Author: Jack Kirby Publisher: DC Comics ISBN: Category : Comics & Graphic Novels Languages : en Pages : 54
Book Description
Four members of a famed card club become the targets for the Clown Prince of Crime, but Batman and Robin discover that The Joker didnÕt commit the crimes, and they attempt to track down the real culprit. NOTE: Not all backup stories advertised on the cover are be included.
Author: Dennis O'Neil Publisher: DC Comics ISBN: Category : Comics & Graphic Novels Languages : en Pages : 20
Book Description
ÒTHERE IS NO HOPE IN CRIME ALLEY!Ó Every night on this date, Batman abandons all other crimes and missions and secretly heads to visit Leslie Thompkins. En route, Batman stops a car-radio theft and two muggings. When one of the muggers pulls a gun on him in Crime Alley, Batman loses his temper and knocks the mugger silly while having a flashback to his parentsÕ murder and his ÒrescueÓ by a young Leslie Thompkins.
Author: Sam Hamm Publisher: ISBN: 9781563890475 Category : Batman (Comic strip) Languages : en Pages : 0
Book Description
When Bruce Wayne refuses to allow illegal mindcontrol experiments to continue at Wayne Technology, he finds himself charged with being a traitor. During the police investigation, Wayne is forced to confront memories of the various people who trained him to become the feared Dark KnightBatman. Wayne not only must clear himself, but also protect his secret and save his company from ruin. Batman screenwriter Sam Hamm makes his comic-book debut with BATMAN: BLIND JUSTICE, introducing new elements to the Batman legend including the character of Henri Ducard, played by Liam Neeson in 2005s smash film Batman Begins.
Author: William Grady Publisher: University of Texas Press ISBN: 1477329986 Category : History Languages : en Pages : 329
Book Description
"As the Western began to flourish in literature, it also began to appear in illustrations and early comic strips of the late 19th and early 20th centuries. William Grady charts the history of the genre in comic strips and books from its origins in this period through its mid-century heyday to its gradual decline in the 60s and 70s, ending with a brief look at the current "afterlife" of Western comics over the last few decades. In doing so, he also argues for the importance of comics in the development of the Western alongside both literature and film/television. He explains how the mythic-historical settings of Western comics allowed the young readers at whom they were aimed to explore different aspects of their contemporary society, wrestle with taboo topics, and envision different futures for the US. Grady begins by exploring the origins of the Western genre in the late 19th century and shows the importance of illustrated narratives and cartoons in helping readers visualize the West, thus establishing much of its iconic imagery of frontier life, including racist stereotypes of Indigenous Peoples. He moves forward in time to show how the West became mythologized and fantastic elements were introduced into the real landscape in comic strips such as Gasoline Alley and Krazy Kat, until the Great Depression, where strips emphasized the escapist adventures of the West in Red Ryder, Lone Ranger, and others. The postwar Western spread into comic books and was used alternately as positive and negative commentaries on the Cold War and America's place in the world, but in the era of Vietnam and Watergate, Western comics portrayed darker reflections of American culture and history and eventually more or less died out. Despite the genre's apparent demise, Grady ends by examining its ongoing influence over the last decades as its tropes are used to interrogate and subvert the idea of the mythic West and explore diverse perspectives on the genre"--
Author: Blake Bell Publisher: Fantagraphics Books ISBN: 1606995529 Category : Literary Criticism Languages : en Pages : 305
Book Description
The Secret History of Marvel Comics digs back to the 1930s when Marvel Comics wasn't just a comic-book producing company. Marvel Comics owner Martin Goodman had tentacles into a publishing world that might have made that era’s conservative American parents lynch him on his front porch. Marvel was but a small part of Goodman’s publishing empire, which had begun years before he published his first comic book. Goodman mostly published lurid and sensationalistic story books (known as “pulps”) and magazines, featuring sexually-charged detective and romance short fiction, and celebrity gossip scandal sheets. And artists like Jack Kirby, who was producing Captain America for eight-year-olds, were simultaneously dipping their toes in both ponds. The Secret History of Marvel Comics tells this parallel story of 1930s/40s Marvel Comics sharing offices with those Goodman publications not quite fit for children. The book also features a comprehensive display of the artwork produced for Goodman’s other enterprises by Marvel Comics artists such as Jack Kirby and Joe Simon, Alex Schomburg, Bill Everett, Al Jaffee, and Dan DeCarlo, plus the very best pulp artists in the field, including Norman Saunders, John Walter Scott, Hans Wesso, L.F. Bjorklund, and Marvel Comics #1 cover artist Frank R. Paul. Goodman’s magazines also featured cover stories on celebrities such as Jackie Gleason, Elizabeth Taylor, Liberace, and Sophia Loren, as well as contributions from famous literary and social figures such as Isaac Asimov, Theodore Sturgeon, and L. Ron Hubbard.
Author: Jack Kirby
Author: Henry Boltinoff
Author: Nick Jones
Author: Dennis O'Neil
Author: Sam Hamm
Author: Jack Schiff
Author: Ivy Press
Author: Kyle Husfloen
Author: William Grady
Author: Blake Bell