Devotions Upon Emergent Occasions; Together with Death's Duel PDF Download

Author: John Donne
Publisher: Litres
ISBN: 5041727406
Category : Fiction
Languages : en
Pages : 323

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Author: John Donne
Publisher: Cosimo, Inc.
ISBN: 1616402911
Category : Religion
Languages : en
Pages : 246

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In addition to the writer's 1624 collection of meditations, debates with God, and prayers on the human condition-particularly earthly physical sickness and health-this volume contains the 1631 work "Death's Duel," a sermon said to be his own funeral oration, which he preached shortly before his own death. Readers of 17th-century literature, religious devotionals, and ponderers of human mortality are sure to find something profound in this fascinating, famous work. British metaphysical poet JOHN DONNE (1572-1631), renowned for his satires on English society, wrote this prose work in the latter part of his life, after he became an Anglican priest.

Author: George Pattison
Publisher: Routledge
ISBN: 1317122771
Category : Philosophy
Languages : en
Pages : 183

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This book examines the question of death in the light of Heidegger's paradigmatic discussion in Being and Time. Although Heidegger's own treatment deliberately refrains from engaging theological perspectives, George Pattison suggests that these not only serve to bring out problematic elements in his own approach but also point to the larger human or anthropological issues in play. Pattison reveals where and how Heidegger and theology part ways but also how Heidegger can helpfully challenge theology to rethink one of its own fundamental questions: human beings' relation to their death and the meaning of death in their religious lives.

Author: John Donne
Publisher: Cambridge University Press
ISBN: 1107463602
Category : Literary Collections
Languages : en
Pages : 203

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Originally published in 1923, this book contains an edition of John Donne's Devotions, which were first printed in 1624. Donne wrote these passionate and 'unadorned' meditations during a severe sickness that he feared was life-threatening, and the text consequently provides an intimate portrait of Donne that is lacking from many of his other writings. A brief biography of Donne and a bibliographical note are also provided. This book will be of value to anyone with an interest in the life and spirituality of John Donne or in his contributions to seventeenth-century religious thought.

Author: Ian Bostridge
Publisher: University of Chicago Press
ISBN: 022682294X
Category : Music
Languages : en
Pages : 133

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Award-winning singer Ian Bostridge examines iconic works of Western classical music to reflect on the relationship between performer and audience. Like so many performers, renowned tenor Ian Bostridge spent much of 2020 and 2021 unable to take part in live music. The enforced silence of the pandemic led him to question an identity that was previously defined by communicating directly with audiences in opera houses and concert halls. It also allowed him to delve deeper into many of the classical works he has encountered over the course of his career, such as Claudio Monteverdi’s seventeenth-century masterpiece Il Combattimento di Tancredi e Clorinda and Robert Schumann’s popular song cycle Frauenliebe und Leben. In lucid and compelling prose, Bostridge explores the ways Monteverdi, Schumann, and Britten employed and disrupted gender roles in their music; questions colonial power and hierarchy in Ravel’s Songs of Madagascar; and surveys Britten’s reckoning with death in works from the War Requiem to his final opera, Death in Venice. As a performer reconciling his own identity and that of the musical text he delivers on stage, Bostridge unravels the complex history of each piece of music, showing how today’s performers can embody that complexity for their audiences. As readers become privy to Bostridge’s unique lines of inquiry, they are also primed for the searching intensity of his interpretations, in which the uncanny melding of song and self brings about moments of epiphany for both the singer and his audience.

Author: Aaron Aquilina
Publisher: Bloomsbury Publishing
ISBN: 1350339490
Category : Philosophy
Languages : en
Pages : 241

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Through examination of the death penalty in literature, Aaron Aquilina contests Heidegger's concept of 'being-towards-death' and proposes a new understanding of the political and philosophical subject. Dickens, Nabokov, Hugo, Sophocles and many others explore capital punishment in their works, from Antigone to Invitation to a Beheading. Using these varied case studies, Aquilina demonstrates how they all highlight two aspects of the experience. First, they uncover a particular state of being, or more precisely non-being, that comes with a death sentence, and, second, they reveal how this state exists beyond death row, as sovereignty and alterity are by no means confined to a prison cell. In contrast to Heidegger's being-towards-death, which individualizes the subject – only I can die my own death, supposedly – this book argues that, when condemned to death, the self and death collide, putting under erasure the category of subjectivity itself. Be it death row or not, when the supposed futurity of death is brought into the here and now, we encounter what Aquilina calls 'relational death'. Living on with death severs the subject's relation to itself, the other and political sociality as a whole, rendering the human less a named and recognizable 'being' than an anonymous 'living corpse', a human thing. In a sustained engagement with Blanchot, Levinas, Hegel, Agamben and Derrida, The Ontology of Death articulates a new theory of the subject, beyond political subjectivity defined by sovereignty and beyond the Heideggerian notion of ontological selfhood.

Author: English Association
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 348

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Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 638

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Author: Joseph A. Galdon
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110873214
Category : Social Science
Languages : en
Pages : 164

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No detailed description available for "Typology of Seventeenth-Century Literature".

Author: Hannibal Hamlin
Publisher: OUP Oxford
ISBN: 0191665363
Category : Literary Criticism
Languages : en
Pages : 397

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Despite the widespread popular sense that the Bible and the works of Shakespeare are the two great pillars of English culture, and despite the long-standing critical recognition that the Bible was a major source of Shakespeare's allusions and references, there has never been a full-length, critical study of the Bible in Shakespeare's plays. The Bible in Shakespeare addresses this serious deficiency. Early chapters describe the post-Reformation explosion of Bible translation and the development of English biblical culture, compare the Church and the theater as cultural institutions (particularly in terms of the audience's auditory experience), and describe in general terms Shakespeare's allusive practice. Later chapters are devoted to interpreting Shakespeare's use of biblical allusion in a wide variety of plays, across the spectrum of genres: King Lear and Job, Macbeth and Revelation, the Crucifixion in the Roman Histories, Falstaff's anarchic biblical allusions, and variations on Adam, Eve, and the Fall throughout Shakespeare's dramatic career, from Romeo and Juliet to The Winter's Tale. The Bible in Shakespeare offers a significant new perspective on Shakespeare's plays, and reveals how the culture of early modern England was both dependent upon and fashioned out of a deep engagement with the interpreted Bible. The book's wide-ranging and interdisciplinary nature will interest scholars in a variety of fields: Shakespeare and English literature, allusion and intertextuality, theater studies, history, religious culture, and biblical interpretation. With growing scholarly interest in the impact of religion on early modern culture, the time is ripe for such a publication.