary theory has opened up new ways of reading Dickens. What becomes clear is that, in attempting to provide fresh insight into Dickens's writings, critics often reveal as much about the predilections of their own age as they do about the novelist. Laurence W. Mazzeno is President Emeritus of Alvernia University, Reading, Pennsylvania.
The New Historicism
Author: Harold Veeser
Publisher: Routledge
ISBN: 1317761219
Category : Literary Criticism
Languages : en
Pages : 337
Book Description
Following Clifford Geertz and other cultural anthropologists, the New Historicist critics have evolved a method for describing culture in action. Their "thick descriptions" seize upon an event or anecdote--colonist John Rolfe's conversation with Pocohontas's father, a note found among Nietzsche's papers to the effect that "I have lost my umbrella"--and re-read it to reveal through the analysis of tiny particulars the motive forces controlling a whole society. Contributors: Stephen J. Greenblatt, Louis A. Montrose, Catherine Gallagher, Elizabeth Fox-Genovese, Gerald Graff, Jean Franco, Gayatri Chakravorty Spivak, Frank Lentricchia, Vincent Pecora, Jane Marcus, Jon Klancher, Jonathan Arac, Hayden White, Stanley Fish, Judith Newton, Joel Fineman, John Schaffer, Richard Terdiman, Donald Pease, Brooks Thomas.
Publisher: Routledge
ISBN: 1317761219
Category : Literary Criticism
Languages : en
Pages : 337
Book Description
Following Clifford Geertz and other cultural anthropologists, the New Historicist critics have evolved a method for describing culture in action. Their "thick descriptions" seize upon an event or anecdote--colonist John Rolfe's conversation with Pocohontas's father, a note found among Nietzsche's papers to the effect that "I have lost my umbrella"--and re-read it to reveal through the analysis of tiny particulars the motive forces controlling a whole society. Contributors: Stephen J. Greenblatt, Louis A. Montrose, Catherine Gallagher, Elizabeth Fox-Genovese, Gerald Graff, Jean Franco, Gayatri Chakravorty Spivak, Frank Lentricchia, Vincent Pecora, Jane Marcus, Jon Klancher, Jonathan Arac, Hayden White, Stanley Fish, Judith Newton, Joel Fineman, John Schaffer, Richard Terdiman, Donald Pease, Brooks Thomas.
The New Historicism and Other Old-Fashioned Topics
Author: Brook Thomas
Publisher: Princeton University Press
ISBN: 0691233209
Category : Literary Criticism
Languages : en
Pages : 275
Book Description
Brook Thomas explores the new historicism and the challenges posed to it by a postmodern world that questions the very possibility of newness. He considers new historicism's engagement with poststructuralism and locates the former within a tradition of pragmatic historiography in the United States.
Publisher: Princeton University Press
ISBN: 0691233209
Category : Literary Criticism
Languages : en
Pages : 275
Book Description
Brook Thomas explores the new historicism and the challenges posed to it by a postmodern world that questions the very possibility of newness. He considers new historicism's engagement with poststructuralism and locates the former within a tradition of pragmatic historiography in the United States.
Dickens and Landscape Discourse
Author: Jane Helen Berard
Publisher: Peter Lang
ISBN: 9780820450049
Category : Literary Criticism
Languages : en
Pages : 202
Book Description
Dickens and Landscape Discourse is a contextual study, offering valuable insights into the significance of geographical and social placement in nineteenth-century literature. Jane H. Berard considers landscape contexts available to Dickens, such as topographical poetry, antiquarianism, tourism, John Britton's Beauties of Wiltshire, and the landscape discourse in Dickens' other works to open up a reading of Martin Chuzzlewit (1843-44), set in Wiltshire. Though Dickens can be seen reflecting or resisting the value-laden discourses embedded in his landscapes, he communicates to his readers of Martin Chuzzlewit through an interactive, oppositional, and subversive social discourse to expose a landscape of death and the Victorians' struggle for control over their situation.
Publisher: Peter Lang
ISBN: 9780820450049
Category : Literary Criticism
Languages : en
Pages : 202
Book Description
Dickens and Landscape Discourse is a contextual study, offering valuable insights into the significance of geographical and social placement in nineteenth-century literature. Jane H. Berard considers landscape contexts available to Dickens, such as topographical poetry, antiquarianism, tourism, John Britton's Beauties of Wiltshire, and the landscape discourse in Dickens' other works to open up a reading of Martin Chuzzlewit (1843-44), set in Wiltshire. Though Dickens can be seen reflecting or resisting the value-laden discourses embedded in his landscapes, he communicates to his readers of Martin Chuzzlewit through an interactive, oppositional, and subversive social discourse to expose a landscape of death and the Victorians' struggle for control over their situation.
