Detroit Entertainment 2003 PDF Download

Author: Entertainment Publications, Incorporated
Publisher:
ISBN: 9781585534791
Category :
Languages : en
Pages : 966

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Author: Laurent Garnier
Publisher: Rocket 88
ISBN: 9781906615918
Category : Dance music
Languages : en
Pages : 304

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Book Description
Pioneering French DJ Laurent Garnier's ELECTROCHOC is more than an autobiography, it is a truly unique history of Dance and Techno in the UK, USA & Europe written from the perspective of a man who helped to shape the movement, its sounds and lasting legacy.

Author:
Publisher:
ISBN:
Category : Trademarks
Languages : en
Pages :

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Author: Leo Early
Publisher:
ISBN: 9781626197817
Category : Biography & Autobiography
Languages : en
Pages : 160

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Book Description

Author: Mellonee V. Burnim
Publisher: Routledge
ISBN: 1317934423
Category : Music
Languages : en
Pages : 544

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Book Description
American Music: An Introduction, Second Edition is a collection of seventeen essays surveying major African American musical genres, both sacred and secular, from slavery to the present. With contributions by leading scholars in the field, the work brings together analyses of African American music based on ethnographic fieldwork, which privileges the voices of the music-makers themselves, woven into a richly textured mosaic of history and culture. At the same time, it incorporates musical treatments that bring clarity to the structural, melodic, and rhythmic characteristics that both distinguish and unify African American music. The second edition has been substantially revised and updated, and includes new essays on African and African American musical continuities, African-derived instrument construction and performance practice, techno, and quartet traditions. Musical transcriptions, photographs, illustrations, and a new audio CD bring the music to life.

Author: Entertainment Publications, Incorporated
Publisher:
ISBN: 9781585535224
Category :
Languages : en
Pages : 518

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Book Description

Author: Entertainment Publications, Incorporated
Publisher:
ISBN: 9781585534661
Category :
Languages : en
Pages : 742

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Book Description

Author: Laurie Palazzolo
Publisher: Wayne State University Press
ISBN: 9780814331934
Category : Biography & Autobiography
Languages : en
Pages : 420

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Book Description
Detroit and its strong Polish community share in America's rich history of Polish music and customs. This work documents that history and details the development of the Polish-American musicians in Detroit who became known as polka musicians, even though their music was very diversified.

Author: Erin Giannini
Publisher: Taylor & Francis
ISBN: 1003850103
Category : Performing Arts
Languages : en
Pages : 164

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Book Description
The idea of metatextuality is frequently framed as a recent television development and often paired with the idea that it represents genre exhaustion. US television, however, with its early “live” performances and set-bound sitcoms, always suggested an element of self-awareness that easily shaded into metatextuality even in its earliest days. Meta Television thus traces the general history of US television’s metatextuality throughout television’s history, arguing that TV’s self-awareness is nothing new—and certainly not evidence of a period of aesthetic exhaustion—but instead is woven into both its past and present practice, elucidated through case studies featuring series from the 1970s to the present day—many of which have not been critically analyzed before—and the various ways they deploy metatext to both construct and deconstruct their narratives. Further, Meta Television asserts that this re- and de-construction of narrative and production isn’t just a reward to the savvy and/or knowledgeable viewer (or consumer), but seeks to make broader points about the media we consume—and how we consume it. This book explores the ways in which the current metatextual turn, in both the usual genres in which it appears (horror and sci-fi/fantasy) and its movement into drama and sitcom, represents the next turn in television’s inherent self-awareness. It traces this element throughout television’s history, growing from the more modest reflexivity of programs’ awareness of themselves, as created objects in a particular medium, to the more significant breaking of the fictive illusion and therefore the perceived distance between the audience and the series. Erin Giannini shows how the increased currency of metatextual television in the contemporary era can be tied to a viewership well-versed in its stories and production as well as able and willing to “talk back” via social media. If television reflects culture to a certain extent, this increased reflexivity mirrors that “responsive” audience as a consequence of the lack of distance that metafiction embraces. As Robert Stam traced the use—and implications—of reflexivity in film and literature, this book does the same for television, further problematizing John Ellis’s glance theory in terms of both production and spectatorship.

Author: Judith Hamera
Publisher: Oxford University Press
ISBN: 0190699728
Category : Music
Languages : en
Pages : 305

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Book Description
How does structural economic change look and feel? How are such changes normalized? Who represents hope? Who are the cautionary tales? Unfinished Business argues that U.S. deindustrialization cannot be understood apart from issues of race, and specifically apart from images of, and works by and about African Americans that represent or resist normative or aberrant relationships to work and capital in transitional times. It insists that Michael Jackson's performances and coverage of his life, plays featuring Detroit, plans for the city's postindustrial revitalization, and Detroit installations The Heidelberg Project and Mobile Homestead have something valuable to teach us about three decades of structural economic transition in the U.S., particularly about the changing nature of work and capitalism between the mid 1980s and 2016. Jackson and Detroit offer examples of the racialization of deindustrialization, how it operates as a structure of feeling and as representations as well as a shift in the dominant mode of production, and how industrialization's successor mode, financialization, uses imagery both very similar to and very different from its predecessor.