Author: Wolfgang Amadeus Mozart
Publisher: Dover Publications
ISBN:
Category : Music
Languages : en
Pages : 116
Book Description
Deutsche Tänze KV 509
Author: Wolfgang Amadeus Mozart
Publisher: Dover Publications
ISBN:
Category : Music
Languages : en
Pages : 116
Book Description
Publisher: Dover Publications
ISBN:
Category : Music
Languages : en
Pages : 116
Book Description
Deutsche Taenze, Orchestra, K. 509
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category :
Languages : en
Pages : 2
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 2
Book Description
6 Deutsche Tänze/German dances KV 509
The Recorder
Author: Richard W. Griscom
Publisher: Routledge
ISBN: 113583931X
Category : Music
Languages : en
Pages : 842
Book Description
A Choice "Best Academic" book in its first edition, The Recorder remains an essential resource for anyone who wants to know about this instrument. This new edition is thoroughly redone, takes account of the publishing activity of the years since its first publication, and still follows the original organization.
Publisher: Routledge
ISBN: 113583931X
Category : Music
Languages : en
Pages : 842
Book Description
A Choice "Best Academic" book in its first edition, The Recorder remains an essential resource for anyone who wants to know about this instrument. This new edition is thoroughly redone, takes account of the publishing activity of the years since its first publication, and still follows the original organization.
Six allemandes; sechs deutsche Tänze (Hoboken IX: 9)
Author: Joseph Haydn
Publisher:
ISBN:
Category : Allemandes
Languages : en
Pages : 172
Book Description
Publisher:
ISBN:
Category : Allemandes
Languages : en
Pages : 172
Book Description
The Recorder
Author: David Lasocki
Publisher: Yale University Press
ISBN: 030027064X
Category : Music
Languages : en
Pages : 367
Book Description
The fascinating story of a hugely popular instrument, detailing its rich and varied history from the Middle Ages to the present The recorder is perhaps best known today for its educational role. Although it is frequently regarded as a stepping-stone on the path toward higher musical pursuits, this role is just one recent facet of the recorder’s fascinating history—which spans professional and amateur music-making since the Middle Ages. In this new addition to the Yale Musical Instrument Series, David Lasocki and Robert Ehrlich trace the evolution of the recorder. Emerging from a variety of flutes played by fourteenth-century soldiers, shepherds, and watchmen, the recorder swiftly became an artistic instrument for courtly and city minstrels. Featured in music by the greatest Baroque composers, including Bach and Handel, in the twentieth century it played a vital role in the Early Music Revival and achieved international popularity and notoriety in mass education. Overall, Lasocki and Ehrlich make a case for the recorder being surprisingly present, and significant, throughout Western music history.
Publisher: Yale University Press
ISBN: 030027064X
Category : Music
Languages : en
Pages : 367
Book Description
The fascinating story of a hugely popular instrument, detailing its rich and varied history from the Middle Ages to the present The recorder is perhaps best known today for its educational role. Although it is frequently regarded as a stepping-stone on the path toward higher musical pursuits, this role is just one recent facet of the recorder’s fascinating history—which spans professional and amateur music-making since the Middle Ages. In this new addition to the Yale Musical Instrument Series, David Lasocki and Robert Ehrlich trace the evolution of the recorder. Emerging from a variety of flutes played by fourteenth-century soldiers, shepherds, and watchmen, the recorder swiftly became an artistic instrument for courtly and city minstrels. Featured in music by the greatest Baroque composers, including Bach and Handel, in the twentieth century it played a vital role in the Early Music Revival and achieved international popularity and notoriety in mass education. Overall, Lasocki and Ehrlich make a case for the recorder being surprisingly present, and significant, throughout Western music history.
Library of Congress Catalog
Author: Library of Congress
Publisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 894
Book Description
A cumulative list of works represented by Library of Congress printed cards.
Publisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 894
Book Description
A cumulative list of works represented by Library of Congress printed cards.
The National Union Catalog
Historical Sets, Collected Editions, and Monuments of Music
Author: Anna Harriet Heyer
Publisher: Chicago : American Library Association
ISBN:
Category : Music
Languages : en
Pages : 598
Book Description
Publisher: Chicago : American Library Association
ISBN:
Category : Music
Languages : en
Pages : 598
Book Description
The Notation Is Not the Music
Author: Barthold Kuijken
Publisher: Indiana University Press
ISBN: 0253010683
Category : Music
Languages : en
Pages : 142
Book Description
Written by a leading authority and artist of the historical transverse flute, The Notation Is Not the Music offers invaluable insight into the issues of historically informed performance and the parameters—and limitations—of notation-dependent performance. As Barthold Kuijken illustrates, performers of historical music should consider what is written on the page as a mere steppingstone for performance. Only by continual examination and reexamination of the sources to discover original intent can an early music practitioner come close to authentic performance.
Publisher: Indiana University Press
ISBN: 0253010683
Category : Music
Languages : en
Pages : 142
Book Description
Written by a leading authority and artist of the historical transverse flute, The Notation Is Not the Music offers invaluable insight into the issues of historically informed performance and the parameters—and limitations—of notation-dependent performance. As Barthold Kuijken illustrates, performers of historical music should consider what is written on the page as a mere steppingstone for performance. Only by continual examination and reexamination of the sources to discover original intent can an early music practitioner come close to authentic performance.