The New Historicism
Author: Harold Veeser
Publisher: Routledge
ISBN: 1317761200
Category : Literary Criticism
Languages : en
Pages : 338
Book Description
Following Clifford Geertz and other cultural anthropologists, the New Historicist critics have evolved a method for describing culture in action. Their "thick descriptions" seize upon an event or anecdote--colonist John Rolfe's conversation with Pocohontas's father, a note found among Nietzsche's papers to the effect that "I have lost my umbrella"--and re-read it to reveal through the analysis of tiny particulars the motive forces controlling a whole society. Contributors: Stephen J. Greenblatt, Louis A. Montrose, Catherine Gallagher, Elizabeth Fox-Genovese, Gerald Graff, Jean Franco, Gayatri Chakravorty Spivak, Frank Lentricchia, Vincent Pecora, Jane Marcus, Jon Klancher, Jonathan Arac, Hayden White, Stanley Fish, Judith Newton, Joel Fineman, John Schaffer, Richard Terdiman, Donald Pease, Brooks Thomas.
Publisher: Routledge
ISBN: 1317761200
Category : Literary Criticism
Languages : en
Pages : 338
Book Description
Following Clifford Geertz and other cultural anthropologists, the New Historicist critics have evolved a method for describing culture in action. Their "thick descriptions" seize upon an event or anecdote--colonist John Rolfe's conversation with Pocohontas's father, a note found among Nietzsche's papers to the effect that "I have lost my umbrella"--and re-read it to reveal through the analysis of tiny particulars the motive forces controlling a whole society. Contributors: Stephen J. Greenblatt, Louis A. Montrose, Catherine Gallagher, Elizabeth Fox-Genovese, Gerald Graff, Jean Franco, Gayatri Chakravorty Spivak, Frank Lentricchia, Vincent Pecora, Jane Marcus, Jon Klancher, Jonathan Arac, Hayden White, Stanley Fish, Judith Newton, Joel Fineman, John Schaffer, Richard Terdiman, Donald Pease, Brooks Thomas.
A Routledge Literary Sourcebook on Charles Dickens's David Copperfield
Author: Richard J. Dunn
Publisher: Psychology Press
ISBN: 9780415275422
Category : Fiction
Languages : en
Pages : 188
Book Description
Whether read from beginning to end or used as a reference tool, this sourcebook reveals the varied life of 'David Copperfield' in the hands of generations of readers, critics and adaptors, and introduces the work in its social, biographical and literary contexts.
Publisher: Psychology Press
ISBN: 9780415275422
Category : Fiction
Languages : en
Pages : 188
Book Description
Whether read from beginning to end or used as a reference tool, this sourcebook reveals the varied life of 'David Copperfield' in the hands of generations of readers, critics and adaptors, and introduces the work in its social, biographical and literary contexts.
Palgrave Advances in Charles Dickens Studies
Author: R. Patten
Publisher: Springer
ISBN: 0230524206
Category : Literary Criticism
Languages : en
Pages : 345
Book Description
Palgrave Advances in Charles Dickens Studies is a comprehensive and authoritative guide to the study of one of the most important Victorian novelists. Its editors, Robert L. Patten and John Bowen, are leading authorities on Dickens and the international team of contributors they have assembled contains some of the most exciting critics of nineteenth-century fiction writing today. The book covers the whole range of Dickens's writing and criticism about it, including biographical, theoretical and historical approaches. It is based on up-to-the-minute research and written in a lively and engaging way, and will be essential reading for all students and scholars of this canonical writer.
Publisher: Springer
ISBN: 0230524206
Category : Literary Criticism
Languages : en
Pages : 345
Book Description
Palgrave Advances in Charles Dickens Studies is a comprehensive and authoritative guide to the study of one of the most important Victorian novelists. Its editors, Robert L. Patten and John Bowen, are leading authorities on Dickens and the international team of contributors they have assembled contains some of the most exciting critics of nineteenth-century fiction writing today. The book covers the whole range of Dickens's writing and criticism about it, including biographical, theoretical and historical approaches. It is based on up-to-the-minute research and written in a lively and engaging way, and will be essential reading for all students and scholars of this canonical writer.
New Historicism and Cultural Materialism
Author: John Brannigan
Publisher: Bloomsbury Publishing
ISBN: 1349266221
Category : Literary Criticism
Languages : en
Pages : 254
Book Description
New historicism and cultural materialism emerged in the early 1980s as prominent literary theories and came to represent a revival of interest in history and in historicising literature. Their proponents rejected both formalist criticism and earlier attempts to read literature in its historical context and defined new ways of thinking about literature in relation to history. This study explains the development of these theories and demonstrates both their uses and weaknesses as critical practices. The potential future direction for the theories is explored and the controversial debates about their validity in literary studies are discussed.
Publisher: Bloomsbury Publishing
ISBN: 1349266221
Category : Literary Criticism
Languages : en
Pages : 254
Book Description
New historicism and cultural materialism emerged in the early 1980s as prominent literary theories and came to represent a revival of interest in history and in historicising literature. Their proponents rejected both formalist criticism and earlier attempts to read literature in its historical context and defined new ways of thinking about literature in relation to history. This study explains the development of these theories and demonstrates both their uses and weaknesses as critical practices. The potential future direction for the theories is explored and the controversial debates about their validity in literary studies are discussed.